What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Zeus

#82020

La Spagna / Atrivm Mvsicae / BIS





I wonder if anyone around here has the original double-LP?
"There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it." – Emmanuel Radnitzky (Man Ray)

Mirror Image

Quote from: Daverz on January 13, 2017, 02:34:59 AM
On facebook:

THE Classical Music Recordings Discussion Group

Okay, thanks Daverz. 8)

andolink

This is a recording of the English Suites that doesn't seem to get much comment or attention but I'm finding it to be excellent.  Cerasi is very fluid and avoids the mannerist agogic accents I often find disconcerting.  Her tempi were a couple of times a hair on the fast side but were generally just right for my tastes and she obviously has thought very deeply about these pieces. There is a real feeling of authority to this playing reminding me a bit of Kenneth Gilbert (whose Blanchet-Taskin harpsichord she used for this recording).  The recording is a bit bright so some might need to do a little EQ tweeking.  (I found it to be perfect listened to via my headphones.)

Stereo: PS Audio DirectStream Memory Player>>PS Audio DirectStream DAC >>Dynaudio 9S subwoofer>>Merrill Audio Thor Mono Blocks>>Dynaudio Confidence C1 II's (w/ Brick Wall Series Mode Power Conditioner)

Spineur

Quote from: NikF on January 12, 2017, 03:32:56 PM
Ravel: Piano Concerto in G - Haas/Paray/Orchestre National de la R.T.F.

[asin]B0073Y1398[/asin]

Despite the fact that the piano seems to switch from mono to stereo, I enjoy this elegant and non too romantic performance.
Just heard the concerto in G in this new release this morning on the radio.  I thought it was excellent
[asin]B01N3TPPLZ[/asin]

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

American marches composed by Sousa, Goldman, Gould, Emmet, Meacham and Bagley.




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

San Antone

Byrd : The Three Masses
Pro Arte Singers | Paul Hillier


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mister Sharpe

Keeping warm and hiding inside while the ice storms loom.  Can't even think of this work w/o seeing Kristin Scott Thomas around the campfire reciting the tale of Candaules & Gyges in the English Patient. So overwhelmingly brilliant 'tis.

[asin]B001UUNAYC[/asin]

In case you haven't seen it: https://www.youtube.com/watch?v=2dCLQWW7GQo
"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

Todd

Quote from: Ghost Sonata on January 13, 2017, 07:46:14 AM
Keeping warm and hiding inside while the ice storms loom.  Can't even think of this work w/o seeing Kristin Scott Thomas around the campfire reciting the tale of Candaules & Gyges in the English Patient. So overwhelmingly brilliant 'tis.

[asin]B001UUNAYC[/asin]


The world needs more recordings of Zemlinsky operas.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Mirror Image

Quote from: k a rl h e nn i ng on January 13, 2017, 07:45:18 AM
First-Listen Fridays!

http://www.youtube.com/v/S62ePL-WLyI

Sweetness! I've got that Biret Hindemith PC set on the way. Looking forward to hearing these works (I'm really only familiar with The Four Temperaments). Will be curious to know what you think of this work after you've had time to absorb it.

Thread duty:



Listening to the Pastoral. Remarkable work and performance.

Todd




Disc one of a threefer LvB Violin Sonata cycle from Pierre Fouchenneret and Romain Descharmes.  A definite qualitative step up over Kapustin/Koekkoek.  The 82' disc contains Opp 23, 24, 12/2, and 12/3.  The watchword here is elegance.  Both artists play with unfailing elegance and nuance.  They are not speed demons, nor are they unnecessarily flashy.  Fouchenneret's intonation strikes me as essentially perfect, his use of vibrato quite masterly.  Descharmes is most French in his ivory tickling, elegant and often restrained, but never dull and always tasteful.  Here's how to play chamber music at less than maximum power and speed and yet sound fully engaging.  The Op 12 sonatas are slightly laid back, but always sound great.  The Op 23 and 24 sonatas have more verve and drive, as appropriate.

Sonics of these live recordings are generally excellent, but the piano's lower register sounds a tad light, and dynamics seem compressed compared to the best modern recordings.  There's real-world, real-venue reverb to varying degrees, as well.

Good stuff.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Mister Sharpe

Quote from: Todd on January 13, 2017, 07:57:51 AM

The world needs more recordings of Zemlinsky operas.

I'm all for this! A remarkable composer (I even like his two early "student" symphonies in which you can hear him flexing his powers of orchestration).
"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

Mahlerian

Stravinsky: Symphony of Psalms; Violin Concerto
Festival Singers of Toronto, CBC Symphony Orchestra; Isaac Stern, Columbia Symphony Orchestra, cond. Stravinsky


And one more for good measure.

Stravinsky: Violin Concerto
Hilary Hahn, Academy of St Martin in the Fields, cond. Marriner
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Mirror Image

Quote from: Mahlerian on January 13, 2017, 08:11:10 AM

Stravinsky: Violin Concerto
Hilary Hahn, Academy of St Martin in the Fields, cond. Marriner


Definitely one of the better performances of the VC that I've heard.

Mahlerian

Quote from: Mirror Image on January 13, 2017, 08:14:58 AM
Definitely one of the better performances of the VC that I've heard.

It's a lot "cleaner" than Stern's performance, where the intonation is pretty shaky.  Hahn's has always been excellent, which is why her Schoenberg concerto sounds so much better than most of the competition.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

San Antone

#82036
Machaut : Messe
Ars Antiqua de Paris | Michel Sanvoisin



OVPP quartet: Countertenor, tenor (2), baritone, with viol, medieval organ and cornetto doubling.  Not my ideal ensemble, but not bad.  Recorded at Scuola Grande di S. Giovanni Evangelista, Venezia 1990, recently reissued with different cover.

aligreto

Vivaldi: L'incoronazione di Dario, Act 2 [Dantone]....





This act contains one of the most wonderful arias, namely Se palpitarti in sen.

Karl Henning

One of my very favorite Hindemith works, the Op.49 Konzertmusik for piano, brass & two harps:

http://www.youtube.com/v/Vx9itohCcBk
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot