Piano Battle Royale! Liszt vs. Chopin

Started by Mirror Image, February 02, 2012, 01:02:59 PM

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Who do you prefer?

Liszt
11 (28.2%)
Chopin
28 (71.8%)

Total Members Voted: 37

Voting closed: February 22, 2012, 01:02:59 PM

AnthonyAthletic

Quote from: Mirror Image on February 02, 2012, 01:02:59 PM
Who do you prefer?

My choice is Liszt. One of the most amazing pianists this world has ever seen.

Don't recall ever seeing him play, myself.

Any DVD's of him knocking about?

"Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying"      (Arthur C. Clarke)

Conor71

Im a pretty big Chopin fan so he gets my vote! :)

listener

winner to battle Thalberg?
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

starrynight

Lizst's reputation may have increased in more recent years, though I doubt it is anywhere near what it was within the classical field in his own time.  Chopin's reputation has taken fewer dips really so it's expected he takes the lead.

Klaze

Some years ago I was casually dismissing Chopin as empty salon music, but I'm glad I've come to my senses; Chopin it is!

quintett op.57

Quote from: Gurnatron5500 on February 02, 2012, 01:19:14 PM
Chopin, beyond doubt. Liszt is the Paganini of the keyboard. And while I love that sort of gymnastics, it wears thin. Chopin only grows deeper.

8)
What's not deep is probably your knowledge of Liszt pieces. Your comparison to Paganini is absolutely unrelevant.

Paganini was a genius for 1 thing: getting the best out of a violin or a viola. You can argue that he was week regarding the rest.

Liszt piano pieces his fabulously rich, innovative and various, not only regarding piano playing but also harmony, thematic development or, obviously, tonality.
And he was nearly as innovative regarding orchestration.

I guess you ignore much of his orchestral pieces. As a fan of Haydn, you would have appreciated if you had come to knew them.
You can't be insensible to his orchestrations and thematic transformations.









mahler10th

#26
Quote from: quintett op.57 on February 04, 2012, 04:56:29 AM
What's not deep is probably your knowledge of Liszt pieces. Your comparison to Paganini is absolutely unrelevant.

Paganini was a genius for 1 thing: getting the best out of a violin or a viola. You can argue that he was week regarding the rest.

Liszt piano pieces his fabulously rich, innovative and various, not only regarding piano playing but also harmony, thematic development or, obviously, tonality.
And he was nearly as innovative regarding orchestration.

I guess you ignore much of his orchestral pieces. As a fan of Haydn, you would have appreciated if you had come to knew them.
You can't be insensible to his orchestrations and thematic transformations.

Unnecessarily scathing?   :o  ***raises eyebrow***  Methinks so.   :(

Ten thumbs

Quote from: North Star on February 03, 2012, 06:26:48 AM
And why isn't Alkan in the poll?
If you start to bring in other pianists, where would you end?
Thalberg?
Felix Mendelssohn?
Fanny Mendelssohn?
Dussek?
Clara Schumann?
Who else have I forgotten?

I vote for Chopin because I love his lyrical power.
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

North Star

Well I don't think Thalberg would stand a chance with Chopin, Liszt, or Alkan. Nor do I really believe that many people would vote Alkan, but after Chopin, it isn't so easy to choose the second.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

B_cereus

Funnily enough... I was once asked at a job interview to say who was better, Chopin or Liszt? (I had listed classical music and piano under my interests). I opined that Liszt was probably the better pianist, but Chopin was probably the better composer, IMO.

Thinking they were into classical music too, I then tried to explain my opinion with a more indepth discussion and was in the middle of rambling on about the Liszt B minor sonata... when it became apparent they had little idea of what I was talking about. They had asked me the question just to test whether I was lying on the CV about my interests  ::)

Gurn Blanston

Quote from: quintett op.57 on February 04, 2012, 04:56:29 AM
What's not deep is probably your knowledge of Liszt pieces. Your comparison to Paganini is absolutely unrelevant.

Paganini was a genius for 1 thing: getting the best out of a violin or a viola. You can argue that he was week regarding the rest.

Liszt piano pieces his fabulously rich, innovative and various, not only regarding piano playing but also harmony, thematic development or, obviously, tonality.
And he was nearly as innovative regarding orchestration.

