Which symphony has the most poweful ending?

Started by Bruckner is God, March 19, 2011, 10:26:16 AM

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Which one of these symphonies has the most powerful and hair-raising ending?

Brahms 4
9 (20%)
Mahler 3
6 (13.3%)
Bruckner 5
13 (28.9%)
Beethoven 7
2 (4.4%)
Sibelius 2
7 (15.6%)
Schubert 9
0 (0%)
Shostakovich 5
8 (17.8%)

Total Members Voted: 37

Maciek


vandermolen

Quote from: Bruckner is God on March 20, 2011, 02:10:38 PM
My question was not what the most powerful ending in any symphony is.
I agree there are probably more powerful endings, but nonetheless these are my personal favourites.

I stand duly reprimanded  ::)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

RJR

Quote from: Gurnatron5500 on March 21, 2011, 10:45:17 AM
Without Beethoven's 9th, which would raise MY hair if I had any, the poll loses all credibility. :-\

8)
I second Gurnatron5500's choice and raise him Tchaikovsky's 4th, Schubert's 9th, Dutilleux's 2nd, Roussel's 3rd, Shostakovich's 10th and Beethoven's Fifth for good measure. Not all are hair raising but they pack a punch.

abidoful

#43
Since you said "powerful and hair-raising" , I had to vote the Brahms 4th.

But these aren't the best options for "hair-raising".The Mahler 3rd ending for instance is a lyrical ending... And from the Sibelius-cycle definately the 5th wins  this game!

Also the Tsaikovsky 5th is a strong one...

J.Z. Herrenberg

Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

Roberto

Mahler 8. (Especially the first part's ending). But it is not on the list. So I would choose Bruckner 5.

offbeat

Not a powerful ending but for me Brahms 3rd ends in such meloncoly and regret - a thread which runs through the whole symphony and despite the beauty and the bluster i feel this is one of his most deeply felt works  :)

TheGSMoeller

Quote from: offbeat on July 19, 2011, 09:14:56 AM
Not a powerful ending but for me Brahms 3rd ends in such meloncoly and regret - a thread which runs through the whole symphony and despite the beauty and the bluster i feel this is one of his most deeply felt works  :)

IMO the best of Brahms, and possibly the best from the Romantic Era.

I chose DSCH 5th only because I've seen it performed several times, and it's quite a moving ending after the emotional 45 minutes that precede it.


Vesteralen

I went for Brahms because, at his best (as in the finale of the 4th), his music has the same powerful effect on me that the plays of Sophocles do.  Other symphonies can be moving on a more temporary basis for me, but the impact of the Brahms Fourth is much deeper and longer lasting.  That's just my personality and the way I respond to things.

Speaking on a simply aural level, the symphony ending that packed the biggest wallop for me in a live performance was Barber's Symphony in One Movement.

Mood4Classical

The ending of the first movement of Brahms 4 keeps me speechless. Sibelius 2nd does the same but is transcendental rather than powerful. You remind me to visit Mahler 3, been a long time  :-\
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Frihed89

Quote from: Mood4Classical on September 12, 2011, 07:01:29 PM
The ending of the first movement of Brahms 4 keeps me speechless. Sibelius 2nd does the same but is transcendental rather than powerful. You remind me to visit Mahler 3, been a long time  :-\

Exactly, my toss-up was between Bruckner and Sibelius, but it was the same differences you saw that inspired my gut to pick the Sibelius 2nd.

Isn't this part of the forum for "beginners" ? 

I am new.  I seem to enjoy Romantic and early modern composers: R. Strauss, Mahler, Bruckner, Sibelius, Bartok, Nielsen, Ives and, for some reason, Messiaen, and Bach for his Unaccompanied Cello Suites and violin sonatas and partitas.

bhodges

Quote from: Frihed89 on October 20, 2011, 09:01:11 AM
Exactly, my toss-up was between Bruckner and Sibelius, but it was the same differences you saw that inspired my gut to pick the Sibelius 2nd.

Isn't this part of the forum for "beginners" ? 

I am new.  I seem to enjoy Romantic and early modern composers: R. Strauss, Mahler, Bruckner, Sibelius, Bartok, Nielsen, Ives and, for some reason, Messiaen, and Bach for his Unaccompanied Cello Suites and violin sonatas and partitas.

Hi Frihed89, and welcome. Feel free to post a little more about yourself (if you like) in the "Introductions" section of the board. And I'm a fan of all those composers you list, too!

--Bruce

madaboutmahler

Voted for Bruckner 5, does not get much more powerful than that! The only other symphony endings I can think of that are more powerful and overwhelming would be the ends to Mahler 2 and 8 :)
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

Lisztianwagner

I voted for Bruckner No.5, its ending is certainly very intense and thrilling; but both Mahler No.3 and Shostakovich No.5 are highly impressive!   :)

Little amazed there's not Beethoven No.9 in the list, the finale of that symphony is one of the most powerful and beautiful I've ever heard, so involving!
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Opus106

Quote from: Lisztianwagner on October 21, 2011, 06:47:27 AM
Little amazed there's not Beethoven No.9 in the list, the finale of that symphony is one of the most powerful and beautiful I've ever heard, so involving!

It's too popular! ;)
Regards,
Navneeth

Lisztianwagner

Quote from: Opus106 on October 21, 2011, 06:58:40 AM
It's too popular! ;)

That's right, but this doesn't take out anything to its greatness I think.

Anyway aren't Beethoven No.7 and Schubert No.9 very popular as well?  ;)
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg