What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 4 Guests are viewing this topic.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

(poco) Sforzando

"I don't know what sforzando means, though it clearly means something."

aligreto

JS Bach: Orchestral Suites Nos. 3 & 4 [Dart]....



aligreto

Quote from: Mirror Image on August 10, 2016, 06:54:44 PM
Nope, it's not lush mush. :) I highly recommend this Atterberg symphony set. If you can get a good deal on it, I'd jump on it.

OK, great. Thank you for that.


aligreto

JS Bach: Brandenburg Concerto No. 3....




Mandryka

Quote from: aligreto on August 11, 2016, 08:51:03 AM
JS Bach: Brandenburg Concerto No. 3....




That's the one where he inserts a movement from a violin concerto.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

king ubu



Only just starting out listening (and after getting the final missing volumes of the concerto series, got the four missing solo volumes today - these 51 volumes are stacking up high indeed!), but enjoying it tremendously so far!
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Karl Henning

Mennin
Symphony № 7, « Variation-Symphony » (1963)
Seattle Symphony
Schwarz


[asin]B0085AXTFK[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

#70832
Quote from: Que on August 10, 2016, 10:10:33 AM
I'm experiencing a small Bruckner renaissance at the moment:

[asin]B000002S1I[/asin]
I quite forgot about the existence of  this recording on my shelves.... And it has been been a long time...judging from the dated issue from 1999. It has been reissued since the at least two times.

Anyway, I am enjoying the performance. Though I'm not sure if the slightly sweet and woolly sound of the New Philharmonia Orvhestra is entirely to my liking - I miss the translucent sound of the BRSO and the Gewandhausorchester Leipzig.... Klemperer doesn't dilly dally and I definitely like that, yet he is surprisingly mellow and rounded.
His approach sounds kind of Mahlerian to me...
A very nice, fascinating performance indeed, but I don't think it me it would represent the ultimate in Bruckner.

Q

Currently listening to the Stein WP recording.

About 5 years ago, I went to a Bruckner 6th concert with a friend, Myung-Wun-Chung conducting the Amsterdam Concertgebouw Orchestra. His comment was that Chung conducted the 6th as if it was Nielsen !

I'll never get to understand his POV (we met only once since - for another Bruckner concert) and my knowledge of Nielsen (let alone any musical connection between Bruckner and Nielsen) is just not on the same level.

I know 3 different Klemperer performances: 2 on EMI (BRSO and Philharmonia Orchestra) and another one, contemporaneous but wildly different, with the Amsterdam Concertgebouw. All three are spectacularly unlike any other.

I prefer the ones that have no negatives (orchestral playing, interpretional indifference or crude engineering). From that bunch I choose those that have a strong profile, a positive character (this is A Major after all!) and a personality that stands above the crowd:

- Keilberth with the mighty Berliner Philharmoniker (Teldec). A Siegfried-like interpretation.
- Bongartz, also in Berlin, but east of the Wall (Berlin Classics). Gruff, unyielding, beautifully played.
- Leitner  with the cultured, noble SWF, Baden-Baden orchestra (+ you get the best Hartmann 6 there is on disc)
- Stein WP on Decca. Elegant, powerful but never exaggerated.

I listen with almost equal relish to Kegel RSO Leipzig, the 2 Klemperer EMI, Rögner (Berlin RSO),  the other Leitner (in Basel), Jochum in Munich (BRSO), Wand in Cologne and, when in the mood for a gentler, kinder take on the work, Lopez-Cobos' glowing Cincinnati recording (possibly the opposite of Kegel's dark, turbulent, mighty way).

The 6th is possibly the most open of the corpus to a wide spectum of interpretive ways and visions.

Edit copy & paste in Bruckner Abbey.

aligreto

Wonderful concertos from Joseph Arnold Gross and Michael Haydn....



aligreto

Finishing off this exciting new find with Nykken, a symphonic painting for orchestra....



kishnevi

From the Brilliant Handel Edition



Sounding much more 19th century than 18th century.

aligreto

JS Bach: Harpsichord Concerto No. 1 BWV 1052....



André



I had not heard this opera in the last four decades (a Supraphon production). I'm confused: both the Prelude and conclusion seem to be vastly different. The latter especially. I recall a great 'liberty' chorus fro the prisoners as the last number. I'll have to check this out. A rare occurence of a modern recording not living up to old memories.

Simula

Am now listening to: Boulez Piano Sonata No.2
"Beethoven wished he had the advanced quality of my ear." Arnold Schoenberg

(poco) Sforzando

Quote from: karlhenning on August 11, 2016, 09:35:01 AM
Mennin
Symphony № 7, « Variation-Symphony » (1963)
Seattle Symphony
Schwarz


[asin]B0085AXTFK[/asin]

But re Moby Dick: read the book instead.
"I don't know what sforzando means, though it clearly means something."