I guess you ignore much of his orchestral pieces. As a fan of Haydn, you would have appreciated if you had come to knew them.
You can't be insensible to his orchestrations and thematic transformations.

Well, next time let me know in advance which one you prefer, and I will vote for your preference instead of my own. Frankly, I like Paganini more than Liszt but that wasn't the question. I have a great number of Liszt's works, orchestral and solo, and I am not just enamored of them. But then, I don't really care for Romantic music anyway, and to me, Liszt epitomizes it. :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

DavidW

Quote from: Gurnatron5500 on February 06, 2012, 03:56:23 PM
But then, I don't really care for Romantic music anyway, and to me, Liszt epitomizes it. :)

8)

Yeah you like that challenging music-- Boulez, Stockhausen, Xenakis etc ;D  You know really anti-romantic no sentiment approach.

Gurn Blanston

Quote from: DavidW on February 06, 2012, 04:03:47 PM
Yeah you like that challenging music-- Boulez, Stockhausen, Xenakis etc ;D  You know really anti-romantic no sentiment approach.

There's something to be said for that... :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

springrite

They are so different that it'd be a hard choice. But Liszt get my vote on account of longevity and quality and quantity of women.
Do what I must do, and let what must happen happen.

North Star

Quote from: B_cereus on February 06, 2012, 03:04:10 PM
Funnily enough... I was once asked at a job interview to say who was better, Chopin or Liszt? (I had listed classical music and piano under my interests). I opined that Liszt was probably the better pianist, but Chopin was probably the better composer, IMO.

Thinking they were into classical music too, I then tried to explain my opinion with a more indepth discussion and was in the middle of rambling on about the Liszt B minor sonata... when it became apparent they had little idea of what I was talking about. They had asked me the question just to test whether I was lying on the CV about my interests  ::)

Homer Simpson: We were talking about chocolate
new Springfield nuclear plant owners: That was ten minutes ago!
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Lethevich

Quote from: Gurnatron5500 on February 06, 2012, 03:56:23 PM
Frankly, I like Paganini more than Liszt

My eyes got a migrane from reading that.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Gurn Blanston

Quote from: Lethevich on February 07, 2012, 08:05:09 AM
My eyes got a migrane from reading that.

That's OK, I don't mind. It's not like I said I like either of them more than Haydn... :D

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

chasmaniac

Quote from: quintett op.57 on February 04, 2012, 04:56:29 AM
What's not deep is probably your knowledge of Liszt pieces. Your comparison to Paganini is absolutely unrelevant.

Paganini was a genius for 1 thing: getting the best out of a violin or a viola. You can argue that he was week regarding the rest.

Liszt piano pieces his fabulously rich, innovative and various, not only regarding piano playing but also harmony, thematic development or, obviously, tonality.
And he was nearly as innovative regarding orchestration.

I guess you ignore much of his orchestral pieces. As a fan of Haydn, you would have appreciated if you had come to knew them.
You can't be insensible to his orchestrations and thematic transformations.

I asked for Schroeder. Where's Schroeder?
If I have exhausted the justifications, I have reached bedrock and my spade is turned. Then I am inclined to say: "This is simply what I do."  --Wittgenstein, PI §217

Ten thumbs

Quote from: springrite on February 06, 2012, 05:20:14 PM
They are so different that it'd be a hard choice. But Liszt get my vote on account of longevity and quality and quantity of women.

Maybe but it would take quite a number of women to overcome George Sand.
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

Karl Henning

Quote from: quintett op.57 on February 04, 2012, 04:56:29 AM
Quote from: Gurnatron5500 on February 02, 2012, 01:19:14 PM
Chopin, beyond doubt. Liszt is the Paganini of the keyboard. And while I love that sort of gymnastics, it wears thin. Chopin only grows deeper.

8)

What's not deep is probably your knowledge of Liszt pieces. Your comparison to Paganini is absolutely unrelevant.

Actually, Liszt himself invites the comparison. Per Wikipedia:

QuoteLiszt first heard Paganini in April 1831 and was so entranced by the unfettered expressiveness of his playing, and Paganini's ability to use his legendary technical ability for purely musical ends, that the young Liszt immediately declared his intention of achieving upon the piano an equivalent new technical mastery in order to unleash musical thoughts which had remained hitherto inexpressible.

We find, then, that Gurn's speaking of Liszt as the Paganini of the [piano] is pithy and apt.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot