The Tintin Thread

Started by vandermolen, February 18, 2016, 09:04:59 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

vandermolen

Anyone else like the Tintin books here? They are suitable for anyone aged between 6 and 60 and I just fall into this category  8). The books were increasingly very well researched with excellent drawings featuring Tintin, his dog Snowy and loyal but drunken friend Captain Haddock. There was a Tintin exhibition in London very recently which I went to with my daughter. The early books were cruder and indeed racist 'Tintin au Congo' which turned into something of an embarrassment to Herge. 'Tintin in America' was another early book and full of stereotypes but in the end Tintin ended up wearing a 'Ban the Bomb' symbol on his motorcycle helmet and became much more politically correct (Tintin and the Picaros). My favourite books are 'The Calculus Affair', 'The Castafiore Emerald' (where not much happens but it is more humorous as a consequence) and 'Tintin in Tibet' which symbolised a personal crisis for Herge. Tinting and Captain Haddock are aided and abetted by the opera singer 'Bianca Castafiore' with her constant renditions of 'The Jewell Song' from Gounod's 'Faust'. In 'Explorers on the Moon' where our heroes appear to be trapped in their lunar landscape Captain Haddock's asks their base to put the radio on to cheer them up just as 'The Gravedigger' by Schubert is being broadcast. The English translations were very accomplished as Tintin is, of course, from Belgium.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).


vandermolen

Quote from: Turner on February 18, 2016, 09:12:23 AM
En enjoyable documentary, IMHO, "Tintin & I":
https://www.youtube.com/watch?v=8trmVNUr2U0
https://en.wikipedia.org/wiki/Tintin_and_I
Thank you. I saw a Tintin documentary on TV a while back and it was excellent but I think that it was delivered by the BBC's security correspondent Frank Gardner although I may be wrong. This one looks excellent too.
Here is the one I mentioned:
http://www.bbc.co.uk/programmes/b016xjqx
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

North Star

I can recommend 'Tintin & I' as well, it was broadcast some time ago here.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

vandermolen

Quote from: North Star on February 18, 2016, 09:48:02 AM
I can recommend 'Tintin & I' as well, it was broadcast some time ago here.
Thanks - will look out for it. Are you a fan of the books?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

North Star

#5
Quote from: vandermolen on February 18, 2016, 10:37:16 AM
Thanks - will look out for it. Are you a fan of the books?
Yes I am. Very much agreeing with what you say of the books, too - although it's a very long time since I've read some of them, and quite a while from the last time I read any actually.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Jo498

I am not really a great fan of comic books but I have loved Tintin ("Tim" as he is called in German translation, and Asterix) since childhood. (And I prefer the Tintin drawing style.)
The Tintin books were comparably expensive, so I could afford only a few (my parents strongly disliked all kinds of comics and cartoons, we were not forbidden to read them but it was in no way encouraged and we had to spend our own money) but a friend of mine and his brother had all of them.

As an adult, I bought most of them (again) a few years ago and still appreciate them (some more than others). I find it almost "prophetic" that the first stories appeared in a periodical called "Le Vingtième Siècle" because they really seem to cover most of that century, even if it's actually only about 50 years from the late 1920s to the early 1970s. From the international crises leading to WW II to perennial conflicts like the South American or Balkanian banana republics, oil dependency and depletion, dangerous scientific discoveries etc. He even put Tintin on the moon several years before 1969 (and with a rather different technology). All this without obvious politicizing or moralizing.

The first ones are weak and show crude and racist stereotypes. But already "The blue Lotos" is very good and reverses most of the racism (as Hergé had befriended a chinese guy and took pains to not fall into the crudest clichees about chinese culture). There are a few weaker ones (the one with the meteor and I am not too fond of the late one with the aliens either) but overall starting with the first two "sagas" that cover two books each (Unicorn/Rackham and the Inca story) they are very accomplished and hardly any bad ones.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

vandermolen

Quote from: North Star on February 18, 2016, 10:40:18 AM
Yes I am. Very much agreeing with what you say of the books, too - although it's a very long time since I've raid some of them, and quite a while from the last time I read any actually.
Nice to hear. My mother threw the whole lot out whilst I was at university (apart from 'The Red Sea Sharks' which is v good despite racial stereotypes). I had to buy them all again as adults. My grown up daughter who came to the exhibition in London with me is now taking an interest in them.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

#8
Quote from: Jo498 on February 18, 2016, 11:06:37 AM
I am not really a great fan of comic books but I have loved Tintin ("Tim" as he is called in German translation, and Asterix) since childhood. (And I prefer the Tintin drawing style.)
The Tintin books were comparably expensive, so I could afford only a few (my parents strongly disliked all kinds of comics and cartoons, we were not forbidden to read them but it was in no way encouraged and we had to spend our own money) but a friend of mine and his brother had all of them.

As an adult, I bought most of them (again) a few years ago and still appreciate them (some more than others). I find it almost "prophetic" that the first stories appeared in a periodical called "Le Vingtième Siècle" because they really seem to cover most of that century, even if it's actually only about 50 years from the late 1920s to the early 1970s. From the international crises leading to WW II to perennial conflicts like the South American or Balkanian banana republics, oil dependency and depletion, dangerous scientific discoveries etc. He even put Tintin on the moon several years before 1969 (and with a rather different technology). All this without obvious politicizing or moralizing.

The first ones are weak and show crude and racist stereotypes. But already "The blue Lotos" is very good and reverses most of the racism (as Hergé had befriended a chinese guy and took pains to not fall into the crudest clichees about chinese culture). There are a few weaker ones (the one with the meteor and I am not too fond of the late one with the aliens either) but overall starting with the first two "sagas" that cover two books each (Unicorn/Rackham and the Inca story) they are very accomplished and hardly any bad ones.
I totally agree with your perceptive comments. There was I think a 'golden era' in the late 40s, 50s and early 60s which took in the Calculus Affair (which features my favourite scene when insurance agent Jolyon Wagg picks up Haddock's emergency call from a helicopter whilst chasing the crooks over Lake Geneva). The best is perhaps the Castafiore Emerald as the whole thing takes place at Marlinspike Hall and nothing much happens. I think that the best scenes were often at Marlinspike Hall. The Seven Crystal Balls and Prisoners of the Sun are also terrific stories. There is an excellent book by Harry Thompson, who sadly died young:
[asin]1848546726[/asin]
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Jo498

As a kid I did not much care for the "Castafiore Emeralds" because of these restriction to the castle (and the surprising solution of the case). But as an adult I also find it brilliantly done (although for sentimental reasons it will not replace other favorites).
Of the pre-war ones I probably like "King Ottokar's Sceptre" best, but "The Black Island" was the first I bought myself, so despite a fairly standard "mystery" plot it will also remain a sentimental favorite.

The Calculus Affair might be the best (and has been voted as the best several times, I think) but I am happy to have some variety.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

vandermolen

#10
Quote from: Jo498 on February 18, 2016, 01:26:01 PM
As a kid I did not much care for the "Castafiore Emeralds" because of these restriction to the castle (and the surprising solution of the case). But as an adult I also find it brilliantly done (although for sentimental reasons it will not replace other favorites).
Of the pre-war ones I probably like "King Ottokar's Sceptre" best, but "The Black Island" was the first I bought myself, so despite a fairly standard "mystery" plot it will also remain a sentimental favorite.

The Calculus Affair might be the best (and has been voted as the best several times, I think) but I am happy to have some variety.
Me too. I like many of the 'middle period' Tintins. As a wedding present a Dutch friend bought me a framed poster of the (original) cover of 'The Black Island'. I also have a copy of a reprint of the original 1943 version which is interesting to compare with the 1966 update. The old turbo-prop aircraft at the end, for example, being replaced with a British Airways (or BEA) Trident jet aircraft. It is perhaps my favourite of the ones that pre-date Captain Haddock. The air show with the Thompsons is very funny:
1966 version followed by 1943 version (I did not have to pay £999 for my copy!)

[asin]1405206187[/asin]
1943 version:
[asin]0686545869[/asin]
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Jo498

Interesting: The new cover picture keeps the island, the birds and Tintin almost in place (and on the diagonal).
"The Black Island" was the most frequently re-drawn/up-dated of all books, I think. The impressive care and precision with which Hergé and his team attended to airplanes, cars, ships (and also firearms, I think) has been remarked upon frequently.

When going back to the early one's one tends to miss Haddock, of course, but this is somewhat unfair. And the one that introduces Haddock as a very unreliable drunkard, "The crab with the golden claws", is not really one of the better ones, I think, partly because Haddock is rather different from the later (more sober, but still irascible and funny) character.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

vandermolen

#12
Quote from: Jo498 on February 19, 2016, 12:09:22 AM
Interesting: The new cover picture keeps the island, the birds and Tintin almost in place (and on the diagonal).
"The Black Island" was the most frequently re-drawn/up-dated of all books, I think. The impressive care and precision with which Hergé and his team attended to airplanes, cars, ships (and also firearms, I think) has been remarked upon frequently.

When going back to the early one's one tends to miss Haddock, of course, but this is somewhat unfair. And the one that introduces Haddock as a very unreliable drunkard, "The crab with the golden claws", is not really one of the better ones, I think, partly because Haddock is rather different from the later (more sober, but still irascible and funny) character.
Yes, I agree with you as Haddock, whilst drunk and hallucinating in the desert tries to remove Tintin's head with a corkscrew or something like that and sets fire to a lifeboat to keep warm. By 'The Shooting Star' he was a much more sympathetic character. I also like the contrast between the old and new fire engine in 'The Black' Island. In the last completed one 'Tintin and the Picaros' it was a surprise to see Tintin wearing flared trousers with a 'Ban the Bomb! Symbol on his motorcycle helmet. Pity that 'Alph Art' was never completed.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

lisa needs braces

I read these works as a youngster in grade school and quite enjoyed them.


vandermolen

Quote from: -abe- on February 20, 2016, 01:35:24 AM
I read these works as a youngster in grade school and quite enjoyed them.
Pleased to hear it.  :)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Turner

Just a passing note - heard the other day of a local fellow here whose travel destinations were always chosen from places mentioned in the Tintin stories - he was trying visit all of them  ... quite an unusual idea.

North Star

Quote from: Turner on September 12, 2016, 11:00:12 AM
Just a passing note - heard the other day of a local fellow here whose travel destinations were always chosen from places mentioned in the Tintin stories - he was trying visit all of them  ... quite an unusual idea.
Good luck getting to the Moon.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Turner

Quote from: North Star on September 12, 2016, 11:47:18 AM
Good luck getting to the Moon.


Hopefully he´d feel satisfied with the earthly destinations :)

Jo498

I guess Bulgaria or some other Balkan state can serve for Syldavia and maybe Colombia or Venezuela for the banana republics of General Alcazar and General Tapioca...
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Mister Sharpe

Quote from: Jo498 on February 18, 2016, 01:26:01 PM
As a kid I did not much care for the "Castafiore Emeralds" because of these restriction to the castle (and the surprising solution of the case). But as an adult I also find it brilliantly done (although for sentimental reasons it will not replace other favorites).
Of the pre-war ones I probably like "King Ottokar's Sceptre" best, but "The Black Island" was the first I bought myself, so despite a fairly standard "mystery" plot it will also remain a sentimental favorite.

The Calculus Affair might be the best (and has been voted as the best several times, I think) but I am happy to have some variety.

I must say I really enjoy the Castafiore Emeralds for several reasons but primarily for the relative complexity of its plot.  I also believe it is the Tintin episode that is most taught in college level French courses in the U.S. 
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross