Most Fantastical Scherzo?

Started by snyprrr, October 24, 2017, 03:04:05 PM

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snyprrr

What is your favourite Classical Scherzo movement in the fantastical style? I'm assuming 20th Century since the techniques to sound more fantastical seem to start wit... uh?... 'The Firebird'? Rimsky just CAN'T sound as fantastical...

I just plopped on, randomly, Dutilleux's scherzo from his Symphonie No.1 and was somewhat disappointed. Perhaps I was expecting a sorcerer's cauldron, but it was a fairly straight up "modern" scherzo.

I'm thinking more like Prokofiev No.3... more like that, please...

Sergeant Rock

#1
Quote from: snyprrr on October 24, 2017, 03:04:05 PM
What is your favourite Classical Scherzo movement

My favorite is Havergal Brian's Vivace (third movement) of the Gothic Symphony. And it ends as:

"The music heaves like a plain on which great armies are embattled. Side-drum and upper woodwind beat out a manic pounding rhythm against which strings play a tough ostinato. Bassoons and tubas make a bass of the "saurian" theme in altered rhythm, while the rest of the brass have the lions's share of glory in a vast series of canonic entries. Trumpets and cornets ring out proudly above the storm, with a note of victory, a sense of triumph and exultation (which must have been Brian's own as he came to the end of this superb movement). The music soars in boundless confidence; harps, xylophone and organ enter with more ostinati; and suddenly it is the climax of the Part I. Brian flings the music back into the home key of D minor with a cadence of astonishing boldness. From C major to D minor by way of F sharp, all in three triads: it is the sensational juxtaposition of C and F sharp that is so exhilarating [and shocking, terrifying--Sarge]. Brian has discovered his full powers. He can stride from one end of the tonal universe to the other in a split second: he can make a single cadence bear the dramatic weight of an entire movement. This is the victory of imagination over form."


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Parsifal


amw

Beethoven Op. 127/iii or Op. 135/ii

kyjo

Franco Alfano: Concerto for Violin, Cello, and Piano - II. Allegretto fantastico: https://youtu.be/zSQ2JGyVdjc

It lives up to its title!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: snyprrr on October 24, 2017, 03:04:05 PM
I'm thinking more like Prokofiev No.3... more like that, please...

Great choice. Also the second movement scherzo of his VC 1.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Cato

The Scherzo to Bruckner's Ninth Symphony foresees e.g. Bartok.

How about Tcherepnin's all percussion Scherzo from his First Symphony:

Go to the 7 minute mark:

https://www.youtube.com/v/H_cO8H55CdM&t=77s

William Walton's First Symphony also has a Scherzo of interest: go to the 20 minute mark.

https://www.youtube.com/v/exqlh5EYfQM

The wild last movement of Karl Amadeus Hartmann's Sixth Symphony is a Scherzo so large that it also acts as a finale:

https://www.youtube.com/v/pWm7GHRvKdo



"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

pjme

Josef Suk : Fantastic Scherzo for orchestra Op. 25 (1902-03)

https://youtu.be/G5VlJGDdcFg

Can a Capriccio do aswell?
Erland von Koch - Nordiskt Capriccio (1943): https://youtu.be/7Zfc39LRLaE

Ginastera : Piano Concerto No.1: Schezo allucinante. https://youtu.be/cOUgN57xomo


Holden

Cheers

Holden

ritter

Has nobody yet mentioned the scherzo from Mahler's Second Symphony? Really?

Biffo

Quote from: ritter on October 26, 2017, 01:56:32 AM
Has nobody yet mentioned the scherzo from Mahler's Second Symphony? Really?

Or the scherzo from his Seventh Symphony?

kyjo

Quote from: schnittkease on October 26, 2017, 02:38:18 PM
It's got to be the Scherzo from Ginastera's Guitar Sonata.

Also, the scherzo from his String Quartet no. 1.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

amw

Ok I know I didn't mention it but I'm surprised no one else thought of La reine Mab, ou la fée des songes... arguably the original of the whole "fantastical scherzo" repertoire.

André

Fantastical: the word describes III of Mahler's 7th to a T.

Diabolical: nothing beats the scherzo from Henri Vieuxtemps' 4th violin concerto:

https://m.youtube.com/watch?v=qXs9BZNEf-8

Mirror Image


musicrom

I don't know this piece, but Stravinsky's Scherzo Fantastique sounds like a good bet based on the title.

Maestro267

What is fantastical? The thought that came to my mind when I first saw the thread was that of little fleeting woodwind bits, in fast triple time, like a tarantella. But some of the suggestions here suggest something heavier, with more of a tread to it (Brian 1 perhaps?). Or something more demented, like Mahler 7's scherzo.

The music that keeps coming back to my mind for the fleeting woodwinds is not from a scherzo, but from the finale of Berlioz' Symphonie Fantastique.

Brian

Quote from: amw on October 26, 2017, 03:46:28 PM
Ok I know I didn't mention it but I'm surprised no one else thought of La reine Mab, ou la fée des songes... arguably the original of the whole "fantastical scherzo" repertoire.
This is el numero uno. As (poco) Sforzando likes to say, a perfect piece.

One of the few bits of music that I always play twice in a row.

Mahlerian

Quote from: amw on October 26, 2017, 03:46:28 PM
Ok I know I didn't mention it but I'm surprised no one else thought of La reine Mab, ou la fée des songes... arguably the original of the whole "fantastical scherzo" repertoire.

Great choice, but the scherzo from Mendelssohn's A Midsummer's Night Dream incidental music provided the model which Berlioz enhanced.

Another related, but this time drawing upon Berlioz, is the scherzo from Tchaikovsky's Manfred Symphony.  I don't really care for the work as a whole, but that movement is sure fantastic in both senses of the word.

(And it's in B minor!)
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Christo

Quote from: pjme on October 26, 2017, 12:25:05 AM
Josef Suk: Fantastic Scherzo for orchestra Op. 25 (1902-03)
https://www.youtube.com/v/G5VlJGDdcFg&feature=youtu.be
My first thought & preferred performance too.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948