What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Florestan

#116120


A Mi chiamano Mimi to die for, so fragile, so sad and so pure... made me cry.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

DavidW


Brian



This very generous selection of 39 of Stanford's preludes is all I will ever need. 70 minutes of romantic piano fluff, including a number of affectionate, witty parodies of other composers and styles (e.g. a baroque gavotte). Many of the tracks are only 60-90 seconds. Good background music for working.

Quote from: André on September 09, 2024, 05:27:36 AMYes I do. The WORST earworm my ears ever came across.

Speaking of which, an earworm I came across lately - though I did not hate it  ;D - is the "Ballad of Revolt" by Harald Saeverud. It gets repeated so many times that, by the end, you're never forgetting it!

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Maestro267

Delius: Eine Messe des Lebens
Bournemouth/Hickox

Iota



Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74, Op. 20

These short pieces really do feel like they could be genuine improvisations quasi-transcribed. And I find it easy to imagine Bartok sitting at his piano conjuring them up as I listen. Whether they are or not I don't know. But very engaging pieces nonetheless, in ear-catching harmonic territory.

Linz

Nicolo Paganini Quartet for Violin, Viola, Guitar and Cello No. 11 in B major, MS 38
Quartet for Violin, Viola, Guitar and Cello No. 12 in A minor, MS 39
Quartet for Violin, Viola, Guitar and Cello No. 13 in F minor, MS 40

Linz

Bruckner Symphony No. 9 in D Minor, 1894 Original Version. Ed. Leopold Nowak, Royal Concertgebouw Orchestra, Bernard Haitink 

Karl Henning

A post by @SonicMan46 prompts me to revisit this:

Prokofiev
Symphony-Concerto for Cello & Orchestra, Op. 125
Aleksandr Ivashkin
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


lordlance

#116130
New performances of the last 3 symphonies of which I am hearing the Seventh:


It's actually well-played, well-recorded, not lethargic. It's not going to be anyone's reference I imagine but it's enjoyable. The coda of the finale is good but not the best; spin it on if you want to try a new Seventh...
If you are interested in listening to orchestrations of solo/chamber music, you might be interested in this thread.
Also looking for recommendations on neglected conductors thread.


Linz

Mozart: Clavier-Concerte 8, 28 &12, Anima Eterna, Jos van Immerseel

Karl Henning

And because it's just too lomh since I've listened to this piece, too: Steven Isserlis playing Britten's Cello Symphony, Op. 68.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André


ShineyMcShineShine

Quote from: Linz on September 09, 2024, 12:37:26 PMMozart: Clavier-Concerte 8, 28 &12, Anima Eterna, Jos van Immerseel
Never cared for this: can't hear the piano.

Karl Henning

#116136
Quote from: Karl Henning on September 09, 2024, 12:38:01 PMAnd because it's just too long since I've listened to this piece, too: Steven Isserlis playing Britten's Cello Symphony, Op. 68.
Lawd! That's good!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Schubert  Symphonies Nos.3 & 4, Real Filharmonia de Galicia, Helmuth Rilling

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

foxandpeng

Benjamin Britten
Symphony for Cello and Orchestra
Edward Gardner
BBC Philharmonic Orchestra
Chandos


Britten has always been a bit of a gap in my roster of English composers (as has William Walton, really), so recs by @Karl Henning are pretty timely. I don't think I really 'get' him, yet.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy