What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 6 Guests are viewing this topic.

Papy Oli

Not so convinced by Wolf earlier, but sticking with Gerhaher for some Mahler Lieder :

Olivier

EigenUser

Morton Feldman's On Time and the Instrumental Factor for orchestra. I'm not sure what the title has to do with the piece (though I'm sure something), but this piece is right up my alley. I've been on a huge Feldman binge recently. I was listening to him a lot this past February/March, then my interest waned somewhat, but now it's back with utmost force!
[asin]B005IY3B18[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

listener

computer is going down, can't type in my password..  I'll have to cut bac- on new purchases for a while to afford a replacement, but today and maybe through tomorrow.   Or I:ll just not turn it off.
Back to working my way   though some LP boxes
DITTERSDORF: Sinfonia in a, MONN: Sinfonia  in B  STARZER: Divertimento in C, ALBRECHTSBERGER: Quartet in C
Camerata Bern
PURCELL: pieces from 1689
Janos Sebestyen, harpsichord
Then PICCINNI: L'Americano
Simon Edwards, Patricia Ciofi, Domenico Colaianni, Giovanna Donadini
Orchestra Internazionale d'Italia      Eric Hull, cond,
And for later:TELEMANN: Der Gedulige Socrates   (The Patient Socrates)
At 31/2 hours I think it's a reference to endurance, not medical treatment.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Sadko

#28303
After thorough cleansing of this filthy GBP 0.01 CD it is shining again, and musically even more so. Thanks, Mandryka, for the review:

Bach

Partitas 3 & 4

Wolfgang Rübsam (piano)

[asin]B000026067[/asin]

EigenUser

Morton Feldman's Crippled Symmetries.
[asin]B00000K38E[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Todd





Disc one of Handel organ concertos not played on an organ.  The first disc uses fortepiano instead.  Not for purists, I'd say, but I rather enjoy it.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Pat B

Quote from: Todd on August 12, 2014, 06:42:10 PM
Disc one of Handel organ concertos not played on an organ.  The first disc uses fortepiano instead.  Not for purists, I'd say, but I rather enjoy it.

When you get to the Hammond disc, let us know what purists will think of it. ;)

Thread duty: Beethoven: Piano Sonata 24, op. 78 (Serkin 1973 on BBC Legends). Just got this today. I may post thoughts in the Beethoven Piano Sonatas thread.

bhodges

#28307
Dutilleux: Symphony No. 1, Tout un monde lointain, The Shadows of Time (Seattle SO / Ludovic Morlot) - Terrific new all-Dutilleux CD from the Seattle Symphony, which recently inaugurated its new label, Seattle Symphony Media, by releasing three new recordings. (Wait, make that four, with an all-Fauré disc in June.) Colorful readings of all three pieces, recorded in superb sound in Seattle's Benaroya Hall.

[asin]B00IXWIGDK[/asin]

--Bruce

Wakefield

Quote from: karlhenning on August 12, 2014, 03:39:18 AM
"Very lively" would be Molto vivace. I should read Vivace assai as "rather lively" . . . there's wiggle room for interpretation, but if Vivace is 0, and Molto vivace is (say) +1, my sense is to set Vivace assai at (say) -1.

An even truer model might be:

Vivace assai :: -1
Vivace :: 0
Molto vivace :: +2 or 3

Edit :: pedantic refinement

That's as I understand "Vivace assai": a sort of Vivace, almost Vivace.

Now, two opinions exclusively of mine:

1.- That's exactly what Kuijken does, and

2.- To say "this is the worst 'Bear' ever" is a joke assai, almost a joke.  :P 

 
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

listener

mono vinyl
CRESTON: Invocation and Dance op. 68    IBERT: Louisville Concerto
COWELL: Symphony no. 11
Louisville Orchestra     Robert Whitney, cond.
annotation by Virgil Thomson
PISTON: 3 Pieces for flute, clarinet, bassoon   Randall THOMPSON: Suite for oboe, clarinet, viola
RIETI: Sonata for flute, oboe, bassoon, piano   JONGEN: Concerto op.124 for wind quintet
Berkshire Woodwind Ensemble
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Que

On to the 3rd volume -actually the 1st volume of the series that I acquired, by coincidence and out of sheer curiosity.
Sweet memories! :)

[asin]B0001AP1DU[/asin]

Q

The new erato

Exquisite disc, gifted to me by my brother as it also appeared in some kind of box he had been buying.

[asin]B001QBXFTK[/asin]

The new erato

A fine disc of some joyful, Schubertian music;

[asin]B00ITYHB7E[/asin]

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

prémont

#28314
Quote from: Mandryka on August 12, 2014, 10:05:34 AM
https://www.youtube.com/v/FKmNTtgPauI
Ensemble Mare Nostrum play some fantasias by Eustache du Caurroy --such a shame that there aren't more recordings of these fantasies.

Well, these five Fantasias - actually a kind of variation work - on "Une jeune fillette" (one of the most widely known songs in Europe since the Renaissance - also known as "La Monicha" or "Von Gott will Ich nicht lassen" among others) is in fact one of  the most recorded works by Caurroy either as an organ work or in some chamber instrumental arrangement. I do not know for sure, but I think the organ version is the original.

http://www.amazon.fr/Instrumental-Music-1600/dp/B00018D5TO/ref=sr_1_2?s=music&ie=UTF8&qid=1407923610&sr=1-2&keywords=caurroy

http://www.amazon.fr/XXIII-Fantaisies-Eustache-Du-Caurroy/dp/B000026D00/ref=sr_1_6?s=music&ie=UTF8&qid=1407923610&sr=1-6&keywords=caurroy

http://www.amazon.fr/lorgue-fran%C3%A7ais-%C3%A0-renaissance-Compilation/dp/B0006G9H7U/ref=sr_1_10?s=music&ie=UTF8&qid=1407923610&sr=1-10&keywords=caurroy
Reality trumps our fantasy far beyond imagination.

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quote from: (: premont :) on August 13, 2014, 02:02:57 AM
Well, these five Fantasias - actually a kind of variation work - on "Une jeune fillette" (one of the most widely known songs in Europe since the Renaissance - also known as "La Monicha" or "Von Gott will Ich nicht lassen" among others) is in fact one of  the most recorded works by Caurroy either as an organ work or in some chamber instrumental arrangement. I do not know for sure, but I think the organ version is the original.

http://www.amazon.fr/Instrumental-Music-1600/dp/B00018D5TO/ref=sr_1_2?s=music&ie=UTF8&qid=1407923610&sr=1-2&keywords=caurroy

http://www.amazon.fr/XXIII-Fantaisies-Eustache-Du-Caurroy/dp/B000026D00/ref=sr_1_6?s=music&ie=UTF8&qid=1407923610&sr=1-6&keywords=caurroy

http://www.amazon.fr/lorgue-fran%C3%A7ais-%C3%A0-renaissance-Compilation/dp/B0006G9H7U/ref=sr_1_10?s=music&ie=UTF8&qid=1407923610&sr=1-10&keywords=caurroy

Thanks, as ever, for the enlightenment!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mandryka

#28317
Quote from: (: premont :) on August 13, 2014, 02:02:57 AM
Well, these five Fantasias - actually a kind of variation work - on "Une jeune fillette" (one of the most widely known songs in Europe since the Renaissance - also known as "La Monicha" or "Von Gott will Ich nicht lassen" among others) is in fact one of  the most recorded works by Caurroy either as an organ work or in some chamber instrumental arrangement. I do not know for sure, but I think the organ version is the original.

http://www.amazon.fr/Instrumental-Music-1600/dp/B00018D5TO/ref=sr_1_2?s=music&ie=UTF8&qid=1407923610&sr=1-2&keywords=caurroy

http://www.amazon.fr/XXIII-Fantaisies-Eustache-Du-Caurroy/dp/B000026D00/ref=sr_1_6?s=music&ie=UTF8&qid=1407923610&sr=1-6&keywords=caurroy

http://www.amazon.fr/lorgue-fran%C3%A7ais-%C3%A0-renaissance-Compilation/dp/B0006G9H7U/ref=sr_1_10?s=music&ie=UTF8&qid=1407923610&sr=1-10&keywords=caurroy

There's also a recording of it on this CD, with the song actually sung between each variation, it's very good



You know, by the way, that Schola Cantorum Basiliensis recorded a handful of the fantasies too, and this has been rereleased by Bibliothèque Nationale de France, though maybe not as a CD.

The problem is that Savall recorded over 20 of them. I'm glad to have Savall's disc, which is as usual impeccable music making. But somehow I know that this music can be done better. There's a very tantalising Fantasie recorded by Les Voix Humaines, it lasts about 1 minute and it has their characteristic style, which always reminds me of speech somehow - would that they would record more!

That disc by Ensemble Mare Nostrum also has some fantasias by Moulinié, first time I've ever heard music by him. I was impressed. But his instrumental work seems to be even less well served on record than Caurroy's!
Wovon man nicht sprechen kann, darüber muss man schweigen

Sergeant Rock

"Of equal greatness of Bach, Mozart, Beethoven" --Henk

Franco Donatoni Etwas Ruhiger im Ausdruck

https://www.youtube.com/v/Y6dfADH_dC8


I like it but I can't endorse Henk's assertion--at least not on the basis of this one work.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya