What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Jamie

thoroughly enjoying my first listen to this...

André

Quote from: SymphonicAddict on July 29, 2018, 12:45:03 PM


Gilson - The Sea

A magnificent depiction of a warm landscape on water, written before the famous Debussy's La Mer. There is a recurring theme that unifies the work and certainly it becomes an earworm. A very fine work.




Hausegger - Wieland der Schmied

Just the kind of work I like so much: lush orchestration, vibrant climaxes and an epic feel to it. Almost at the beginning it appears a magical fragment that seems coming from a fairy land. Absolutely stunning.

The Gilson/De Boeck disc is a superb set of little-known works. I have these performances by Rickenbacher, but with another visual, on the Discover label, as well as another version of De Zee on Naxos, conducted by Frédéric Devreese, himself a fine composer. The symphony by De Boeck is also a very fine work

....................

TD:



The Cantate de Noel reminds me of Vaughan-Williams' Hodie with its prominent use of popular carols. Honegger's Christmas cantata evolves from darkness and gloom to joyful noises without quite shaking that initial impression of unease. It is a less radiant and affirmative work than VW - much shorter too, by more than half.

SymphonicAddict

Quote from: André on July 29, 2018, 04:00:06 PM
The Gilson/De Boeck disc is a superb set of little-known works. I have these performances by Rickenbacher, but with another visual, on the Discover label, as well as another version of De Zee on Naxos, conducted by Frédéric Devreese, himself a fine composer. The symphony by De Boeck is also a very fine work

....................

TD:



The Cantate de Noel reminds me of Vaughan-Williams' Hodie with its prominent use of popular carols. Honegger's Christmas cantata evolves from darkness and gloom to joyful noises without quite shaking that initial impression of unease. It is a less radiant and affirmative work than VW - much shorter too, by more than half.

Yes, indeed! I was already familiar with the Boeck as well. It's a hidden gem that deserves more spread.

SymphonicAddict

#118763


Symphony Nr. 1 in B flat minor

This is by far my favorite recording of the Walton's ultra-glorious Symphony Nr. 1. A remarkable quality I feel on this recording is the strength of the timpani, they sound with such power, so convincing! This instrument is absolutely key to feel the true energy this symphony displays. The only recording I almost feel the same is that by Thomson on Chandos. In addition, the broader tempi allow much more enjoyment (lasting 50 min.). The percussion on the 4th movement also sounds incredible, above all those tam-tam explosions.

Dancing Divertimentian

Earlier, Beethoven's Op.26 & 27 no.1. Guy.




Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Dancing Divertimentian

And now, bassoon bonanza, via Vivaldi. Hideous cover...damn fine playing!!



Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Daverz


SymphonicAddict

Quote from: Daverz on July 29, 2018, 07:46:57 PM
Haitink is the conductor.

Yes, he is, conducting the Philharmonia Orchestra.

SymphonicAddict



For now I only focused on the tone poems. Danse Macabre has practically eclipsed the others. To be honest, I prefer them to it. I don't know why they are so underrated if they all have enough charm.

Le Rouet d'Omphale is one of the most magical pieces Saint-Saëns wrote, with its fascinating and mesmerizing middle section. I really love that part!

Que

Quote from: Dancing Divertimentian on July 29, 2018, 07:41:07 PM
And now, bassoon bonanza, via Vivaldi. Hideous cover...damn fine playing!!



A GMG favourite, I would say.  :)


My morning listening on vacation in Sweden, arranged by my wife through her Spotify :



Q

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

#118771
Movie Soundtrack (interestingly on DGG):
[asin]B076X47X2T[/asin]
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: SymphonicAddict on July 29, 2018, 06:52:39 PM


Symphony Nr. 1 in B flat minor

This is by far my favorite recording of the Walton's ultra-glorious Symphony Nr. 1. A remarkable quality I feel on this recording is the strength of the timpani, they sound with such power, so convincing! This instrument is absolutely key to feel the true energy this symphony displays. The only recording I almost feel the same is that by Thomson on Chandos. In addition, the broader tempi allow much more enjoyment (lasting 50 min.). The percussion on the 4th movement also sounds incredible, above all those tam-tam explosions.
The Thomson is one of the very greatest IMHO and I like the Haitink also - must listen to it again soon.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: SymphonicAddict on July 29, 2018, 12:45:03 PM


Gilson - The Sea

A magnificent depiction of a warm landscape on water, written before the famous Debussy's La Mer. There is a recurring theme that unifies the work and certainly it becomes an earworm. A very fine work.




Hausegger - Wieland der Schmied

Just the kind of work I like so much: lush orchestration, vibrant climaxes and an epic feel to it. Almost at the beginning it appears a magical fragment that seems coming from a fairy land. Absolutely stunning.

Great choices Cesar!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: André on July 29, 2018, 04:00:06 PM
The Gilson/De Boeck disc is a superb set of little-known works. I have these performances by Rickenbacher, but with another visual, on the Discover label, as well as another version of De Zee on Naxos, conducted by Frédéric Devreese, himself a fine composer. The symphony by De Boeck is also a very fine work

....................

TD:



The Cantate de Noel reminds me of Vaughan-Williams' Hodie with its prominent use of popular carols. Honegger's Christmas cantata evolves from darkness and gloom to joyful noises without quite shaking that initial impression of unease. It is a less radiant and affirmative work than VW - much shorter too, by more than half.
I find Honegger's last-ditch Christmas Cantata very moving. I think that it was you who introduced me to the fine Gilson work.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Biffo

#118775
Quote from: aligreto on July 29, 2018, 09:23:15 AM
I really like those Hickox versions of the Haydn Masses. I think that they are very well interpreted and presented. My go to in these works.

I bought a couple of them (Harmonie, Nelson) around the time they were first issued to supplement versions I already had (mainly Guest). I have always enjoyed them; the Harmoniemesse is my favourite of the late masses and Hickox my favourite version. Not really sure why I didn't buy more of the series but a few months ago Chandos had a sale and I bought a couple more; only just got round to listening to them.

Florestan

"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Harry

Quote from: Que on July 30, 2018, 12:11:48 AM
A GMG favourite, I would say.  :)


My morning listening on vacation in Sweden, arranged by my wife through her Spotify :



Q

That means for me you have a very good wife :)
And that particular recording is one I cherish.
Have a pleasant vacation.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Florestan



Apart from the performance, what distinguishes Angela Hewitt as an excellent musician is the liner notes she writes for her recordings: informative, wittty and not too technical, they are a delight to read.
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Florestan

"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham