What's your favourite aspect of classical music?

Started by ComposerOfAvantGarde, January 14, 2016, 01:04:51 PM

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vandermolen

Quote from: springrite on January 16, 2016, 05:10:51 AM
In a published interview, I said: "Music starts where words stop." I love how music can express things that are beyond words.


Additionally, I will be the first to admit that I do love the alleged aloofness and snobbishness that classical music afford.

+1
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: ComposerOfAvantGarde on January 16, 2016, 02:37:40 AM
Is it like some kind of metaphysical experience then? 8)
Not sure, but your comment makes me think. At its best it expresses something very important that cannot be expressed in words. Despair turning into defiance is something that my older brother than I love in classical music (Walton Symphony 1?)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Florestan

Quote from: springrite on January 16, 2016, 05:10:51 AM
In a published interview, I said: "Music starts where words stop." I love how music can express things that are beyond words.

"Music expresses that which cannot be said and on which it is impossible to be silent."Victor Hugo

"When words leave off, music begins." - Heinrich Heine

"Where words fail, music speaks." - Hans Christian Andersen

"After silence, that which comes nearest to expressing the inexpressible is music." - Aldous Huxley




"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

some guy

Quote from: James on January 16, 2016, 05:16:41 AM
Boring. I'd rather listen to a great musician express their deep creative side through their music. It's much more special and I learn a lot more and am often moved a lot more too. Beyond words.
I'm sure the feeling would be mutual. About the boring part.

About the "deep creative side," I'm sure many of the people I hang out with--do you hang out with people, yourself?--would be dismissive if not contemptuous. At the very best, they'd be a skosh embarrassed, probably.

Monsieur Croche

I'm into music for the thrills.

Classical music, from some of the most antique music we have to the music being made today = thrills I can't get through any other means.
~ I'm all for personal expression; it just has to express something to me. ~

James

Quote from: some guy on January 16, 2016, 02:50:00 PMAbout the "deep creative side," I'm sure many of the people I hang out with would be dismissive if not contemptuous. At the very best, they'd be a skosh embarrassed, probably.

Sure they would .. it's called humility, but if they spend most of their time on it and they are extremely passionate about it - it's there. The deep creative side, that is.
Action is the only truth

Mirror Image

#26
This:

Quote from: Florestan on January 14, 2016, 01:40:44 PMMy favourite aspect of classical music is melody! It doesn´t have to be hummable, it doesn´t have to be memorable --- it just has to be.

No melody, no music for me!

And this:

Quote from: vandermolen on January 15, 2016, 08:55:23 AM
The emotional aspect of it. The (sometimes) sense of communicating with the composer.

With my own added comment:

Not only am I into the melodic aspect of music, but I've always been fascinated by harmony and rhythm. But, in general, if I don't find what I'm hearing alluring or stimulating in any way, then chances are that I won't continue to listen.

some guy

Quote from: Mirror Image on January 16, 2016, 07:03:24 PM...in general, if I don't find what I'm hearing alluring or stimulating in any way, then chances are that I won't continue to listen.
I wonder if it is possible to break out of this loop: If I don't like it, I don't like it.

EigenUser

Quote from: some guy on January 17, 2016, 02:57:57 AM
I wonder if it is possible to break out of this loop: If I don't like it, I don't like it.
I agree with you, if what I think you are trying to say is what you are trying to say.

I usually like to think of not liking something as a possible learning experience. Why not? I used to despise Stockhausen's Gruppen, but I kept at it. Now I actually enjoy it and see it as a rather fun piece. I also never used to care for Schoenberg's Five Pieces for Orchestra and most Berg. Not true at all anymore!

If we only listen to things we like immediately, how are we going to get anywhere?
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

71 dB

Quote from: EigenUser on January 17, 2016, 03:05:42 AM
If we only listen to things we like immediately, how are we going to get anywhere?
Most people don't want to get anywhere. That's the reason why most people do have so narrow taste on music.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

Super Blood Moon


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

James

Action is the only truth

Jay F

I like its Mahlerness. And also its Bachness, its Mozartiness, and its Beethovenescence. And then there's its Shostakovichosity. And its Brucknerality.

ComposerOfAvantGarde


71 dB

Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"