If you had to reference a Shostakovich Opus number in your personal text

Started by karlhenning, December 01, 2009, 08:36:22 AM

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karlhenning

Inspired by Brian's groovy LvB opus number thread!

For me:  соч. 43 or 93


bhodges

Op. 11, Prelude and Scherzo for string octet - Still one of my favorite works of all time, and the fact that he wrote it when he was a student at the Leningrad Conservatory (at age 19 or 20) just makes me smile and shake my head. 

--Bruce

Brahmsian

Since I have no many works I have not yet heard of DSCH, it could change in a hurry.

Right now, just going by what I've heard, I'd go with Op.93 or Op.29  8)

Novi

Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den der heimlich lauschet.

bhodges

Quote from: Brahmsian on December 01, 2009, 09:05:15 AM
Since I have no many works I have not yet heard of DSCH, it could change in a hurry.

Right now, just going by what I've heard, I'd go with Op.93 or Op.29  8)

Op. 29 was my second choice.  8)

--Bruce

Brahmsian




Brian



Sean

Well I don't care for opus numbers; his greatest works are the Fourth and Fourteenth symphs.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

karlhenning

Quote from: Todd on December 01, 2009, 10:35:59 AM
Op 113.

For all its being one of those 'big-boned' works, I find it expertly crafted.

Quote from: Sean on December 01, 2009, 10:20:11 AM
Well I don't care for opus numbers; his greatest works are the Fourth and Fourteenth symphs.

Must say that here, at the least you've chosen well on both counts ; )

Elgarian

I can't help but be tempted into a variant of the old Joke Club joke:

Fred is invited to join the Opus Number Club, and goes to his first meeting. The Chairman of the club invites contributions from the members. Jack walks to the front and announces in a steady, even voice: 'Beethoven, Opus 130'. There's silence for a moment, then all those assembled burst out into rapturous applause. The Chairman then invites Jill, who walks to the front and, struggling to keep her composure, says 'Tchaikovsky, Opus 74'. Several people are seen weeping, and again there is great applause.

So the Chairman says, I'd now like to invite our new member, Fred, to contribute. Fred strolls to the front and says, jauntily: 'Sibelius, Opus 82'. Silence follows. Some people cough discretely, while others shuffle uneasily in their seats. A few applaud, half-heartedly. Fred leans over to the Chairman and whispers: 'What did I do wrong?'

The chairman shakes his head. 'I'm afraid it was a very superficial interpretation of the score.'

offbeat

oh wat an impossible dilemma
ok op67 piano trio 2 - but that today only  ::)