Purchases Today

Started by Dungeon Master, February 24, 2013, 01:39:50 PM

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Que

Quote from: sanantonio on August 08, 2015, 06:03:28 PM
A must have for me.  Thanks. But it appears unavailable from all the sites where I found it.  Your ORF site is one I can't navigate.

I noticed that is was OOP as well, hence my resorting to the ORF webshop....

If it helps, here is the link: http://shop.orf.at/1/shop.tmpl?art=4197&lang=EN

Perhaps try a different browser?

Q


Que

Anyway, continuing my splurge with a visit to jpc.de.... 8)









Harry convinced to try the Singer Pur "Renaissance am Rhein" album and Kelemen's rendition of excerpts from the Buxheimer Orgelbuch.

The Brandenburgers was a recommendation by Gordo:)

Q

Wakefield

#11362
Quote from: Que on August 09, 2015, 01:25:32 AM
Anyway, continuing my splurge with a visit to jpc.de.... 8)




The Brandenburgers was a recommendation by Gordo:)

Q

Nice selection, Que! I think you will love the Telemann, too.

Particularly, those disks performed by the Camerata Köln, including the complete Der Getreue Music-Meister.

P.S.: BTW, for those interested in Der Getreue Music-Meister, this collection includes 5 CDs, originally released in 1992. Unfortunately, as usual with these re-releaseases, it doesn't include liner notes.



This is its content:

DISC ONE
Lesson 01 Opera "Eginhard": Aria "Sage mir doch nichts von Liebe", TWV 21:25
Lesson 01 Partia in G major for Harpsichord, TWV 32:01
Lesson 01 Polonoise in D major, TWV 41:D4
Lesson 01 Sonata in F major #1 for Recorder and bc , TWV 41:F2
Lesson 02 Etliche Contrapunktische Veranderunge des ersten Takts der Telemanischen Sonatinen
Lesson 02 L'hiver in D minor: Gravement , TWV 41:d1
Lesson 02 Opera "Eginhard": Aria "Nimm dein Herz nur wieder an", TWV 21:25
Lesson 03 Duet in B flat major for 2 Recorders , TWV 40:107
Lesson 03 Opera "Sancio": Aria "Es glanzet die Unschuld", TWV 21:20
Lesson 03 Suite (Ouverture) in G minor for Oboe and Continuo, TWV 41:g4
Lesson 04 Canon mit 14 Verkehrungen, gesetzt von Mr. Zelenka: "Vide Domine",
Lesson 04 Opera "Sancio": Aria "So oft du deinen Schatz wirst kussen" , TWV 21:20
Lesson 04 Pastourelle in D major, TWV 41:D5
Lesson 05 Aria "Das Frauenzimmer", TWV 25:037
Lesson 05 Capriccio in G major for Flute and Continuo, TWV 41:G5
Lesson 05 Sonata in D major for Violoncello and Continuo, TWV 41:D6

DISC TWO
Lesson 06 "Einige plotzliche Eintritte in entfernte Accords",
Lesson 06 Air in D major for trumpet and basso continuo, TWV 41:C1
Lesson 06 Marsch and Retraite: Allegro in F major (Pour Monsieur le Capitaine Weber), TWV 35:1
Lesson 06 Opera "Eginhard": Aria "Vergiss dich selbst, mein schonster Engel" , TWV 21:25
Lesson 07 Niaise in E major, TWV 41:E2
Lesson 07 Opera "Sancio": Aria Affetuoso "Susse Worte, werte Zeilen", TWV 21:20
Lesson 07 Suite in D major for harpsichord (by Johann Georg Kreising),
Lesson 08 "Thema zur Fugue, nebst 5 eingeschickten Auflosungen",
Lesson 08 Carillon in D major for Recorder and Chalumeau (on 2 Recorders), TWV 40:109
Lesson 08 Menuet in C major for 2 Horns, TWV 40:110
Lesson 08 Suite in D major for 2 violins "Gulliver", TWV 40:108
Lesson 09 Air "Cher souvenir" (by Jean Des Fontaines),
Lesson 09 Duet in B major for Viola and Continuo, TWV 41:B3
Lesson 09 Fantasia in D minor for harpsichord: Vivace (by C. J. F. Haltmeier),
Lesson 09 Pastorale in E major, TWV 41:E3
Lesson 10 Napolitana in B flat major for oboe d'amore and basso continuo, TWV 41:B4
Lesson 10 Opera "Aesopus": Aria "Piu del fiume" , TWV 21:26
Lesson 11 Introduzzione a tre in C major for 2 flutes, 2 violins and basso continuo, TWV 42:C1

