What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

Previous topic - Next topic

0 Members and 1547 Guests are viewing this topic.

king ubu

Quote from: Brian on September 14, 2016, 09:39:42 AM
This is clearly the better of the two Violin Concerto performances. The accompaniment, as led by Kenneth Woods, is far more incisive & dramatic, with a bigger dynamic range. The Gramola recording - my first listen to the concerto - made me think that it was "nice". This one makes me think the piece is good.

Guess this goes to my list then! My first major exposure to Gál recently was the piano set you depicted above, which I enjoyed tremendously!
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Brian

Quote from: karlhenning on September 14, 2016, 09:42:02 AM
Cool. I see Kenneth Woods all the time on Twitter, and this is the first direct-ish report I have had.
I like his blog a lot. Unusually for a practicing conductor, he takes time to write enthusiastically about why he likes certain unfamiliar or non-repertoire works (HB's Gothic Symphony, Hans Gál, Philip Sawyers, the various composers he commissions) and evangelizes to his audience on behalf of "scary" composers and is very lucid in, for instance, his explanation of what to listen for in the Lutoslawski piano concerto.

Harry

Quote from: Brian on September 14, 2016, 09:39:42 AM
Midway through my Hans Gál journey, I decided to take an unplanned detour through this disc:



This is clearly the better of the two Violin Concerto performances. The accompaniment, as led by Kenneth Woods, is far more incisive & dramatic, with a bigger dynamic range. The Gramola recording - my first listen to the concerto - made me think that it was "nice". This one makes me think the piece is good.

The Gramola recording is an absolute favourite of mine! Never had the feeling nice, but rather spectacular.
I will also buy the other recording.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Brian

Quote from: Harry's corner on September 14, 2016, 09:49:01 AM
The Gramola recording is an absolute favourite of mine! Never had the feeling nice, but rather spectacular.
I will also buy the other recording.
This other recording is worth it for the 18 minute "Concertino" - which really is an incredible work! The opening cello melody is so seductive I had to rewind and listen to it twice...

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

No surprise..

Haydn
Symphony No. 57 in D major (1774)
The Academy of Ancient Music
Hogwood

[asin]B01BHFPU3S[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

San Antone

#72886


BRITTEN: Folk Song Arrangements
Langridge, Philip - tenor
Lott, Felicity - soprano
Johnson, Graham - piano

Johnnie Burgess

Bela Bartok: String Quartet # 5




Novak Quartet





Mandryka

Quote from: SimonNZ on September 13, 2016, 11:27:16 PM
It just occurred to me which "big box" this is: the 50 cd L'oiseau-Lyre Medieval/Renaissance box has been released.

http://www.prestoclassical.co.uk/r/Decca/94788104

And I'm currently stoney, stoney broke  :(

There's worse news then, because one of Rooley's best recordings, Musicke of Sundrie Kindes, was inexplicably left out. The box is dominated by Rooley and Hogwood, I have a real soft spot for Rooley and so over the years I've bought all the recordings except that Heinrich Isaac one. I'm not crazy about Hogwood.
Wovon man nicht sprechen kann, darüber muss man schweigen

HIPster

Quote from: aligreto on September 14, 2016, 07:46:24 AM
One particular ensemble or different versions of Book Five?

I have the Concerto Italiano recording:

[asin]B000005W50[/asin]
Monteverdi's Fifth Book of Madrigals begins like the Fourth Book--the first half of the publication contains five-voice a cappella madrigals (with optional continuo) that use surprising dissonances to express the images and sentiments of their texts with extraordinary intensity. The second half, however, breaks new ground: the continuo (i.e., accompanying chord instrument like harpsichord or lute) part becomes independent (and indispensable), thus enabling Monteverdi to set extended passages for one or two voices. One fine example is "T'amo, mia vita" ("I love you, my life")--a rapturous meditation by a young lover who has heard his beloved utter those words. Monteverdi sets the four words for solo soprano, repeating them between lines of the young man's reverie as if replayed over and over in his mind. Concerto Italiano's performance is, quite simply, extraordinary. --Matthew Westphal

I rate this release the best of the group's Monteverdi madrigal books.  Their second and fourth books are excellent too.  The complete set by La Venexiana looks enticing, certainly!  :)
Wise words from Que:

Never waste a good reason for a purchase....  ;)

aligreto

JS Bach: Brandenburg Concertos Nos. 1-3 [Abbado]....



Karl Henning

It is as yet only MIDI (there is no document of the première), but I can say I do still like it:

http://www.youtube.com/v/als-l2BI0xs
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

aligreto

Quote from: HIPster on September 14, 2016, 10:11:15 AM
I have the Concerto Italiano recording:

[asin]B000005W50[/asin]

I rate this release the best of the group's Monteverdi madrigal books.  Their second and fourth books are excellent too.  The complete set by La Venexiana looks enticing, certainly!  :)

Ah, yes, I also have that one so I will be playing it again soon. I bought all of the individual La Venexiana issues separately some time ago now and yes, they are very good and highly recommended listening. They are no better or worse than the Alessandrini versions, simply different, to my ear, and offer a more homogeneous, more polished sound if you will than the Alessandrini.

SonicMan46

Jensen, Niels Peters (1802-1846) - Flute Sonatas & Flute Duets w/ Rune Most and Marcelo Barbosa on reproduction wooden flutes - the morning's music - :)  Dave

 

North Star

#72894
Quote from: HIPster on September 14, 2016, 10:11:15 AM
I rate this release the best of the group's Monteverdi madrigal books.  Their second and fourth books are excellent too.  The complete set by La Venexiana looks enticing, certainly!  :)
Quote from: aligreto on September 14, 2016, 10:34:19 AM
Ah, yes, I also have that one so I will be playing it again soon. I bought all of the individual La Venexiana issues separately some time ago now and yes, they are very good and highly recommended listening. They are no better or worse than the Alessandrini versions, simply different, to my ear, and offer a more homogeneous, more polished sound if you will than the Alessandrini.
The La Venexiana set is certainly a great one. I do recall some shakiness in the female voices in a couple of spots, but that is a tiny quibble, and I'd recommend the set to anyone.

Thread duty
Schumann
Violin Sonata No. 2 in d minor, Op. 121
Widmann & Várjon

[asin]B001AVUAC6[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mister Sharpe

Some people have got a lotta Gál, that's all I have to say...and I need to get some, too. 

In the PM :

"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

Sergeant Rock

Stravinsky Symphony in C, the composer conducting




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

San Antone



GESUALDO: Madrigals (O dolorosa gioia) (Concerto Italiano, Alessandrini)

SonicMan46

And for the afternoon:

Janitsch, Johann Gottlieb (1708-1763) - Sonate da Camera, V. 1-III w/ Christopher Palameta & Notturna - late Baroque/early Classical chamber works on period instruments - I really enjoy these performances; believe I bought V. 3 first based on a Fanfare review (attached) - then added the earlier volumes late last year - highly recommended if you're into this era and period reproduction instruments!  :)  Dave

   

Karl Henning

I actually listen to Игорь Фëдорович:

Tango (1953 orchestration)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot