What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

"Wolferl"
String Quartet in A K.464
Juilliard Quartet
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: karlhenning on September 25, 2013, 10:06:57 AM
“Wolferl”
String Quartet in A K.464
Juilliard Quartet


Somehow, the Menuet taking the second movement spot always fakes me out.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dancing Divertimentian

Quote from: mc ukrneal on September 25, 2013, 02:55:28 AM
There are two composers, whose work just seems to get better and better as I get older: Monteverdi and Britten. When I first heard Britten, I could barely tolerate him. But today, I find his work so varied and interesting, especially the operas. I've yet to hear any of his chamber works though, so plenty of 'work' ahead!! :)

There's some really good stuff in Britten's chamber works, even though I'm also less familiar with it than his stage works/orchestral works.

I enjoy the cello sonata, the suites for solo cello, the Introduction and Rondo alla Burlesca for two pianos, and (a biggie for me) the string quartets:




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Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Karl Henning

“Wolferl”
String Quartet in C, K.465
Quatuor Mosaïques
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Unsurprisingly, having listened erewhile to the Juilliards . . . when I first cued up the Mosaïques, I was keenly aware that I was now listening to the Mosaïques (not that that's a bad thing . . . remember, I've been initiated into the Cult  ;D ).  But quickly, my ears adjust . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

kyjo

Quote from: Scots John on September 25, 2013, 03:27:56 AM
I love that word 'infested'.
Meanwhile, the air around me is infested with soundwaves from this:

"Symphony 2 - Yuri Gagarin"
Moscow Philharmonic Orchestra
Vyacheslav Ovchinnikov

or even
Вячеслав Овчинников - Симфония №2 "Юрий Гагарин"
для струнного оркестра (1957, Ред. 1973)


Cato switched me on to this composer a couple of years ago - there is something heartfelt and profound about the way the strings are orchestrated in this work which will have you accompanying Yuri into orbit not problem.  Love it.



Thanks for the tip, John! Found this and other works by Ovchinnikov on YouTube.

kyjo

Quote from: Lisztianwagner on September 25, 2013, 04:13:29 AM
Kurt Atterberg
Symphony No.5


http://www.youtube.com/v/qLFCd4uTv3c

I'm sure work is right up your alley (well, pretty much all of Atterberg's output is)! What did you think of it, Ilaria?

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Christopher Rouse
Flute Concerto
(1993)
Maria Fedotova, fl
Tchaikovsky Symphony Orchestra of Moscow Radio
Vladimir Fedoseev


http://www.youtube.com/v/ypII1CsMc3k
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

kyjo

Wow, Karl, you're fast! :D I'd be interested to hear your impressions of those works, so please take a trip over to the Rouse thread when you're finished listening, if you don't mind. :)

kishnevi

This arrived on Monday, but this afternoon is the first chance I had to play it.
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It's been a while since I've played the Batiashvili recording of this concerto, so I can't make a true comparison, but I think this is a better choice based on the couplings.  Batiashvili provided a mediocre recording of the Sibelius.  Jubilees and Souvenir, on the other hand,  impressed me as much or more than the concerto itself.  My run in with earlier Lindberg was not satisfying; it's rather obvious to me that what he's produced from the Violin Concerto onwards is more conducive to my ears.  I'll be looking forward to a revisit of all three works.

Having completed that,  it's now time to complete the Mahler segment of the Brilliant 100 CD Symphonies box
Symphony No. 9
Liepzig Gewandhaus Orchester,  Vaclav Neumann cond.
Compared to some other performances,  the first movement (where I'm at just now) sounds downright cheerful.   If this symphony is about death, then Mahler (in this reading) has decided to start off proceedings by having a cheery picnic in the cemetery.

North Star

#10431
Very interesting, Jeffrey! Have you heard the pretty new Piano Concerto No. 2? I recall enjoying this a fair bit, but it's several months since I heard it from Spotify.

[asin]B00C1LIMVK[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

kyjo

Quote from: Jeffrey Smith on September 25, 2013, 01:07:15 PM
My run in with earlier Lindberg was not satisfying; it's rather obvious to me that what he's produced from the Violin Concerto onwards is more conducive to my ears. 

+1 A lot of Lindberg's earlier music seems to me noisy and directionless for its own sake. Some have criticized his change to a tonal, lyrical style, but I think it was a big step up for him as a composer.

Brahmsian

Quote from: karlhenning on September 25, 2013, 10:06:57 AM
"Wolferl"
String Quartet in A K.464
Juilliard Quartet


Apparently the K. 464 was Beethoven's favourite from Mozart's string quartet oeuvre, and modelled his Op. 18 # 5 in A after Wolferl's.  The K.464 (especially the slow third movement) among my favourite of Mozart's quartets, just a hair fracture behind K.499 (I'm sure you know this already, Karl);D

kishnevi

Quote from: North Star on September 25, 2013, 01:38:24 PM
Very interesting, Jeffrey! Have you heard the pretty new Piano Concerto No. 2? I recall enjoying this a fair bit, but it's several months since I heard it from Spotify.

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Thanks! I've wishlisted it for the moment.   The notes for this CD mentioned it.
Mind you,  this is simply a first impression based on a single listening.....I'm nowhere at the moment close to saying what specifically I like about Jubilees and Souvenir, or why I like it.

kishnevi

Quote from: kyjo on September 25, 2013, 01:55:44 PM
+1 A lot of Lindberg's earlier music seems to me noisy and directionless for its own sake. Some have criticized his change to a tonal, lyrical style, but I think it was a big step up for him as a composer.

BTW,  I'm not sure I would refer to these works as tonal, except in a relative way.  "Not as atonal as his earlier works" or "more tonal than his earlier works" would be more accurate.

Sergeant Rock

Mozart String Quartet String A major K.464 played by the Quartetto Italiano




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brahmsian

Glazunov

Piano Concerto No. 1 in F minor, Op. 92

Reverie in D flat major for horn and orchestra, Op. 24

Concerto Ballata in C major for cello and orchestra, Op. 108  (below the green lemon, this one!!)

Meditation in D major for violin and orchestra, Op. 32


Alexander Romanovsky, piano
Alexey Serov, french horn
Wen-Sinn Yang, cello
Rachel Barton Pine, violin

Jose Serebrier
Russian National Orchestra

Warner Classics

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*Seems like I got the Glazunov bug the last few days.  I'm on a 'Glazunov Bender'.  :laugh:  FWIW, although I enjoy the 2nd PC, I prefer the 1st.

Brahmsian

Quote from: Sergeant Rock on September 25, 2013, 02:26:21 PM
Mozart String Quartet String A major K.464 played by the Quartetto Italiano




Sarge

*Party on, dude!*  $:)

Brahmsian

Delibes

Sylvia


Richard Bonynge (my favourite ballet conductor)  :)
New Philharmonia Orchestra

Decca Ballet Brick!!  ;D

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