What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Quote from: Mahlerian on April 26, 2018, 12:50:19 PM
Takemitsu: Toward the Sea III for alto flute and harp

That is a title which seems to have been made for the French:  Vers la mer.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Mirror Image on April 26, 2018, 07:28:59 PM
Villa-Lobos
String Quartets Nos. 6, 1, & 17
Cuarteto Latinoamericano


Love those quartets.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Jeffrey Smith on April 26, 2018, 07:56:35 PM
Tonight
Ogawa playing Satie on an 1890 Erard
... excellent performance, but I realized 75 minutes of Satie can become vexatious

(* chortle *)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

G'day, Karl!

Thread-duty First-listen Friday
Poulenc
Capriccio d'après Le bal masqué, for 2 pianos, FP 155 (1952)
Sonata for 2 pianos, FP 156 (1953)
Francois Chaplin & Alexandre Tharaud

from disc 3 from this set, superb so far
[asin]B000SKJQWK[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

Quote from: SymphonicAddict on April 26, 2018, 03:39:37 PM
Rubbra - Piano concerto, op. 85



Tippett - Symphony No. 1


Both recordings I enjoy as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: SurprisedByBeauty on April 26, 2018, 10:02:58 AM
Is this a collection of Lenny's most indulgent recordings? My gawd, the Sibelius is absurdly slow. And the Nimrod Variation... Why does every beautiful slow movement have to turn into a dirge with Bernstein?

TD:


#morninglistening - now geographically correct - to #RVW's #SinfoniaAntartica in honor of yesterday's #WorldPenguinDay!

: http://a-fwd.to/4f51ogu

w/@LondonSymphony under #BrydenThomson on @chandosrecords (@RVWinfo, RVWSociety, @RVWtweets)

Thomson's VW set is excellent and rather underrated IMHO.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso


Sergeant Rock

Vaughan Williams String Quartet No.2 A minor played by the Maggini




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Florestan

Quote from: k a rl h e nn i ng on April 27, 2018, 02:45:13 AM
That is a title which seems to have been made for the French:  Vers la mer.

Indeed, it would have been a double nod to Debussy.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Sergeant Rock

Cage String Quartet in Four Parts (1950) played by the LaSalle Quartet

https://www.youtube.com/v/hGMVqix_w4w


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Biffo

Schubert: Piano Sonata in B flat major, D960 - Marc-André Hamelin - not sure what to make of this. The slow tempo adopted in the first movement I find unsettling rather than simply too slow. Hamelin takes the long exposition repeat which means that, with a slow-ish Andante sostenuto, there is over 30 mins of slow music and the sonata is unbalanced.

Mandryka

Quote from: Biffo on April 27, 2018, 04:18:18 AM
Schubert: Piano Sonata in B flat major, D960 - Marc-André Hamelin - not sure what to make of this. The slow tempo adopted in the first movement I find unsettling rather than simply too slow. Hamelin takes the long exposition repeat which means that, with a slow-ish Andante sostenuto, there is over 30 mins of slow music and the sonata is unbalanced.

I'm quite curious about this because of his Feldman. Are you generally uncomfortable about versions which take the repeat and play it slow -- Richter, Afanassiev? For what it's worth I rarely bother with the last two movements, whoever's playing,  they don't seem to have much to do with the first two and they don't seem to be as interesting.
Wovon man nicht sprechen kann, darüber muss man schweigen

Undersea

.
[asin]B0000037AW[/asin]

Schubert: String Quartet #15 In G, Op. Posth. 161, D 887

Chilingirian Quartet

Que


Biffo

Quote from: Mandryka on April 27, 2018, 04:47:16 AM
I'm quite curious about this because of his Feldman. Are you generally uncomfortable about versions which take the repeat and play it slow -- Richter, Afanassiev? For what it's worth I rarely bother with the last two movements, whoever's playing,  they don't seem to have much to do with the first two and they don't seem to be as interesting.

I don't have Afanassiev or Richter so can't comment on them. Of the various versions I have Brendel, Lewis and Haebler omit the repeat and Brendel is the version through which I got to know the work so it has probably coloured my views. None of the others are as slow as Hamelin (22mins approx) and only Serkin (x2) breaks 20 mins (just). I don't find any of them excessively slow. Pollini is probably my current favourite. There is something else about the Hamelin, not just the slowness, I don't like but I can't put my finger on it.

Mandryka

Quote from: Biffo on April 27, 2018, 05:09:11 AM
. . . there is something else about the Hamelin, . . .  I don't like but I can't put my finger on it.

This is how I feel about a lot of Hamelin's work, maybe all.
Wovon man nicht sprechen kann, darüber muss man schweigen

Sergeant Rock

Rachmaninoff Symphony No.2 E minor, Rozhdestvensky conducting the LSo




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"