Your favorite cadenzas!

Started by Brian, April 15, 2013, 08:26:51 AM

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Brian

Quote from: The Six on May 02, 2013, 11:08:43 AM
Here's a very...interesting cadenza to Beethoven's 3rd PC that Alkan wrote. WARNING: If you're easily offended by over-the-top virtuosity and the borrowing of themes, you might want to skip this one.
Wow. That was really totally preposterous. I loved it!

BobsterLobster

For pure virtuosity, Marc-Andre Hamelin's cadenza for Liszt's Hungarian Rhapsody #2 is hard to beat

http://musicaljournal.blogspot.se/2011/12/marc-andre-hamelins-cadenza-on-liszts.html

And the Prokofiev 2nd Piano Concerto 1st movement cadenza is quite a beast.

jochanaan

One or two that haven't been mentioned yet:
Bartok: Violin Concerto #2
Britten: Piano Concerto
Britten: Violin Concerto
Imagination + discipline = creativity

DavidRoss

Quote from: The Six on April 18, 2013, 10:52:09 AM
Prokofiev PC #2 is basically death metal for its day.
I think it's great! So, too, the Sibelius VC cadenza. And the Elgar VC. And the furious presto final movement of Barber's VC, which is really a cadenza with orchestral accents. And the Ponce guitar concerto!
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

snyprrr


jochanaan

Quote from: snyprrr on May 22, 2013, 07:16:11 AM
Stairway to Heaven?
Oh, you like The Musical Offering's Canon #5? :)
Imagination + discipline = creativity

Sean

I'll chime in with the piano cadenza in Turangalila first movement, and perhaps the related one for two pianos near the start of Carnival of the animals...

Karl Henning

Quote from: snyprrr on May 22, 2013, 07:16:11 AM
Stairway to Heaven?

You prefer that even to "Outside Now" from Joe's Garage?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot