What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Mirror Image

Now:



Listening to Double Concerto. Absolutely beautiful work and performance.

Tom 1960



WDR Symphony Orchestra, Rudolf Barshai conducts

Mirror Image

#21042
Now:



Continuing with the Kocsis Bartok orchestral series. Listening to Music for Strings, Percussion, and Celesta now. Great!

TheGSMoeller

Telemann: Overture-Suite in C major, TV 55 no C 3 "Wassermusik"
Maurice Steger (Recorder), Xenie Löffler (Recorder)
Academy for Ancient Music Berlin

[asin] B000E8N9U6[/asin]

milk

Excellent performance here and great sound. It has the zip Spanyi sometimes lacks. I hope there will be more. 


TheGSMoeller

Dvorak: Symphony No. 9 in E minor
Harnoncourt - RCO

I really love this performance, the Allegro Con fuoco is just that, ablaze. A real sharp-edged energy.

[asin] B00004S1EG[/asin]

Mirror Image

Quote from: TheGSMoeller on March 26, 2014, 06:07:37 PM
Dvorak: Symphony No. 9 in E minor
Harnoncourt - RCO

I really love this performance, the Allegro Con fuoco is just that, ablaze. A real sharp-edged energy.

[asin] B00004S1EG[/asin]

+1 Love Harnoncourt's Dvorak.

EigenUser

Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

kishnevi

Quote from: Ken B on March 26, 2014, 01:11:27 PM
First spin of the Hurwitz-Approved (R)

[asin]B003LR4QQI[/asin]

More to the point, the Jeff and John (MI) approved.
Although I suppose it must give Hurwitz a bit of confidence to know that GMG sometimes agrees with him.  :P

Quote from: milk on March 26, 2014, 05:56:55 PM
Excellent performance here and great sound. It has the zip Spanyi sometimes lacks. I hope there will be more. 



Included (with, it seems all the rest of Brilliant's latest CPEB releases) in the 30 CD CPEBach Edition box)

thread duty:

finally getting around to this CD, which has waiting for enough time to listen to it (78:29 in length; they stuffed this bird as about as full as they could)

York Bowen: Chamber Works
Clarinet Sonata op. 109  Rhapsody Trio  Op. 80 Piano Trio c. 1900 unfinished Phantasy Quintet Op. 93 for Bass Clarinet and String Quartet  Piano Trio  Op. 118

Gould Piano Trio (Lucy Gould violin, Alice Neary cello, Benjamin Frith piano)  Robert Plane clarinet and bass clarinet  Mia Cooper second violin and David Adams viola in the Op. 93

Chandos catalogue number CHAN 10805

just begun, but the first five minutes is certainly encouraging.

Mirror Image

Quote from: Jeffrey Smith on March 26, 2014, 06:27:54 PM
More to the point, the Jeff and John (MI) approved.
Although I suppose it must give Hurwitz a bit of confidence to know that GMG sometimes agrees with him.  :P

Lol...

EigenUser

#21050
Boulez "Derive I"
http://www.youtube.com/watch?v=nu1u5uBe9So

Edit: Not bad! I'm surprised.

It doesn't have that "serial" sound that I dislike. In fact, it reminds me a bit of the first movement of the Ligeti "Chamber Concerto" for some reason. Though, it does sound odd right after listening to Schumann's wonderful "Manfred" overture.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Mirror Image

Now:



A new acquisition. Listening to String Quartet No. 2 (Version for String Orchestra & Soprano) (arr. Schoenberg). Awesome stuff.

Henk

#21052
Quote from: Mirror Image on March 26, 2014, 06:51:11 PM
Now:



A new acquisition. Listening to String Quartet No. 2 (Version for String Orchestra & Soprano) (arr. Schoenberg). Awesome stuff.

You seem to go Harry's way, John: liking (almost) everything (to near or less the same degree). :laugh: Though Harry seem to become more critical finally. :)
'The 'I' is not prior to the 'we'.' (Jean-Luc Nancy)

'... the cultivation of a longing for the absolute born of a desire for one another as different.' (Luce Irigaray)

Mirror Image

Quote from: Henk on March 26, 2014, 06:55:36 PM
You seem to go Harry's way, John: liking (almost) everything (to near or less the same degree). :laugh: Though Harry seem to become more critical finally. :)

(Almost) everything is correct. ;D

Sadko

#21054
Again:

Rimsky-Korsakov

The Maiden from Pskov

Kirov forces
Velery Gergiev

I'm listening to my favourite (I think) of the set again. After having listened to the whole set, I would sum up: The Tsar's Bride IMO is a complete failure. Sadko I find unenjoyable because of the voices. The other three I like, Pskovityanka the most. But indeed, fire, drive and drama are not Gergiev's strength.

listener

a couple of favourite discs this evening
BACH: Magnificat  and Cantata 51  'Jauchzet Gott in allen Landen
Monteverdi Choir    English Bach Soloists      Emma Kikby in the Cantata
John Elliot Gardiner, cond.
SIBELIUS:  Symphonies 2 & 6
London S.O.     Anthony Collins, cond.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

kishnevi

#21056
Quote from: Mirror Image on March 26, 2014, 06:58:30 PM
(Almost) everything is correct. ;D

You're just as critical as anyone else on the forum.  And so is Harry.  But both of you are good at making educated guesses, and trying out samples, etc. to guide you in your purchases:  for both of you,  you don't buy unless you have evidence suggesting you will like the recording--or at least not find it a bad one.

And when you guess wrong,  you say so rather bluntly.

Thread duty:

still with that York Bowen chamber works CD.   Very good,  mostly late Romantic; there are several moments in which one could imagine Brahms perking up and saying "gee I wish I had written that!"
[asin]B00HFEBYFO[/asin]

Wakefield

Quote from: Sadko on March 26, 2014, 07:07:14 PM
Again:

Rimsky-Korsakov

The Maiden from Pskov

Kirov forces
Velery Gergiev

I'm listening to my favourite (I think) of the set again. After having listened to the whole set, I would sum up: The Tsar's Bride IMO is a complete failure. Sadko I find unenjoyable because of the voices. The other three I like, Pskovityanka the most. But indeed, fire, drive and drama are not Gergiev's strength.

It would be great if you could annotate some of your favorites in these works. I'm sure you have some interesting recommendation for "Sadko". Thanks in advance.  :)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Mirror Image

Quote from: Jeffrey Smith on March 26, 2014, 07:17:51 PM
You're just as critical as anyone else on the forum.  And so is Harry.  But both of you are good at making educated guesses, and trying out samples, etc. to guide you in your purchases:  for both of you,  you don't buy unless you have evidence suggesting you will like the recording--or at leas not find it a bad one.

And when you guess wrong,  you say so rather bluntly.

Certainly no argument from me here, Jeffrey. A quite accurate observation on your part.

EigenUser

Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".