Manolis Kalomiris...Greek to you?

Started by Tapkaara, June 19, 2013, 10:00:38 AM

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Tapkaara

Is anyone else on the board familiar with the Greek nationalist composer Manolis Kalomiris? (1883-1962)

His music is not widely available though Naxos does have two good recordings available:

http://www.amazon.com/Triptychon-Sym-3-Manolis-Kalormiris/dp/B000OQDRVE/ref=sr_1_6?ie=UTF8&qid=1371664471&sr=8-6&keywords=manolis+kalomiris

http://www.amazon.com/Rhapsodies-FIDETZIS-MANOLIS-KALOMIRIS-Imported/dp/B00CH86ETO/ref=sr_1_12?ie=UTF8&qid=1371664471&sr=8-12&keywords=manolis+kalomiris

Other recordings are available on Amazon but they are obscure European releases and sometimes expensive.

I really like Kalomiris. He was inspired by Russian Orientalism and that's a good way to describe the sound of his music. Lots of Greek tunes and dance rhythms are to be heard in his works. He goes for a big orchestral sound that has often been described as "dense." Over-orchestrated? Perhaps at moments, but it lends itself to a monolithic grandeur that I find really fun.

To my ears, he is post-Rimsky-Korsakov and proto-Khachaturian.

He has written three symphonies, only to of which I have heard, the First and the Third. (Not sure if the Second is even on record.) There are some YouTube videos of his musci which should make sampling somewhat easy.

If anyone else has heard his stuff, I'd love to know what you think! Opa!

Mirror Image

A functioning link for the second recording:

[asin]B0043XCKSK[/asin]

Mirror Image

I heard the first recording linked in the original post and have to say I wasn't impressed with the music. I didn't find a distinctive voice in the music. I also didn't care for the narration in the Symphony No. 3, but, then again, I never liked narration of any kind in music anyway. The only exception I make is Ginastera's Estancia which is a much finer work than Kalomiris' 3rd IMHO.

Brian

I really enjoyed the CD with Symphony No. 3 and Triptychon, and your description of the musical language is dead-on - or at least, it's in agreement with mine! I wrote an Amazon review of that disc and called it "the Greek Khachaturian," very splashy music with rip-roaring climaxes and a heavy ethnic flavor.

Culled the CD from my collection recently because I can stream it off NML and only listen once every year or two, but it is enjoyable, for me.

Tapkaara

Quote from: Brian on June 21, 2013, 07:32:45 AM
I really enjoyed the CD with Symphony No. 3 and Triptychon, and your description of the musical language is dead-on - or at least, it's in agreement with mine! I wrote an Amazon review of that disc and called it "the Greek Khachaturian," very splashy music with rip-roaring climaxes and a heavy ethnic flavor.

Culled the CD from my collection recently because I can stream it off NML and only listen once every year or two, but it is enjoyable, for me.

I really have a soft spot for ethnically-informed music. I find ethnomusicology to be a fascinating science and when I love it when composers incorporate the sounds of their native musical traditions into their art.

Yeah, "splashy music with rip-roaring climaxes" is putting it well.

I have the two Naxos discs as well as a few other imports. I have tried collecting everything I can from Kalomiris and I hope Naxos records more or re-releases previous recordings under their name.

By the way, Symphony no. 1 is quite good. I have two recordings of it (both imports) and is worth a listen if you can find it. I prefer it to his Third Symphony.

Dry Brett Kavanaugh

I like the SY3 pretty much though, just like John, I am not a big fan of narrations in general. Compositions in the other Naxos disc sound excellent too.
Also I checked the SY1 and piano concerto on YT and I liked them a lot..

Symphonic Addict

#6
Just came across this exotic extravaganza: his Symphony No. 2 'Of the Good and Simple People':


I really liked it despite being overtly bombastic in places. It was the exotic flavour that attracted me so much and a sense of mysticism (mostly in the 2nd movement where the chorus participated). And sounds very good on that recording. YouTube is an endless source of nice rarities.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

arpeggio

I just discovered this thread.  Since I am Greek, I am always interested in discovering new Greek Composers (My favorites are Skalkottas and Theodorakis.  I am so so with Aperghis and Xenakis, even though my last name is Apergis-I spell is differently.)

Der lächelnde Schatten

#8
Quote from: arpeggio on May 29, 2025, 11:47:28 AMI just discovered this thread.  Since I am Greek, I am always interested in discovering new Greek Composers (My favorites are Skalkottas and Theodorakis.  I am so so with Aperghis and Xenakis, even though my last name is Apergis-I spell is differently.)

Interesting. Out of curiosity, can you speak and write in Greek? I only ask because you have Virginia, US down as your current location.
"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

arpeggio

Quote from: Der lächelnde Schatten on May 29, 2025, 08:19:38 PMInteresting. Out of curiosity, can you speak and write in Greek? I only ask because you have Virginia, US down as your current location.

I was born in Brooklyn, NY.

When I was younger, I could read and speak some Greek.  I am in my late seventies and I have forgotten most of it.

Symphonic Addict

Very impressed by the impetus that his Symphony No. 3 'Palamanian' displays. An intense, epic creation, tinged with Greek folk elements (in some parts it sounded like Spanish music, though). The slow movement has a dreamy, oniric quality to it that provided a necessary contrast to the overall agitated mood of the work. In spite of the inclusion of a narrator, his participation was scarce and little intrusive. I'm a sucker for heroic scores and this symphony fits the bill.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.