DISC THREE
Lesson 11 Passacaille in B minor for Harpsichord (by J. V. Goerner) , TWV 35:A2
Lesson 11 Sonata in F minor #1 for Basson and bc , TWV 41:f1
Lesson 12 Opera "Eginhard": Aria "Ergrinnet nicht, ihr holden Augen" , TWV 21:25
Lesson 12 Presto for lute (by Weiss),
Lesson 13 Gigue in A minor for violin (by Pisendel),
Lesson 13 Opera "Die verkehrte Welt": Aria "Gluckselig ist, ver alle Morgan", TWV 21:23
Lesson 13 Opera "Die verkehrte Welt": Scena, TWV 21:23
Lesson 13 Suite in D major for lute (by Baron),
Lesson 14 La Poste in B flat major for harpsichord , TWV 35:2
Lesson 14 Opera "Aesopus": Fable "Die Kuh, doch halt! nein!", TWV 21:26
Lesson 15 Sonata in D major for Viola da gamba solo, TWV 40:001

DISC FOUR
Lesson 15 "Canon a 3 in Hypodiapente et Hyperdiatessaron par Mr. Schmidt...",
Lesson 15 Opera "Calypso": Chor "Gedoppelt schon", TWV 21:19
Lesson 15 Trouble-Fete in C major for harpsichord (by Goerner),
Lesson 16 Opera "Eginhard": Aria "Gesundheits-Brunnen, warme Bader" , TWV 21:25
Lesson 17 "Canon a 4 von Herrn Capelllmeister Bach" (by Bach BWV 1074),
Lesson 17 Piece in C major for harpsichord (by Kreising),
Lesson 17 Sonata in A minor for Oboe and bc , TWV 41:a3
Lesson 17 Sonata in F major for violin and bc (adapted from Stormer),
Lesson 18 Opera "Aesopus": Aria "Bum bum bum, faranno i timpani" , TWV 21:26
Lesson 18 Suite in D minor for Harpsichord, TWV 32:02
Lesson 19 Canon a 4 von Mr. Dirnslot,
Lesson 19 Cantata "Ich kann lachen, weinen, scherzen", TWV 20:15
Lesson 19 Sonata in C major #1 for Recorder and bc , TWV 41:C2
Lesson 20 Sonata in G major for Flute and Violin (Duet), TWV 40:111

DISC FIVE
Lesson 21 3 Themata zu Fuguen,
Lesson 21 Aria "Saume nicht, geliebte Schone", TWV 25:038
Lesson 21 Suite in B major for harpsichord (by Petzold), TWV 32:A3
Lesson 22 Sinfonie in B minor for Flute and Continuo, TWV 41:b2
Lesson 22 Sonata in G minor for Violin and Continuo, TWV 41:g5
Lesson 23 Opera "Eginhard": Duet "Ich folge dir" , TWV 21:25
Lesson 24 Bizaria in A major for violin and basso continuo (by Bonporti),
Lesson 24 Sonata in G major for Treble Gamba and Continuo, TWV 41:G6
Lesson 25 Gigue in A major for violin and basso continuo (by Bonporti),
Lesson 25 Opera "Belsazer": Aria "Dass ich mich dir ergeben solite", TWV 21:11

8)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Harry

On this sunny afternoon I ordered a few cd's. I look forwards to them all!

http://walboi.blogspot.nl/2015/08/o-ordered-some-cds-in-this-sunny.html?spref=tw

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

71 dB

Lately I have been more interested of 20th century (post war) composers. These composers seem to be really hit and miss considering my preferences and taste. One really interesting composer seems to be Mieczyslaw Weinberg. I saw his opera "The Passenger" on TV some time ago and I was impressed. Today I finally bought my first Weinberg disc:

[asin]B0034JV62A[/asin]
It was rather cheap (marketplace seller). Weinberg might become one of my favorite composers. Time will tell...
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Mirror Image

Just bought a plethora of Ormandy/Philadelphia recordings (all are Japanese imports) of some of my favorite composers:

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[asin]B0090S4806[/asin]

[asin]B0090S47X4[/asin]

[asin]B0090S49NM[/asin]

Mirror Image

Also, I bought these two Szell Japanese imports:

[asin]B0090S48AG[/asin]

[asin]B00N23REY2[/asin]

Abuelo Igor

Quote from: Mirror Image on August 09, 2015, 12:15:10 PM
Also, I bought these two Szell Japanese imports:

[asin]B0090S48AG[/asin]


Is that "Concerto for orchestra" the one in which he cut part of the ending because he didn't like it?
L'enfant, c'est moi.

Mirror Image

#11368
Quote from: Abuelo Igor on August 09, 2015, 03:34:12 PM
Is that "Concerto for orchestra" the one in which he cut part of the ending because he didn't like it?

I have no clue. That would be a pretty cool thing to have on record if this is that version (even though I don't agree with it in principle). :)

This is the only thing I could find about him not liking something about the Concerto for Orchestra:

Cloyd Duff, timpanist with the Cleveland Orchestra, once recalled how Szell had insisted that he play the snare drum part in Bartok's Concerto for Orchestra, an instrument which he was not supposed to play. A month after having recorded the concerto in Cleveland (October 1959), it was to be performed at Carnegie Hall, as part of an annual two-week tour of the Eastern United States along with Prokofiev's Symphony No. 5. Szell had begun getting increasingly irritated about the side drum part in the second movement and by the time they reached New York, Szell's escalation was going off the scale. "Starting with the one who had played on the recording, Szell tried out each of the staff percussionists on the side drum part. He made them so nervous that, one by one, they all stumbled. Finally Szell turned to timpanist Cloyd Duff."

This is the story as Duff tells it:

"Szell came to me and said to me, "Cloyd I want you to play the snare drum part. I remember how you played these things in Philadelphia [over twenty years earlier at the Robin Hood Dell when Szell was guest conductor and Duff was a student at Curtis]." He had an awfully good memory, he liked my percussion playing. He said, "I want you to play the part," and I really blew my lid. I said, "You're ruining the whole section. Nobody can make a diminuendo to please you because they're so nervous. Every one of those men is capable of doing that." He said, "Even so, I want you to play the part." I said, "Do you realize how silly that will look, to see me get up from the timpani to go over to the snare drum and then back to the timpani and back to the snare drum at the end?" I said, "It's really uncalled for," or words to that effect. But, he said, "OK, but I want you to play that part. It's very important that we do it just right." I said, "OK, I'll play it for you, but don't you dare look at me." So when I played it, I played it louder than they had played it before so I had more room to make a diminuendo. Everybody was a little bit shocked that I had played it as loudly as I did. But Szell, true to his word, looked away, didn't look at me once and I didn't look at him under the circumstances."

[Taken from Wikipedia]

TheGSMoeller

Nielsen: Symphony No.5; Saga Drom Op.39 - Horenstein/New Philharmonia

Nielsen: Symphonies No.2 & 4 - Bernstein/NYP

Nielsen: Symphony No. 5; Violin Concerto - Chung/Gothenburg

Nielsen: Symphony No. 2; Aladdin Suite - Chung/Gothernburg

Mirror Image

Quote from: TheGSMoeller on August 09, 2015, 06:43:27 PM
Nielsen: Symphony No.5; Saga Drom Op.39 - Horenstein/New Philharmonia

Nielsen: Symphonies No.2 & 4 - Bernstein/NYP

Nielsen: Symphony No. 5; Violin Concerto - Chung/Gothenburg

Nielsen: Symphony No. 2; Aladdin Suite - Chung/Gothernburg

Pounds the table! Great choices, Greg. I don't own the Horenstein recording however, so please let me know what you think of it whenever you have heard it.

Mirror Image

Just bought:



I bought this recording for Kubelik's Nielsen of course, but hearing Dorati in Sibelius should prove interesting as well.

aligreto


North Star

Quote from: aligreto on August 10, 2015, 08:36:40 AM

A splendid disc, but I assume you didn't know it's available here together with perhaps even more impressive discs, and quite reasonably priced too.
[asin]B004QJLCC6[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

aligreto

Quote from: North Star on August 10, 2015, 08:55:24 AM
A splendid disc, but I assume you didn't know it's available here together with perhaps even more impressive discs, and quite reasonably priced too.
[asin]B004QJLCC6[/asin]

Thank you.

André

Jaz Coleman: symphony no 2 "The Island". The Auckland (NZ) PPhilharmonia Orchestra, Peter Scholes.

Klaze

Thanks in no small part to the posters here at GMG... I think Im gonna have fun with these:

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[asin]B000095SL0[/asin]
[asin]B00030EROC[/asin]
[asin]B004K4T6BG[/asin]
[asin]B000VQQJO4[/asin]
[asin]B000ICLTZU[/asin]
[asin]B001F4YGWI[/asin]
[asin]B0007XTNWG[/asin]
[asin]B0017OCLY6[/asin]
[asin]B00LXBIT4E[/asin]
[asin]B002FWR7DO[/asin]

Ken B

Quote from: TheGSMoeller on August 09, 2015, 06:43:27 PM
Nielsen: Symphony No.5; Saga Drom Op.39 - Horenstein/New Philharmonia

Nielsen: Symphonies No.2 & 4 - Bernstein/NYP

Nielsen: Symphony No. 5; Violin Concerto - Chung/Gothenburg

Nielsen: Symphony No. 2; Aladdin Suite - Chung/Gothernburg
That explains it! No money left for an avatar!

:P >:D

Mirror Image

Quote from: Klaze on August 10, 2015, 10:35:31 AM
Thanks in no small part to the posters here at GMG... I think Im gonna have fun with these:

[asin]B00008WQB4[/asin]
[asin]B000095SL0[/asin]
[asin]B00030EROC[/asin]
[asin]B004K4T6BG[/asin]
[asin]B000VQQJO4[/asin]
[asin]B000ICLTZU[/asin]
[asin]B001F4YGWI[/asin]
[asin]B0007XTNWG[/asin]
[asin]B0017OCLY6[/asin]
[asin]B00LXBIT4E[/asin]
[asin]B002FWR7DO[/asin]

Very nice haul, Klaze. 8)

Karl Henning

Quote from: Klaze on August 10, 2015, 10:35:31 AM
[asin]B000VQQJO4[/asin]
[asin]B000ICLTZU[/asin]

Big fan of these two, in particular!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot