What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Holst, Gustav (1874-1934) - Orchestral Works & Planets - this afternoon listening to my small Holst collection, i.e. several discs of his orchestral works, quite nice, and 2 older recordings of the Planets; the latter I've owned for ages and there are SO MANY versions, so decided to order a potential replacement based on some Fanfare research and ordered the re-mastered quadrophonic recording of Steinberg's performances of the Planets/...Zarathustra (see attachment for more details of the restoration - from Amazon).  Dave :)

 

 


Sergeant Rock

Listening to my favorite Haydn Quartet, the op.77/1, played by the Auryn Quartet (not my favorite performance but nonetheless enjoyable of course)




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

aligreto

Corbetta/de Visée: Suites for Guitars and Theorbos





De Visée: Suite in E minor for two theorbos
Corbetta: "La Guitarre Royalle" for two guitars

I have had this CD for a long time and I have enjoyed it since my first listen.

Daverz

#135544
Trondheim Solists play Britten (Bridge Variations), VW (Tallis Fantasia) and Stravinsky (Apollo)

[asin] B01HIRYAJO[/asin]

Fantastic string playing and transparent sonics.  I particularly like how the double basses come thru so clearly.  This is a smallish group, so Tallis Fantasia doesn't have the dramatic weight of Stokowski or Bernstein.

Sergeant Rock

Haydn Quartet op.77/2, played by the Auryn Quartet. Unlike their op.77/1 their No.2 is probably my favorite version of this great Quartet.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Ravel String Quartet played by the Auryn




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

André



I bought this to hear the Windsbacher Knabenchor in Bach's B minor Mass. Boy choristers sing the soprano and alto parts, grown ups make up the tenor and bass contingent. They produce a wonderfully full, transparent and penetrating sound. No haze here, no approximate pitches, no flying sibilants. The orchestra is MI and the performance as a whole is a traditional one in the best sense, with a natural feel to the tempi. At 107 minutes it is in the same time range (105-108 minutes) as Gardiner, Suzuki, Christie, Harnoncourt, Herreweghe, Layton, Jacobs, Brüggen and other period performance practitioners, and 15-30 minutes faster than the avuncular, old fashioned (but spiritually intense) Jochum, Karajan, Klemperer, Richter, Shaw, Scherchen, Munchinger, Giulini. Two very contrasted sets of approaches indeed. I have favourites in both camps, but tend to prefer the first.


JBS

Quote from: Toccata&Fugue on May 14, 2019, 04:24:29 PM


I have that set in the reissue by Steinway and Sons.

I can't find it on Amazon US, and Google only gives the one EBay listing from which I took that image. The packaging is a nonstandard size, and fits better with DVDs than CDs.

TD
Vernon Handley conducting Delius (First Cuckoo in Spring,  Summer Night on the River, Brigg Fair) and Vaughn Williams  Second Symphony ("London").
Listening to those three works, I find it hard to say Delius was anything other than the epitome of Britishness in music.

Hollywood Beach Broadwalk

Daverz

Prokofiev: Symphony No. 2

[asin] B079F9NCQD[/asin]

I'd count this toward the "more civilized" end of the Symphony No. 2 interpretational spectrum.  I like this a lot.  Very spacious sound (some may find it over-reverberant) and great bass.

Brian

Quote from: Sergeant Rock on May 14, 2019, 03:15:23 PM
Ravel String Quartet played by the Auryn



Sarge
Hey Sarge, do I need that French one too? I saw your comments about the Auryn and before I bought those Haydn CDs, did a GMG search and read all your previous posts about them! Very excited. The only overlap between the Auryn CDs I bought and my previous Haydn quartet collection is three quartets from Op. 50 (Prazak). Kind of anticipate a need to add more later.  0:)

Only Auryn in my house already is the Schubert quintet with Poltera.

Mirror Image

Quote from: Florestan on May 14, 2019, 08:11:13 AM
Debussy - Jeux (Dutoit, Montreal)

https://www.youtube.com/v/OXSWFlwX9a4

First, or possibly second listen to this work, and ---

--- Sarge, count me in as Pro. I like it very much.

Great to hear, Florestan. You should give the Boulez/Cleveland on DG a listen, but I'd also strongly recommend checking out Shui's on BIS with the Singapore SO for a bit slower take on the work.

Mirror Image

#135553
Now:

Roussel
Symphony No. 1 in D minor ("Le poème de la forêt"), Op. 7
Leif Segerstam, conductor
Staatsphilharmonie Rheinland-Pfalz




Absolutely stunning! I'm not sure where my mind was many weeks ago when I said Roussel wasn't for me, but I was clearly listening with some concrete in my ears. It seems that I'm going to be preferring older performances of Roussel to the newer ones. There's a certain magic here from Segerstam that I just don't hear from Eschenbach or Denève for example.

TheGSMoeller


Que

#135555

vandermolen

#135556
Quote from: SonicMan46 on May 14, 2019, 02:02:56 PM
Holst, Gustav (1874-1934) - Orchestral Works & Planets - this afternoon listening to my small Holst collection, i.e. several discs of his orchestral works, quite nice, and 2 older recordings of the Planets; the latter I've owned for ages and there are SO MANY versions, so decided to order a potential replacement based on some Fanfare research and ordered the re-mastered quadrophonic recording of Steinberg's performances of the Planets/...Zarathustra (see attachment for more details of the restoration - from Amazon).  Dave :)

 

 


That's a very nice collection and the Steinberg Planets is terrific although I don't have that new release. You might also like The Perfect Fool ballet music and Egdon Heath, which Holst considered his greatest work;  if interested in choral music I'd suggest the First Choral Symphony (there is no second) which I think is Holst's masterpiece.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Irons

Quote from: Sergeant Rock on May 14, 2019, 02:07:34 PM
Listening to my favorite Haydn Quartet, the op.77/1, played by the Auryn Quartet (not my favorite performance but nonetheless enjoyable of course)




Sarge

My favourite too. Hearing the first movement I always feel the urge to break out in a silly dancing march! ::)
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Harry

Early morning listening.
TD, second listen.
Georges Onslow. String Quintets, Volume II. No. 10 in F minor & No. 22 in E flat major.
Elan Quintet.
Naxos.

Hat tip to Erato for alerting me to these wonderful recordings.
Onslow is quite a marvel in musical matters, an almost forgotten treasure.
Performance and recording are top notch.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Irons

Quote from: aligreto on May 14, 2019, 12:27:49 PM
Nielsen: Symphony No. 3 [Blomstedt]





The first movement is a powerful, atmospheric and exuberant affair which really has punch, great forward drive and presence. The contemplative and meditative mood generated in the second movement is a wonderful contrast to that of the first. I like those plaintive woodwinds. I also like the handling of the vocalists here. The somewhat quirky, scherzo-like third movement is very well portrayed with great energy and momentum. The big opening theme of the final movement is portrayed with gusto and intensity and the build up to the ultimate conclusion and finale is steady and spirited.

The Decca set is very well thought of unlike the earlier EMI set. I was about to purchase the latter on LP but put off by a friend who claimed it was not very good. Have you heard any of the EMI Nielsen recordings by Blomstedt?
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.