What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Ken B

Quote from: Ken B on March 27, 2014, 06:43:42 AM


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Like it so far but the acoustic is a bit cavernous.

4 now. I have only heard 2 or 3 other 4s: Gergiev and Jarvi that I can recall. Very different feeling here so far.

mahler10th

Quote from: TheGSMoeller on March 27, 2014, 11:55:40 AM
Great idea, Brian!
Thread duty...

Ferlioz: Symphonie fantastique
Immerseel - Anima Eterna

Was surprised to see Gramophone rec this as their top choice for fantastique recordings. It's one that had a terrible first impression on me but has now become one of my absolute favorites.

[asin]B002XG8LCI[/asin]

Damned interesting.  It did nothing for me either, so much so that I sent it to a fellow GMG'er in disappointment.  :(   What did you find that made you like it more than ever?   Maybe I missed something...  On now, Peterson Berger,Symphony 1...

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Harry

Quote from: Scots John on March 27, 2014, 12:38:05 PM
Damned interesting.  It did nothing for me either, so much so that I sent it to a fellow GMG'er in disappointment.  :(   What did you find that made you like it more than ever?   Maybe I missed something...  On now, Peterson Berger,Symphony 1...



I enjoyed it greatly and still do my friend!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Que


mahler10th

Quote from: Harry's on March 27, 2014, 12:39:36 PM
I enjoyed it greatly and still do my friend!

You were welcome Harry, just took me about 4.7 light years to send the damn thing to you in the end.   :P  ;D ;D

TheGSMoeller

Quote from: Scots John on March 27, 2014, 12:38:05 PM
Damned interesting.  It did nothing for me either, so much so that I sent it to a fellow GMG'er in disappointment.  :(   What did you find that made you like it more than ever?   Maybe I missed something... 

Hi, John,

I think I became so adapted to performances that reached for a style of intensity that included break-neck speeds and dynamics to blow the roofs off, I wanted to hear conductors and orchestras build on this. Who could out-intensify the other performances, who could hold the final C chord the longest (I still get chills from the CSO/Solti's 70s recording and how the tuba reverbs over the orchestra)
But I realized that my approach while searching wasn't treating the music fairly. It took a few listens with Immerseel/Anima but I eventually came to find a warmth and beauty in their fantastique that was quite remarkable, very similar with the recent Ticciati/SCO release. The reduced forces take nothing away from the intensity or excitement. And I also now find the piano in place of the bells in March to create a much creepier atmosphere.

Papy Oli

Hello All,

Making a start to the Hogwood / Haydn set received earlier today.

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No.1,2,4,5.

Olivier

Papy Oli

And from another arrival this week:

Mahler - Symphony No.10 (Andante/Adagio)
Kubelik / BRSO

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Olivier

Lisztianwagner

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

EigenUser

Ligeti "Hamburg" Horn Concerto!
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Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

TheGSMoeller

For the evening.
A gift from my brother who knew Thomas Hooten back at Rice. Hooten is the principal trumpet of the LA Phil and here performs pieces by Honegger, Bohme, Bitsch, Rachmaninoff, Desenclos and Downie.


ZauberdrachenNr.7

Quote from: TheGSMoeller on March 27, 2014, 11:55:40 AM
Great idea, Brian!
Thread duty...

Ferlioz: Symphonie fantastique
Immerseel - Anima Eterna

Was surprised to see Gramophone rec this as their top choice for fantastique recordings. It's one that had a terrible first impression on me but has now become one of my absolute favorites.

[asin]B002XG8LCI[/asin]

The cover alone is fantastique and sheer inspired genius!

Mirror Image

Quote from: Lisztianwagner on March 27, 2014, 11:25:26 AM
Without counting Copland's Lincoln Portrait I listened to yesterday evening. Ah, you and your precious Barber! ;)

Samuel Barber
Adagio for strings


https://www.youtube.com/v/BGMwNe9WWmE

Is Adagio for Strings the only Barber work you know, Ilaria? He wrote a lot of great music besides the Adagio.

Dancing Divertimentian

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Ken B

Who is Giordano Bruno?

As far as Hurwitz goes I was tweaking Jeff and John. Though I am aware of the possibility that Hurwitz is a pseudonym they use to write reviews under ....  >:D

amw

Quote from: TheGSMoeller on March 27, 2014, 04:23:26 PM
For the evening.
A gift from my brother who knew Thomas Hooten back at Rice. Hooten is the principal trumpet of the LA Phil and here performs pieces by Honegger, Bohme, Bitsch, Rachmaninoff, Desenclos and Downie.

Hooten is a good name for a trumpet player.

Mirror Image

Now:



A new acquisition. Listening to Ballad of the Gnomes. This is a completely new work to me. Freakin' awesome!

Tom 1960


Bogey

From 1954, but a slice of Op. 6 composed in less than a month in 1739:



There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Dancing Divertimentian

Quote from: Ken B on March 27, 2014, 05:11:25 PM
Who is Giordano Bruno?

He's one of those "reviewer types" on Amazon who likes to lay on the hyperbole, and who's always one step ahead of the proverbial pack. ;) 

Here's his Amazon history.


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach