Five favourite incidental music for plays.

Started by vandermolen, August 06, 2015, 10:04:12 AM

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vandermolen

May include film versions of plays or ballets but not opera.

Walton: Henry V
Sibelius: The Tempest
David Diamond: Romeo and Juliet
Walton: As You Like It
Rozsa: Julius Caesar.

These are all Shakespeare I notice but no need for you to do the same.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Prokofiev: «Египетские ночи»
Shostakovich:  Hamlet (for the Kozintsev film)
Shostakovich:  King Lear
Nielsen:  Aladdin
Sibelius:  The Tempest
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

Quote from: karlhenning on August 06, 2015, 10:16:29 AM
Prokofiev: «Египетские ночи»
Shostakovich:  Hamlet (for the Kozintsev film)
Shostakovich:  King Lear
Nielsen:  Aladdin
Sibelius:  The Tempest


Thanks Karl. I can always rely on you to respond to my crackpot threads  :)

Nielsen's 'Aladdin' is a great choice - I love that score.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Drasko

#3
Lully - Le Bourgeois gentilhomme
Bizet - L'Arlésienne
de Falla - El corregidor y la molinera
Tchaikovsky - The Snow Maiden
Faure - Pelléas et Mélisande

Sergeant Rock

Beethoven Egmont
Schubert Rosamunde
Grieg Peer Gynt
Strauss  Der Bürger als Edelmann
Fauré Pelléas et Mélisande

Sarge



the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

vandermolen

Very interesting choices with not much overlap so far. Thanks for the responses  :)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Jo498

Nobody has mentioned the most famous of all:

Mendelssohn: A Midsummer Night's Dream

I'd name this one, and Egmont and Peer Gynt.
I have Aladin on disc but I do not remember much about it, same with Fauré's and Sibelius' Pelleas. 
Not sure which of Purcell's I'd count. The two big semi-operas are more than mere incidental music.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

ritter

#7
Those that come to my mind just now :

- Claude Debussy: Le Martyre de Saint-Sébastien.
- Darius Milhaud: Les Choéphores (the first part--Agamemnon--of Milhaud's setting of Claudel's translation of the Oresteia,  and this second part, are both "incidental music"...only the third section, Les Euménides, is a full-fledged opera)
- Ildebrando Pizzetti: La Pisanella
- Arnold Schoenberg: Begleitmusik zu einer Lichtspielszene
- Gabriel Fauré (orch. Koechlin): Pélléas et Mélisande (definitely including the lovely Melisande's song).

EDIT: How coud I forget this one?  ???:
Sergei Prokofiev: Alexander Nevsky

SECOND EDIT: The Schoenberg and the Prokofiev are incidental music for films--in one case, an "imaginary film"--not emanating from plays. It's up to vandermolen to decide if I am applying the definition too broadly  :-[  ;)

Cheers,

vandermolen

Quote from: ritter on August 07, 2015, 12:21:40 AM
Those that come to my mind just now :



EDIT: How coud I forget this one?  ???:
Sergei Prokofiev: Alexander Nevsky

SECOND EDIT: The Schoenberg and the Prokofiev are incidental music for films--in one case, an "imaginary film"--not emanating from plays. It's up to vandermolen to decide if I am applying the definition too broadly  :-[  ;)

Cheers,

Well, I was thinking more of music for plays but I'll let you get away with it for taking the trouble to respond  :).

Maybe we should have a separate 'favourite film/movie scores by classical composers'. Actually I much prefer Prokofiev's 'Ivan the Terrible' film music to 'Alexander Nevsky' although I do enjoy that too.


"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Gurn Blanston

Shostakovitch - Hypothetically Murdered

Even though it is not "classical" it is very entertaining.   0:)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Wanderer

Debussy: Le Martyre de Saint-Sébastien
Mendelssohn: A Midsummer Night's Dream
Sibelius: Pelléas et Mélisande
Korngold: Much Ado About Nothing
Beethoven: Egmont

vandermolen

Quote from: Wanderer on August 08, 2015, 01:14:30 AM
Debussy: Le Martyre de Saint-Sébastien
Mendelssohn: A Midsummer Night's Dream
Sibelius: Pelléas et Mélisande
Korngold: Much Ado About Nothing
Beethoven: Egmont

Interesting choices - I especially like the Debussy and Egmont, which I can remember watching on TV played live as a tribute to the athletes killed at the 1972 Olympics in Munich.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mirror Image

Only two works can count as favorites in terms of incidental music:

Sibelius: The Tempest
Nielsen: Aladdin

vandermolen

Quote from: Mirror Image on August 08, 2015, 06:32:04 AM
Only two works can count as favorites in terms of incidental music:

Sibelius: The Tempest
Nielsen: Aladdin

Both great ones though John.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).