Top Ten Brass Works of All Time

Started by Jo498, February 01, 2017, 12:03:06 PM

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Jo498

I take the Subject as a quote from Brewski's commendable reviews of the Barenboim Bruckner concerts (see below) where he suggests that Bruckner's 5th should belong to that group. (I do not disagree.) So I decided to call for votes. I don't know much about pieces for brass only but see no reason for any restrictions, so you are welcome to name pieces for orchestra, band or brass or all kinds of mixed ensembles that feature prominent, demanding, fascinating brass playing

http://seenandheard-international.com/2017/01/torrential-bruckner-fourth-and-fifth-in-barenboims-bruckner-cycle/
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Karl Henning

Hindemith, Konzertmusik for piano, brass & two harps, Op.49
Hindemith, Konzertmusik for strings & brass, Op.50
Messiaen, Et exspecto resurrectionem mortuorum


(to be continued . . .)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

George Lloyd Symphony No. 10 "November Journeys" (for brass band)
Ruggles Angels
Gabrieli Various Canzon and Sonatas
Hindemith Concert Music for Strings and Brass
Bruckner Symphony No.3 (Wagner was impressed by the trumpet theme)


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

North Star

#3
Berlioz: Symphonie funèbre et triomphale
Brahms: Trio for Horn, Violin & Piano
Britten: Serenade for Tenor, Horn & Strings
Janacek: Sinfonietta
Ligeti: Hamburg Concerto
Messiaen: Et exspecto resurrectionem mortuorum
Schumann: Konsertstück for 4 horns & orchestra
Stravinsky: Symphonies d’instruments à vent
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

vandermolen

#4
Morton Gould: Symphony 4 'West Point'
Miaskovsky: Symphony 19
Howard Hanson: Dies Natalis (Band version)
Holst: Suites for Band
Vaughan Williams: English Folksong Suite for Band
Vaughan Williams: Henry V Overture for Band.
Copland: Fanfare for the Common Man.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning



Quote from: k a rl h e nn i ng on February 01, 2017, 12:09:03 PM
Hindemith, Konzertmusik for piano, brass & two harps, Op.49
Hindemith, Konzertmusik for strings & brass, Op.50
Messiaen, Et exspecto resurrectionem mortuorum


Berlioz, Symphonie funèbre et triomphale

(to be continued . . .)

Sent from my SM-G930V using Tapatalk

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ComposerOfAvantGarde

First thing that comes to mind:

https://www.youtube.com/v/9SwwcAkjSbk

but these four that have been mentioned already also get my vote

Ligeti: Hamburg Concerto
Messiaen: Et exspecto resurrectionem mortuorum
Schumann: Konzertstück
Ruggles: Angels


Karl Henning

#7
Hindemith, Konzertmusik for piano, brass & two harps, Op.49
Hindemith, Konzertmusik for strings & brass, Op.50
Messiaen, Et exspecto resurrectionem mortuorum
Berlioz, Symphonie funèbre et triomphale, Op.15
Sibelius, Öinen ratsastus ja auringonnousu (Nightride & Sunrise), Op.55
Stravinsky, Symphonies d'instruments à vent
Shostakovich, Symphony № 4 in c minor, Op.43


To be continued . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: k a rl h e nn i ng on February 02, 2017, 04:03:58 AM
Stravinsky, Symphonies d'instruments à vent
To be continued . . .
G'day, Karl!

My embarrassment is slightly tempered by the fact that you didn't think of that one earlier, either...
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Jo498

o.k., I am going more for the orchestral repertoire including brass as I am not familiar enough with band/ensemble pieces. And although they are beautiful I will not consider lyrical/chamber pieces with only one brass instrument like the Britten serenade but those that contain longer/important passages for larger groups of brass instruments.

Bruckner 5th
Bruckner 8th
Bartok Concerto for orchestra
Schumann 3rd

tbc
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

ritter

I would add Florent Schmitt's Dionysiaques op. 62 to any list...

https://www.youtube.com/v/MY_fg8AbmQY

PerfectWagnerite

My first vote goes to Janacek's Sinfonietta.

Jo498

Quote from: PerfectWagnerite on February 02, 2017, 05:04:25 AM
My first vote goes to Janacek's Sinfonietta.
Right! How could I forget about that one! And nobody else has mentioned it so far!
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

North Star

Quote from: PerfectWagnerite on February 02, 2017, 05:04:25 AM
My first vote goes to Janacek's Sinfonietta.
I should have remembered that one...
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on February 02, 2017, 05:20:13 AM
I should have remembered that one...

Aye. Luke would rightly chide us, if he were here  0:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

#16
I'm not sure if I can list ten, but here goes nothing...(in no particular order):

Vaughan Williams: Tuba Concerto (not sure if this work counts, but it belongs here IMHO)
Vaughan Williams: Symphony No. 8
Janacek: Sinfonietta
Stravinsky: Symphony of Wind Instruments
Stravinsky: Concerto for Piano and Wind Instruments
Hindemith: Konzertmusik for Brass and Strings
Weinberg: Trumpet Concerto
Tippett: Praeludium for brass, bells, and percussion
Britten: Sinfonietta
Copland: Fanfare for the Common Man

Karl Henning

Quote from: Mirror Image on February 02, 2017, 05:50:52 AM
Copland: Fanfare for the Common Man

A particularly fine addition!  Easy to forget just how great a piece this is, when it gets played to death by an over-eager classical radio programming team.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: k a rl h e nn i ng on February 02, 2017, 04:03:58 AM
Hindemith, Konzertmusik for piano, brass & two harps, Op.49
Hindemith, Konzertmusik for strings & brass, Op.50
Messiaen, Et exspecto resurrectionem mortuorum
Berlioz, Symphonie funèbre et triomphale, Op.15
Sibelius, Aallottaret (The Oceanides), Op.73
Stravinsky, Symphonies d'instruments à vent
Shostakovich, Symphony № 4 in c minor, Op.43


To be continued . . .

A curious list, Karl, but why do you feel Sibelius The Oceanides or Shostakovich's 4th belong here?

Mirror Image

Quote from: k a rl h e nn i ng on February 02, 2017, 05:52:41 AM
A particularly fine addition!  Easy to forget just how great a piece this is, when it gets played to death by an over-eager classical radio programming team.

Indeed. I've always loved it, especially how Copland incorporated it into the final movement of his Symphony No. 3. 8)