What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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HIPster

Quote from: Que on January 28, 2017, 01:29:26 AM
Another new addition is up next - comes with an endorsement by Florestan:

[asin]B000WC389Q[/asin]
Q

Excellent.  ;)

Morning listening ~

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Wise words from Que:

Never waste a good reason for a purchase....  ;)

Mirror Image


aligreto




Fergus Johnston: Je goute le jeu - A set of variations on a theme coupled with an interesting rearrangement of orchestral seating.

aligreto


Todd




Second listen, this time through cans.  This purchase was one of those "why not?" type deals, but the music and artistry are utterly captivating.  Ah, serendipity. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

NikF

Mahler: Symphony 1 - Solti/CSO.

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I have the Bernstein cycles and the Kubelik, but this is different. From the outset it's weighty and charged and powerful, but still manages to sound so open. To use a term like 'cinematic' doesn't begin do it service. I'd go so far as to say that in many ways it's been a revelation - it has such presence. And although firmly in the realms of trite, if the remainder of the cycle compares then this is one to bring out rarely like a favoured single malt. ;D
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Mahlerian

Quote from: HIPster on January 27, 2017, 07:33:27 PM
I know, right?!?! Crazy.  8)

Ha on the Bruckner (and the 19th century) - for me.  I really like this performance too.

As Jeffrey Smith notes, it is certainly HIP.  Again, it sounds wonderful to my ears.

Sarge, believe it or not, but I actually have posted listening to Celibadache's Bruckner fourth here previously.  That's my gateway to Bruckner; a favorite recording for me.  Listening to that one is like listening to a Dark Star from 1969 - to be savored.

I am considering the Simone Young Bruckner set, based on reviews here.

Herreweghe also recorded Bruckner's fascinating Mass in E minor, which sounds like nothing else from its time.  One who is interested in Early Music may just enjoy it quite a bit (though I know one such Amazon reviewer who did not).
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

HIPster

Quote from: Mahlerian on January 28, 2017, 07:09:49 AM
Herreweghe also recorded Bruckner's fascinating Mass in E minor, which sounds like nothing else from its time.  One who is interested in Early Music may just enjoy it quite a bit (though I know one such Amazon reviewer who did not).

Thank you, Mahlerian;)

I do plan to check it out.  Added to the wishlist.  :)

Thread duty ~

In keeping with this HIP-themed theme, playing Adagio - A Consideration of a Serious Matter:

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Matthias Maute has come up with something really special here: a very moving meditation on death and dying, which uses music through the ages.  Issues of authenticity or performance practice are decidedly not present, or relevant.

A beautiful release.
Wise words from Que:

Never waste a good reason for a purchase....  ;)

Turner

#83028
Khachaturian: Symphony no.1 (1934) / Tjeknavorian, LSO/ rca LP

A pleasant, rather conservatively-sounding work, reminding of even R-Korsakov a lot of the time.

aligreto

Bax: Symphony No. 4 [Handley]....



aligreto

Quote from: NikF on January 28, 2017, 07:00:44 AM
Mahler: Symphony 1 - Solti/CSO.

[asin]B0000041Z6[/asin]

I have the Bernstein cycles and the Kubelik, but this is different. From the outset it's weighty and charged and powerful, but still manages to sound so open. To use a term like 'cinematic' doesn't begin do it service. I'd go so far as to say that in many ways it's been a revelation - it has such presence. And although firmly in the realms of trite, if the remainder of the cycle compares then this is one to bring out rarely like a favoured single malt. ;D

Great to see that you are off to a good start with that cycle  :)

Mirror Image

Quote from: aligreto on January 28, 2017, 08:04:11 AM
Bax: Symphony No. 4 [Handley]....




How are you enjoying Handley's cycle, aligreto? I own all of the cycles of Bax's symphonies: Handley, Thomson, and Lloyd-Jones. How do the Handley performances compare to say Thomson's? Any kind of feedback would be greatly appreciated.

aligreto

Quote from: Mirror Image on January 28, 2017, 08:08:00 AM
How are you enjoying Handley's cycle, aligreto? I own all of the cycles of Bax's symphonies: Handley, Thomson, and Lloyd-Jones. How do the Handley performances compare to say Thomson's? Any kind of feedback would be greatly appreciated.

I do not own the Thompson unfortunately so I cannot comment there at all. For me the Lloyd-Jones cycle is perfectly fine but the Handley cycle is definitely a step above in both performance and interpretation. As you know there is a strong sense of the lyrical and of the pastoral in Bax's music but there is also a sense of underlying menace and foreboding which Handley brings out very well I think. One is often fearfully watching over one's shoulder listening to Handley. It is an undercurrent that I enjoy.

HIPster

Hesperion XX

[asin]B0000017MQ[/asin]

Excellent Early Music sampler.

Superb sound quality too.
Wise words from Que:

Never waste a good reason for a purchase....  ;)

NikF

Rorem: Symphony No. 3 - Serebrier/Bournemouth Symphony Orchestra.

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A fine work and one that I enjoy, however this evening its secondary role is in being something of a sorbet after hearing the Solti Mahler 1.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Mirror Image

Quote from: aligreto on January 28, 2017, 08:16:50 AM
I do not own the Thompson unfortunately so I cannot comment there at all. For me the Lloyd-Jones cycle is perfectly fine but the Handley cycle is definitely a step above in both performance and interpretation. As you know there is a strong sense of the lyrical and of the pastoral in Bax's music but there is also a sense of underlying menace and foreboding which Handley brings out very well I think. One is often fearfully watching over one's shoulder listening to Handley. It is an undercurrent that I enjoy.

Very cool. Thanks for your feedback. I believe I do remember enjoying Handley's set a lot.

North Star

Liszt
Années de pèlerinage II, Italy, S. 161: No. 6. Sonetto 123 del Petrarca
Julian Gorus

https://www.youtube.com/v/GD-DlxklxEI

Earlier:
Sibelius
Luonnotar*, Bard, Oceanides
Helena Juntunen*
Vänskä & Lahti
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

ritter

Listening to the first recording ever of Schoenberg's stunning opera:

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Zeus

#83038
I'm working my way through this 2-disc set.


So far it's good, maybe occasionally very good, but not great. To my ears anyway.

I must say I'm a little disappointed. But it may get better on subsequent listens. 

IMHO, FWIW, YMMV, etc.
"There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it." – Emmanuel Radnitzky (Man Ray)

Mandryka

Quote from: ritter on January 28, 2017, 08:48:00 AM
Listening to the first recording ever of Schoenberg's stunning opera:

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This is a better transfer than the one I have, and I'd say that it's an essential experience for anyone who can tolerate the sound of old recordings.
Wovon man nicht sprechen kann, darüber muss man schweigen