What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Florestan



Less gripping, more detached and relaxed than the Piano Quintet, but every bit as enjoyable.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Harry

Quote from: Florestan on February 10, 2016, 03:21:43 AM


Less gripping, more detached and relaxed than the Piano Quintet, but every bit as enjoyable.

I well remember this box, bought a long time ago. I had some Taneyev from others in my player the last few weeks, equally enjoyable.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Madiel

It's late, but I've decided to start my first ever listen to Symphony no.4 anyway.

[asin]B00CX1Z5ZO[/asin]

I'll come back in an hour and tell you what I thought!
Nobody has to apologise for using their brain.

Karl Henning

Quote from: orfeo on February 10, 2016, 03:25:43 AM
It's late, but I've decided to start my first ever listen to Symphony no.4 anyway.

[asin]B00CX1Z5ZO[/asin]

I'll come back in an hour and tell you what I thought!

Cool!

Thread Duty: First I ever listened to this composer, as far as I can tell.

Berwald
Grand Septet in Bb
Melos Ensemble


[asin]B004HF0PFE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Florestan

Quote from: karlhenning on February 10, 2016, 03:33:05 AM
Thread Duty: First I ever listened to this composer, as far as I can tell.

Berwald
Grand Septet in Bb
Melos Ensemble


[asin]B004HF0PFE[/asin]

You assessment?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

The new erato

Quote from: orfeo on February 10, 2016, 03:25:43 AM
It's late, but I've decided to start my first ever listen to Symphony no.4 anyway.

[asin]B00CX1Z5ZO[/asin]

I'll come back in an hour and tell you what I thought!
Hopefully you will. This work takes no prisoners.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Florestan

Quote from: karlhenning on February 10, 2016, 03:53:52 AM
It would be a highly gratifying piece to play.

Thanks. If you feel like exploring his music further, you should try the symphonies and the violin concerto.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

mc ukrneal

Quote from: Harry's corner on February 10, 2016, 03:02:36 AM
No worries, maybe someone else on the forum can answer that. I am always very much interested in the first three symphonies of this composer.
It's on youtube, and while I've not heard this version, judging by timings it seems a little on the faster side. Anyway, here are some comparative timings:

Noseda - 10:34, 6:42, 5:11, 9:48
Rozhdestvensky (Melodiya): 11:34, 6:11, 5:10, 10:40
Svetlanov (Warner): 11:23, 9:18, 5:21, 11:28
Karajan (DG - 1976?): 11:07, 8:05, 5:45, 10:16
Pletnev (DG): 11:04, 6:50, 5:32, 9:46


Be kind to your fellow posters!!

Harry

Quote from: mc ukrneal on February 10, 2016, 04:27:12 AM
It's on youtube, and while I've not heard this version, judging by timings it seems a little on the faster side. Anyway, here are some comparative timings:

Noseda - 10:34, 6:42, 5:11, 9:48
Rozhdestvensky (Melodiya): 11:34, 6:11, 5:10, 10:40
Svetlanov (Warner): 11:23, 9:18, 5:21, 11:28
Karajan (DG - 1976?): 11:07, 8:05, 5:45, 10:16
Pletnev (DG): 11:04, 6:50, 5:32, 9:46

Well the tempi are what I desire, so I am going to explore this. Thank you Neal, for searching this info.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Brahmsian

Quote from: orfeo on February 10, 2016, 03:25:43 AM
It's late, but I've decided to start my first ever listen to Symphony no.4 anyway.

[asin]B00CX1Z5ZO[/asin]

I'll come back in an hour and tell you what I thought!

Very much looking forward to your thoughts.  I love this work now, but it took a long time (longest of all Shostakovich symphonies), to appreciate and love.

ritter

Dipping into this box, starting with Wachet auf, ruft uns die Stimme, BWV 140  :

[asin]B0072ZYCX2[/asin]
This historical performance, proto-HIP more by the use of modest forces (force majeure, given the year?) than IMHO by any particular interpretative approach, has a quaint charm to it, and is actually most enjoyable. A very young, but immediately recognizable FiDi appears here.

Madiel

Shostakovich 4th was too much to properly take in all at once. Plus I think I dozed off a couple of times (as I said it was late, plus other factors predisposing me that have nothing to do with the quality of the music).

One thing I will say, though, is I was surprised by how just how much of the music is quiet. After reading about the size of the work, and the size of the orchestra, and Mahler references, I was expecting a full-on blast a heck of a lot more often than I actually got one.

I certainly didn't hate it. And there were some ear-catching sonorities.
Nobody has to apologise for using their brain.

NikF

Janacek: Piano Music - Firkusny.



Giving this another listen. I'm not really taken with it. And that surprises me, because his string quartets are some of my favourite chamber music.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Marsch MacFiercesome

#61334




I listened to what I could last night of the Celebrating Strauss Blu-ray.

Irmgaard Seefried does a sprightly and coy Standchen Op. 17 No. 2 with Piero Bellugi and the Orchestra National de l'ORTF from 1965. Perhaps too coy though; and too fast.  Although Seefried's voice exudes a full-toned confidence and brilliance which is supremely attractive to me, her interpretation of the piece is a more unsubtle rendering than Diana Damrau's more recent endeavor. One just can't skate over this music with the greatest of ease like Seefried does. It needs a dramatic and searching emotional commitment; and an attention to textual detail.

So, exeunt Seefried and enter Damrau.

Damrau of course has a bit of a wobble here and there, to be sure- but the enchantment and the sighing-Innigkeit that she brings to the  Friedrich von Schack poem is captivating.   

Ständchen by Adolf Friedrich, Graf von Schack (1855-1894)

Mach auf, mach auf, doch leise mein Kind,
Um keinen vom Schlummer zu wecken.
Kaum murmelt der Bach, kaum zittert im Wind
Ein Blatt an den Büschen und Hecken.
Drum leise, mein Mädchen, daß [nichts sich]1 regt,
Nur leise die Hand auf die Klinke gelegt.

Mit Tritten, wie Tritte der Elfen so sacht,
[Die über die Blumen]2 hüpfen,
Flieg leicht hinaus in die Mondscheinnacht,
[Zu]3 mir in den Garten zu schlüpfen.
Rings schlummern die Blüten am rieselnden Bach
Und duften im Schlaf, nur die Liebe ist wach.

Sitz nieder, hier dämmert's geheimnisvoll
Unter den Lindenbäumen,
Die Nachtigall uns zu Häupten soll
Von unseren Küssen träumen,
Und die Rose, wenn sie am Morgen erwacht,
Hoch glühn von den Wonnenschauern der Nacht..

Ständchen in free translation by Albert Combrink

"Love Song"

Open up, open up, but softly my child,
So as not to wake anyone from their sleep,
The stream is barely murmuring, the wind hardly causes quivers
In a leaf on bush or hedge.
So, softly, my young girl, so that nothing stirs,
Just lay your hand softly on the door-latch.

With steps as soft as the footsteps of elves,
that hop over the flowers,
Fly lightly out into the moonlit night,
Sneak to me in the garden.
Around us sleeps the blossoms along the trickling stream,
Fragrant in sleep, only love is awake.

Sit down, here it darkens mysteriously
Beneath the linden trees,
The nightingale over our heads
Shall dream of our kisses,
And the rose, when it wakes in the morning,
Shall glow from the joyous showers of the night.

And then of course there's Duchess Schwarzkopf on the same Blu-ray- which was the first section that I explored, actually (small wonder). Her closing to the Mackerras/Philharmonia 1961 Act I of Rosenkavalier just rips my 'heart out' with the sighing-Innigkeit (her and Janet Baker really are sans pareil at this). But as exquisite and as bittersweet her sad inflections in front of her vanity mirror are in this performance- and they actually did bring tears to my eyes- her Karajan/Philharmonia rendering is still in a sublime class of its own. 




Easier slayed than done. Is anyone shocked that I won?

Karl Henning

Mendelssohn
Prelude & Fugue in Ab, Op.35 № 4
Prelude & Fugue in f minor, Op.35 № 5
Frith


[asin]B00000140U[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: orfeo on February 10, 2016, 05:20:32 AM
Shostakovich 4th was too much to properly take in all at once. Plus I think I dozed off a couple of times (as I said it was late, plus other factors predisposing me that have nothing to do with the quality of the music).

One thing I will say, though, is I was surprised by how just how much of the music is quiet. After reading about the size of the work, and the size of the orchestra, and Mahler references, I was expecting a full-on blast a heck of a lot more often than I actually got one.

I certainly didn't hate it. And there were some ear-catching sonorities.

It is a lot, and probably more for most to try to absorb in a single hearing.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

NikF

Smetana: String Quartets - The Smetana Quartet.

[asin]B003RECF54[/asin]

More familiar ground for me after listening to the Janacek.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Harry

An essential set to have, so therefore I recommend this most urgently! Organ works pur sang.

http://walboi.blogspot.nl/2016/02/walther-johann-gottfried-1684-1748.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

LvB
Septet in Eb, Op.20
Melos Ensemble


[asin]B004HF0PFE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot