William Schuman (1910-1992)

Started by vandermolen, June 26, 2007, 11:43:55 PM

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Karl Henning

Quote from: Mirror Image on April 24, 2012, 05:53:23 PM
Changing gears and getting back on topic, how about that Violin Concerto? What do you guys think about it?

I've had an inconstant tussle with the Violin Concerto.  Was prepared to like it when I first heard it, but somehow it was "other" (I suppose) than what my ears were actually after. (At the time, anyway, I don't think I knew any Schuman, apart from the New England Triptych, at the time.)  So, while I certainly did not hate it, I reserved my highest opinion from it.

Now, aware that the air needed clearing . . . I'm trying it again this morning.


Quote from: The new erato on April 24, 2012, 10:59:52 PM
The best violin concerto written by an US composer in my opinion.

Without denigrating the Schuman Concerto at all (my opinion is no great distance from yours), do you know the Wuorinen Concerto for Amplified Violin? I think very highly of it, and not just because I am a former student (fair disclosure).
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

The new erato

#201
The Wuorinen is unknown to me. I prefer to amplify my music myself.  ;D

PS: I should have said; the best US violin converto known to me (and i've heard a fair deal).

Karl Henning

You may well have heard more than I have!  I need to revisit the Carter concerto for vn . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Just played the samples from that Credendum disc, John; sounds very nice!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: The new erato on April 24, 2012, 10:59:52 PM
The best violin concerto written by an US composer in my opinion.

Better than the Barber? Hmmm...must be good. 8)

Mirror Image

Quote from: karlhenning on April 25, 2012, 04:28:04 AM
I've had an inconstant tussle with the Violin Concerto.  Was prepared to like it when I first heard it, but somehow it was "other" (I suppose) than what my ears were actually after. (At the time, anyway, I don't think I knew any Schuman, apart from the New England Triptych, at the time.)  So, while I certainly did not hate it, I reserved my highest opinion from it.

Now, aware that the air needed clearing . . . I'm trying it again this morning.

I have yet to hear the Schuman's VC, so that's one reason why I asked how people like it here to get some feedback on it. Let me know if you've changed your opinion of it now that you've got some more of Schuman's music under your belt.

P.S. Credendum is a fine work. I think you'll enjoy it, Karl.

Karl Henning

Yes, liking the Vn Cto even better this time around.  Top-drawer Schuman, to be sure.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: karlhenning on April 25, 2012, 07:39:14 AM
Yes, liking the Vn Cto even better this time around.  Top-drawer Schuman, to be sure.

Good to hear, Karl. I look forward to digging into the McDuffie/Slatkin performance once I receive it. What performance do you own of it?

Karl Henning

Quint/Bournemouth/Serebrier on Naxos.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

The new erato

#209
I have that as well, and good as it is, it cannot quite touch the fantastic Zukofsky/Tilson Thomas version I have on DG vinyl.


Karl Henning

Quote from: The new erato on April 25, 2012, 09:49:48 AM
I have that as well, and good as it is, it cannot quite touch the fantastic Zukofsky/Tilson Thomas version I have on DG vinyl.

Yes, I've my eye on that recording. Zukofsky, by the way, played the recording of the Wuorinen concerto which I mentioned.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

bhodges

Quote from: The new erato on April 25, 2012, 09:49:48 AM
I have that as well, and good as it is, it cannot quite touch the fantastic Zukofsky/Tilson Thomas version I have on DG vinyl.



Wow, I have this as well, and hadn't thought about it in years. (Zukovsky was marvelous; I still treasure his performance of Reich's Violin Phase, too.)

And I agree: the piece is sensational. I heard it recently on an all-William Schuman concert, and it struck me: the reason it isn't performed much is...it's too hard!

--Bruce

Mirror Image

...scurries across the Internet for a copy (at a cheap price) of the Zukofsky/Tilson Thomas performance of Schuman's VC..

Archaic Torso of Apollo

Quote from: The new erato on April 24, 2012, 10:59:52 PM
The best violin concerto written by an US composer in my opinion.

Better than Barber, Rochberg, Piston? That's quite an achievement then.

Quote from: The new erato on April 25, 2012, 09:49:48 AM
the fantastic Zukofsky/Tilson Thomas version I have on DG vinyl.

Ah, the good old days, when DG was willing to step outside its comfort zone, and give unusual music a chance. I am interested to know how it compares to McDuffie/Slatkin, which our mirrored colleague just acquired. Can anyone compare them?
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

The new erato

Quote from: Velimir on April 25, 2012, 10:48:06 AM
Better than Barber, Rochberg, Piston? That's quite an achievement then.

I know them all, and in my opinion, yes.

Mirror Image

Quote from: The new erato on April 25, 2012, 11:11:31 AM
I know them all, and in my opinion, yes.

What is about the Schuman VC that you admire so much, Erato? I mean saying it's the finest American VC is a bold statement, but I'm just curious because I haven't heard the work yet.

pjme



I have the Schuman violinconcerto in this cd-incarnation.

It is indeed a great work. But it is the kind of music many people would call " masculine, muscular, hard, tough & brillant...". Yet (and I'm listening now) there's ( in the first movement) a wealth of soft , exquisitely lyrical music ( wood winds & soft strings + soloviolin) that just melts the heart. The second movement hovers between poetry and hard-driven anger, only to explode in a typical percussion-laden climax.
This music is good and personal enough on its own and doesn't need to be compared.

If only the viola concerto would be recorded or re-issued!
P.

Sergeant Rock

Quote from: Velimir on April 25, 2012, 10:48:06 AM
Ah, the good old days, when DG was willing to step outside its comfort zone, and give unusual music a chance. I am interested to know how it compares to McDuffie/Slatkin, which our mirrored colleague just acquired. Can anyone compare them?

I have both (Zukofsky and McDuffie). Haven't heard McDuffie yet (just arrived a few days ago) but I'll compare them soon.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

The new erato

Quote from: Mirror Image on April 25, 2012, 11:39:47 AM
What is about the Schuman VC that you admire so much, Erato? I mean saying it's the finest American VC is a bold statement, but I'm just curious because I haven't heard the work yet.
The combination between hard driven dynamics and lyrical parts. And all movements are very fine (the Barber eg has a very weak last movement). Superbly orchestrated.

Mirror Image

Quote from: The new erato on April 25, 2012, 12:39:23 PM
The combination between hard driven dynamics and lyrical parts. And all movements are very fine (the Barber eg has a very weak last movement). Superbly orchestrated.

I'm excited to this, Erato. Yes, the last movement of the Barber VC is very disappointing especially in contrast with the movements that preceded it.