March 2013 I declare Russian Symphonies Month - Who's in? :)

Started by Brahmsian, February 23, 2013, 09:36:27 AM

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Conor71



Quote from: ChamberNut on February 26, 2013, 08:00:46 AM
Conor mentioned Stravinsky's symphonies, and it deserves to be mentioned again.  Such gems!  :)

I hope you'll enjoy them, Conor.

Thanks!  :)



Brahmsian

Does a symphonic suite count as a symphony?  :)  I wouldn't mind listening to Rimsky-Korsakov's Scheherazade again.  ;D

Oh well, I made this thread, so I'll just say yes!!   8) $:)

madaboutmahler

Quote from: ChamberNut on March 03, 2013, 09:34:38 AM
Does a symphonic suite count as a symphony?  :)  I wouldn't mind listening to Rimsky-Korsakov's Scheherazade again.  ;D

Oh well, I made this thread, so I'll just say yes!!   8) $:)

I'd happily listen to it all month! ;) Hopefully we'll get the recording of our youth orchestra playing it soon :)

I'll be starting my Russian symphony listening tommorow, probably with Glazunov 4. :)
"Music is ... A higher revelation than all Wisdom & Philosophy"
— Ludwig van Beethoven

Cato

Dudes and Dudettes!

I have been enjoying 2 rarities: the first 2 symphonies by Vyacheslav Ovchinnikov.

Famous for his film scores (e.g. Sergei Bondarchuk's mammoth film of War and Peace and A. Tarkovsky's The Passion of Andrei Rublev) Ovchinnikov's symphonies show both his heritage from Prokofiev and an individual voice.

Fortunately, YouTube offers both!  #1 is conducted by Maxim Shostakovich

http://www.youtube.com/v/EBE1lbQFkGM

and #2 (some surface noise)

http://www.youtube.com/v/PCgnNQ9Hsh4
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

listener

Do you mean pre-Soviet (pre-revolution) period only?    Otherwise there's an overwhelming lot to choose from.    I've started with Tchaikowsky's 5th, will go on to Borodin, Balakirev, Lyapunov, Aliabev, Amirov, Rimsky-KOrsakov, and if I can find it, "Ovsianiko-Kulikovsky"  and Kalinnikov,
forgot: Glazunov and Glière
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Brahmsian

Quote from: listener on March 05, 2013, 05:55:44 PM
Do you mean pre-Soviet (pre-revolution) period only?    Otherwise there's an overwhelming lot to choose from.    I've started with Tchaikowsky's 5th, will go on to Borodin, Balakirev, Lyapunov, Aliabev, Amirov, Rimsky-KOrsakov, and if I can find it, "Ovsianiko-Kulikovsky"  and Kalinnikov,

There are no rules.  Pre, during and post Soviet period.  And any former Soviet state.  You can choose!  :)

Brian

I seem to have a real problem obeying these monthly listening groups. I've only listened to two symphonies at all this month so far, one Swedish and one French. In Shostakovich Quartet Month I only got through 1-5, and last month I joined in on the 26th. Ah well  :P

Mirror Image

I'll probably listen to some Prokofiev this month at some point. I've been wanting to revisit Rozhdestvensky's symphony cycle. I think I'll listen to Symphonies 2, 5, & 6 tomorrow or when I go on vacation next week. I haven't heard Rachmaninov's 3rd in quite some time, so I'd like to revisit that symphony at some point.

Karl Henning

Quote from: Brian on March 05, 2013, 06:23:32 PM
I seem to have a real problem obeying these monthly listening groups. I've only listened to two symphonies at all this month so far, one Swedish and one French. In Shostakovich Quartet Month I only got through 1-5, and last month I joined in on the 26th. Ah well  :P

It's all purely voluntary, товарищ : )
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Florestan

Quote from: karlhenning on March 06, 2013, 04:23:25 AM
It's all purely voluntary, товарищ : )

Soviet-style voluntary, that is: Comrades, the Party needs three voluntaries. You, you and you, step forward!
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Cato

Quote from: Florestan on March 06, 2013, 04:37:09 AM
Soviet-style voluntary, that is: Comrades, the Party needs three voluntaries. You, you and you, step forward!

Yakov Smirnoff: "In Soviet Union, you don't need to go a party: the party will come to you!"

http://www.youtube.com/v/4y5hEKfxm4M
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Brian

Alright! I'm caving in!

Kalinnikov's two symphonies. Delightful confections with great tunes, but suffers from the typical Russian-romantic inferiority complex which drove them to insert drab fugues and other Very Serious elements into otherwise originally-voiced pieces. Luckily Kalinnikov was primarily concerned with being delightful.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian

Quote from: karlhenning on March 06, 2013, 06:48:24 AM
Maybe they liked the counterpoint ; )
Hey, now that's a question I'd like to know the answer to! I believe it was an idea that I had picked up from some CD's liner notes, or Dave Hurwitz, that various Russian composers wedged fugues, counterpoint, and other formal Germanic elements into their symphonies in order to "prove" themselves or to make their work more "serious." But maybe they did just like it? Can anybody enlighten me further? I suspect Taneyev probably did enjoy it more than, say, Tchaikovsky.

Brian

These Myaskovsky symphonies are available on Naxos Music Library, from the Svetlanov series: 15, 16, 17, 19, 21, 23, 24, 27, plus three Sinfoniettas, two of them 27-30 minutes in length.

I've only ever heard one single Myaskovsky symphony, and can't remember which one, so maybe these eight are a good place to start. Any favorites?

Cato

Quote from: Brian on March 06, 2013, 07:08:26 AM
Hey, now that's a question I'd like to know the answer to! I believe it was an idea that I had picked up from some CD's liner notes, or Dave Hurwitz, that various Russian composers wedged fugues, counterpoint, and other formal Germanic elements into their symphonies in order to "prove" themselves or to make their work more "serious." But maybe they did just like it? Can anybody enlighten me further? I suspect Taneyev probably did enjoy it more than, say, Tchaikovsky.

Right now I am listening to Sergei Taneyev's Symphony I and Symphony III !  The First was composed when Taneyev was 16 and working with Tchaikovsky, and it already shows a  sense of thematic variation as counterpoint, the themes themselves rather Beethovenian, and there is even a whiff of Bruckner here and there, which (I would think) must be coincidental.

So yes, I suspect Taneyev liked playing with contrapuntal techniques!  The (rather condescending*) notes say that Taneyev had studied des Prez and Lassus right before composing the Third Symphony. 

Is that obvious in the work?  No, but the symphony is quite expressive, dramatic, elegiac, triumphant, and hardly an exercise from a textbook!

* by a certain David Nice who wants us so very much to realize that Taneyev was a minor composer!   ???
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

How is that Polyansky recording of the Taneyev symphonies, Cato?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

I've been listening to Prokofiev's symphonies now (nos. 1, 4, 5, and 6), and Tchaikovsky at the end of February. Will perhaps listen to Borodin at some point, I liked well enough what I heard a while ago after reading Leo K's posts.
And some Shosty or Rakhmaninov, too.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mirror Image

Quote from: Brian on March 06, 2013, 07:43:43 AM
These Myaskovsky symphonies are available on Naxos Music Library, from the Svetlanov series: 15, 16, 17, 19, 21, 23, 24, 27, plus three Sinfoniettas, two of them 27-30 minutes in length.

I've only ever heard one single Myaskovsky symphony, and can't remember which one, so maybe these eight are a good place to start. Any favorites?

Start with the 24th. If you don't respond to it, then you won't respond to any Myaskovsky symphony.