What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Quote from: The new erato on December 21, 2013, 06:36:57 AM
Only finished first work; Northern Lights. Impressionistic yes, with some Russian plangent and mournful winds. melodically somewhat like Prokofiev.

Your own?  Congrats!  Say more, please.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Wakefield

#15581
On the other hand, this one looks utterly excellent:



Beethoven: Sonatas Nos. 1 & 2
Yo-Yo Ma, cello
Emanuel Ax, piano

:)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

North Star

Quote from: karlhenning on December 21, 2013, 07:29:04 AM
Your own?  Congrats!  Say more, please.
New Erato is referring to that Klami disc.  :)
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Papy Oli

Dvorak - Symphonies No.3 & No.5

Witold Rowicki / LSO

Olivier

Fafner

Gaetano Donizetti - Lucia di Lammermoor
Callas, di Stefano, Gobbi
Chorus & Orchestra of the Maggio Musicale Fiorentino, Serafin

[asin]B00018GJII[/asin]
"Remember Fafner? Remember he built Valhalla? A giant? Well, he's a dragon now. Don't ask me why. Anyway, he's dead."
   --- Anna Russell

Karl Henning

A clammy disc, Karlo?  We must have some of those here in The Land of Chowder . . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Karl Henning My Island Home (unfinished torso)


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: karlhenning on December 21, 2013, 08:13:39 AM
A clammy disc, Karlo?  We must have some of those here in The Land of Chowder . . . .
One Clammy - Uuno Klami  :D
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: karlhenning on December 21, 2013, 08:33:18 AM
Thank you!

Thank you!  Good piece, impossible not to waggle at least one body part, or several, while listening.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

More amorous skeletons: Corelli Sonatas for Violin and Harpsichord




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Wakefield

Quote from: Gordo on December 21, 2013, 07:32:16 AM



Beethoven: Sonatas Nos. 1 & 2
Yo-Yo Ma, cello
Emanuel Ax, piano

Once again.

Great interpretation of these two early sonatas, with the piano as interpretative leader and the cello (at the beginning at least) commenting the statements of the piano.

Then gradually the cello gets  more freedom and prominence. 

Perfect assembly between Ax & Ma.

Superb sound quality with both instruments placed to the same distance of the microphones.  :)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Papy Oli

Beethoven - Piano Sonatas No.7, 13, 14, 16 (Buchbinder)

I do like that boxset so far  :)
Olivier

Sergeant Rock

Haydn Symphony No. 44 E minor "Trauer" ....Lubbock conducting the Orchestra of St. John's, Smith Square, London




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

First listen to these recordings - and possibly my first-ever listen to "Short Ride"?

[asin]B00FNY1HAA[/asin]

Lisztianwagner

For the DBM:

Pyotr Il'ych Tchaikovsky
Sleeping Beauty


[asin]B002Q85A1S[/asin]
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Sergeant Rock

#15597
For the Winter Solstice and Nut: Tchaikovsky Symphony No. 1 G minor "Winter Dreams" ...Haitink conducting the Concertgebouw




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Todd





Superb playing, but it may or may not be the last word in Prokofiev's 6th.  (I have my doubts.)  Of course, the only other version I've heard is from Mravinsky, and it has been years since I listened.  This recording is blessed by some of the finest sound that Joanna Nickrenz is associated with, which is saying a lot from my experience.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Mandryka

#15599


Ewald Kooiman plays the first 10 Leipzig Chorales, his second recording.

A mixture of highs and lows.

A wonderful BWV 651, with a roaring growling pedal which gives the music quite a complex feel emotionally - a mixture of joy and terror. And a bizarre BWV 655, a  none-event, stiff, at least that's how I hear it. You hardly notice when the chorale theme finally comes in, and there's no response to that entry in the manuals. BWV 656 is very fine, a noble joyfeel in the first verse which steadily becomes increasingly ecstatic, the final verse has that growling pedal again, and becomes a frenzied dance, unforgettable.

Wovon man nicht sprechen kann, darüber muss man schweigen