What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Todd

.
[asin]B00E9LEUWK[/asin]


Finished the rest of the disc.  The Op 14 sonatas are better than Op 7, but they are a bit too intense.  Op 22, like Op 7, is played too fast, though it is not as bad.  Pollini's earlier recording is better.  This is hands down the worst of Pollini's Beethoven recordings, and a chink in the otherwise formidable armor of his otherwise thoroughly excellent cycle to date. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Willow Pattern

Some more Mozart - Piano Concerto No. 24, Gran Partita Serenade and Requiem:


Mirror Image

Now:



Listening to Symphony No. 2 "Resurrection". This is still my favorite performance of this awe-inspiring symphony.

North Star

Revisiting this favourite after a while.
Shostakovich
Symphony No. 15
Jansons & LPO

[asin]B000G6BJS0[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mandryka

#12744


Op 22, adagio.

This is an astonishing, amazing performance. Quiet, confidential, as if he's whispering his love. This  gentle inwardness  is maintained throughout, there's not one iota of bluster. It's an excellent antedote to Jean-Bernard Pommier's more muscular extrovert  performance, which I also like.

Premont thought that later digital cycle has "got an air of an old man's wisdom". I listened to how he plays this movement there, and premont may be right, it's hard to say, it seemed less intimate, more conventionally forceful, more dynamic contrasts, less brooding. I dunno. The later performance reminded me of Pommier, the earlier one didn't. I'll try to listen to Pommier tonight to see of there's anything in that.
Wovon man nicht sprechen kann, darüber muss man schweigen

North Star

Wonderful playing!
Beethoven
Piano Sonatas nos. 16-18, Op. 31
FF Guy

[asin]B00E9IWVM4[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Que


Wakefield

Johann Pachelbel - Hexachordum Apollinis
John Butt, organ
HM France



Via Deezer.

Lovely collection by a composer that I usually consider quite boring.
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Willow Pattern

Schoenberg: Verklarte Nacht, Op. 4


Sergeant Rock

Quote from: amw on October 25, 2013, 03:05:20 AM

[asin]B000001GPH[/asin]

Why is Kremer's grin so nightmarish? Did they all take turns with one pair of glasses? I almost preferred those two albums without the artwork at this point

I prefer the Siamese alternative:




Who needs Kremer?  :D


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Papy Oli

Good morning  :)

Just finished more LvB / Kempff mono delight with sonatas No.12 (Op.26) and No.13 (Op.27/1).

Now :

Haydn - Symphony No.82 (The Bear), No.83 (The Hen), No.84
Bernstein / NYPO (from the Symphony Edition)
Olivier

Sergeant Rock

Quote from: kyjo on October 24, 2013, 10:53:34 AM
And the verdict is?

This is only my second time through this box (Melartin symphonies) and I'm enjoying it as much as the first time. Love the strong Bruckner influence I hear in the First.


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Lisztianwagner

Ludwig van Beethoven
Symphony No.8


[asin]B000056OBA[/asin]

Quote from: Sergeant Rock on October 26, 2013, 02:36:16 AM
This is only my second time through this box (Melartin symphonies) and I'm enjoying it as much as the first time. Love the strong Bruckner influence I hear in the First.
+1
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Sergeant Rock

#12755
Quote from: listener on October 25, 2013, 11:08:03 AM
I noticed a used copy of the ROTT Symphony in E at my local supplier and have now heard this odd offspring from Bruckner's favourite pupil.   He seems to have been traumatized when passing a fire hall

:D ;D :D  ....ah, yes. Rott Symphony in E flat "Das Triangel"  8)

Your Segerstam performance gives the triangle the most prominence. His last movement drives me crazy; it's like a bad case of tinnitus. My favorite version (Weigle/Munich Rundfunk) tends to play it down, even burying it at times...to good effect, I think.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Que

#12756


The chalumeau is such a beautiful instrument! :)

If you're into unusual instruments or Baroque woodwind music in general, this disc will not disappoint.

Q

Sergeant Rock

Havergal Brian Symphony #21 (1963)




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Papy Oli

Schubert - 8th / 9th - Still from the Bernstein symphony Edition
Olivier

Karl Henning

Quote from: kyjo on October 25, 2013, 01:05:56 PM
Careful, Karl! Don't want to get a Haydn hangover! :P

It's easy to listen to much more Haydn than I had planned . . . but "Papa's" music never does my brain cells any injury!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot