What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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North Star

Britten
Cello Symphony
Isserlis & Hickox


The Little Sweep (First listen)
Sir Philip Ledger & Choral Scholars of King's College, Cambridge et al.
[asin]B001EOOC3W[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Sadko

#16621
Mozart

Klavierkonzert Es-dur KV 271 "Jeunehomme", "Jenamy"

Alfred Brendel
ASMF
Neville Marriner

[asin]B00000410O[/asin]

Karl Henning

Quote from: North Star on January 14, 2014, 03:53:17 AM
Britten
Cello Symphony
Isserlis & Hickox


The Little Sweep (First listen)
Sir Philip Ledger & Choral Scholars of King's College, Cambridge et al.
[asin]B001EOOC3W[/asin]

A wonderful box, to be sure!  G'day, Karlo!

Thread Duty

LvB
Violin Sonata № 9 in A, Op.47 « Kreutzer »
Zukerman, Hungerdunger & Barenboim
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

#16623
Mozart

Klavierkonzert Es-dur KV 271 "Jenamy"

Dezső Ránki
Liszt Ferenc Chamber Orchestra
János Rolla

Subtly nuanced playing by Ránki, and an equally responsive orchestra.

Karl Henning

What was I listening to last night?

Schoenberg
Moses und Aron
David Pittman-Jennings, Moses
Chris Merritt, Aron
The Chorus of De Nederlandse Opera
Zaans Jongenskoor
Jongens Muziekschool Waterland
Royal Concertgebouw Orchestra
Boulez




This could just be the "my favorite x is the last one I heard" drill . . . this really is mighty good, and I hesitate to call it my favorite because, well, I just haven't listened to any of the others I've got lately.  (And when I think about it, this must be the fourth Moses und Aron I've got . . . .)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: karlhenning on January 14, 2014, 05:33:19 AM
A wonderful box, to be sure!  G'day, Karlo!

Thread Duty

LvB
Violin Sonata № 9 in A, Op.47 « Kreutzer »
Zukerman, Hungerdunger & Barenboim

Good day, Karl!
Yes indeed, it's a great box - in several senses  8)
I need to get the rest of the operas, though, and then there are some other works like Curlew River that aren't there that interest me a great deal. Perhaps I need the big Decca box, too :D
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

North Star

Brahms
Symphony No. 4
Rattle & Berliners

[asin]B002AGIEYG[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

North Star

Brahms
Symphony No. 1
Rattle & Berliners
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

More of this, because it is just such beautiful singing. And, luscious music.

Orlande de Lassus
Pomerium
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

Pancrace Royer

Premier livre de pièces pour clavecin 1746

Christophe Rousset



Karl Henning

Quote from: karlhenning on January 13, 2014, 03:07:06 PM
Schoenberg
Erste Kammersymphonie, Op.9
Ensemble Musique Oblique
Herreweghe




The booklet seems to suggest, actually, that maestro Herreweghe did not direct the Op. 9
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Frescobaldi
Hank Knox


[asin]B00006L6VL[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mandryka

#16632


Ingrid Matthews plays the prelude to the third violin partita

She finds a lot of complex ineffable feeling in the music, what with all that rhythmic rubato and all. I'm wondering what to make of that, given that this is clearly derived from (or is it a derivative of?)  the symphonia to the cantata 'Wir danken dir, Gott, wir danken dir' (BWV 29), which seems just simply jubilant and exuberant, given the text. Or maybe the symphonia is more complex than I understand.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

"Papa"
Symphony № 104 in D « London » H.I/104
Berliner Philharmoniker
Rosbaud


Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Sibelius
Finlandia, Op.26 № 7
Berliner Philharmoniker
Rosbaud


Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Todd





One of Perahia's finest recordings.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Willow Pattern

Bruckner: Symphony No. 8 In C Minor, WAB 108, "Apocalyptic"

A few more Bruckner Symphonies today - the 8th and 5th with Tintner and the 3rd and 6th with Karajan:


TheGSMoeller

Quote from: Todd on January 14, 2014, 02:05:05 PM

One of Perahia's finest recordings.

I highly agree, Todd.


Thread duty....as exciting and magical as I've ever heard of the Eroica. Jarvi delivers the absolute perfect tempi for all four movements IMO. I may have this one on repeat for a while...AND here is an intoxicating opening to the 8th! I'm in love! Yee-haw!

Edit: halfway through the 8th's Allegro vivace E con brio, this is phenomenal.

[asin]B000ROALF8[/asin]

Sadko


SonicMan46

Avison, Charles (1709-1770) - Concerti Grossi after Scarlatti w/ Goodman & Gang - a transitional (i.e. between late Baroque & early Classic periods) English composer who has been forgotten but composed some wonderful music from this era - believe I have at least a half dozen discs (and maybe a few others) - he is worth exploring if you are into the mid-portion of the 18th century - Dave :)