What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Madiel

I decided I could extend my vocal evening a little after the epic Mendelssohn oratorio.

Brahms: Rinaldo

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Nobody has to apologise for using their brain.

North Star

Antoine Boësset
Airs de cour et musique de ballet
Claire Lefilliâtre (dessus), Bruno Le Levreur (haute-contre), Jean-François Novelli (taille), Arnaud Marzorati (basse-contre)
Le Poème Harmonique
Vincent Dumestre

[asin]B0722XTR9L[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Baron Scarpia

Quote from: Mookalafalas on June 08, 2018, 01:03:37 AM
Damn. How will I ever listen to anything else?

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That's the dilemma!  :D

Madiel

Delving into vocal Schoenberg again with the Four Orchestral Songs, op.22 - apparently the last works before a considerable period where Schoenberg completed nothing but developed 12-tone technique.

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Yeah, okay. Improved by the orchestral accompaniment. However, after hitting a sequence of vocal works in Schoenberg's chronology, I'm quite looking forward to the instrumental works coming up.

Nobody has to apologise for using their brain.


Baron Scarpia

#116366
Martinu Cello Sonata No 1 and 2

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To be honest, I didn't get much pleasure from these recordings (I have not heard the pieces before). Texture just too thick. I wonder if I have the wrong recording of these works.

A very quick preview led me to believe that the third sonata would be more to my liking, but I decided to save it for another day, to avoid being influenced by listening fatigue.

Maestro267

Korngold: Sinfonietta in B major
BBC PO/Bamert

Harry

#116368
Georg Philipp Telemann.
XII Solos a Violon ou traversiere avec la basse chiffree.

CD II. Solos 7-12.
Munchner Cammer-Music.

Gorgeous.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso


Karl Henning

A new day, but the same ol' key . . .

"Papa"
Symphony № 71 in Bb (H.I/71)
AAM
Hogwood


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Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Undersea

.
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Mendelssohn: Symphony #2 in B Flat, Op. 52

Christoph von Dohnányi: Wiener Philharmoniker, etc.


Very impressed with this new set thus far.

Mandryka

#116372
Quote from: (: premont :) on June 05, 2018, 10:50:41 AM


I agree with Harry, that Pachelbel is badly served by recording artists. Stella did a fine J G Walther set. Maybe he would be a candidate for a good Pachelbel set.

I was listening to Muffat today, and this comment of yours came to mind and I thought to myself that the music from the south of Germany is harder to pull off than the music from the North, at least apart from Froberger.  In both cases some tantalising glimpses of small selections of the oeuvre, but not easy to find good large selections. Whether the problem's with the music or the performances I don't know, neither with Pachelbel nor with Muffat.

J G Walther is not really on my radar.
Wovon man nicht sprechen kann, darüber muss man schweigen

Undersea

.
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Dvořák: Piano Quintet #2 in A, Op. 81, B 155

Sviatoslav Richter & Borodin Quartet


Wonderful work - I especially like the lovely Dumka movement.

Baron Scarpia

Quote from: Undersea on June 08, 2018, 07:28:30 AMMendelssohn: Symphony #2 in B Flat, Op. 52

Christoph von Dohnányi: Wiener Philharmoniker, etc.


Very impressed with this new set thus far.

Agreed. If you are not already aware of it, you may want to consider his cycle of Schumann symphonies (with the Cleveland Orchestra) which is similarly superb.

Karl Henning

Quote from: k a rl h e nn i ng on June 08, 2018, 07:21:02 AM
A new day, but the same ol' key . . .

"Papa"
Symphony № 71 in Bb (H.I/71)
AAM
Hogwood


[asin]B009LNI0T0[/asin]

The Adagio con variazioni is every bit as exquisite as one expects.  But, the flute/bassoon duo is pure genius.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: k a rl h e nn i ng on June 08, 2018, 08:47:04 AM
The Adagio con variazioni is every bit as exquisite as one expects.  But, the flute/bassoon duo is pure genius.
I've somehow avoided Haydn's symphonies almost completely for three months. Key signatures seem like a fine alternative listening plan, instead of going through them over again in chronological order..

Thread-duty - First-listen Friday
Tubin
Symphony No. 4 in A major 'Sinfonia lirica' (1943/78)
Bergen Philharmonic
Neeme Järvi

[asin]B000079AZT[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on June 08, 2018, 08:59:35 AM
I've somehow avoided Haydn's symphonies almost completely for three months. Key signatures seem like a fine alternative listening plan, instead of going through them over again in chronological order.

A plan I more or less chanced upon.

. . . and later, in the same key:

"Papa"
Symphony № 77 in Bb (H.I/77)
Orpheus Chamber Orchestra
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Que

Quote from: Pjotr on June 08, 2018, 06:31:44 AM
Georg Philipp Telemann.
XII Solos a Violon ou traversiere avec la basse chiffree.

CD II. Solos 7-12.
Munchner Cammer-Music.

Gorgeous.

+1  :)

Moonfish

#116379
Telemann: Trio Sonatas for Flute

Performers: Frans Brüggen, recorder and transverse flute; Barthold Kuijken, second transverse flute; Walter van Hauwe, second recorder; Paul Dombrecht, oboe; Brian Pollard, bassoon; Sigiswald Kuijken, violin; Wieland Kuijken, Pardessus de Viol and Bass Viol; Anner Bylsma, Violoncello; Anthony Woodrow, Double Bass; Bob van Asperen, Obbligato Harpsichord; Gustav Leonhardt, harpsichord (basso continuo).

Recorded at the Lutheran Church in Haarlem, Netherlands, in February and September 1978.

"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé