What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

SonicMan46 (+ 1 Hidden) and 18 Guests are viewing this topic.

Todd



After spreading Book I into three sessions and being reminded of the delights contained therein, I am now doing the same with Book II.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Linz

Wolfgang Amadeus MozartComplete Clavier-Concerte
Concert 15 B-Dur KV 450
Concert 16 D-Dur KV 451
Anima Eterna, Jos van Immerseel

Traverso

Mozart

You can love music for all sorts of reasons. Mozart is a composer of a special category, with minimal means,   great results.
What would I like to hear in my last hours.....Mozart is at the top of my list as Bach is. Mozart once said in one of his letters," ach....fröhliche Musik kenne ich nicht "
I would gladly  swap his "Jupiter" for all Mahler, Bruckner or Shostakovich symphonies.
Exaggerated, not at all, I just want to emphasize how much I admire this last one by Mozart, if only he had lived longer, Mozart, even at the end of his life still a promise of what would never come.

piano Concerto No.22







SonicMan46

Scarlatti, Domenico (1685-1757) - Guitar & Duets on the recordings below - own about 34 discs of Scarlatti, 21 w/ Belder in his 3-disc releases (bought cheaply at BRO and JPC) and the rest on piano/fortepiano.  Reviews attached for the interested - the guitar recordings excellent; the viola d'amore + harpsichord different with the reviewers complaining mildly about the sound, but I like the combination (will certainly not be to everyone's taste, so forewarned).  Dave :)

   

Jo498

Beethoven, piano sonatas op. 81a and 90, Emil Gilels, DG (1970s)
They are really very good, the only "fault" might be a bit of moderation in all things, i.e. the finale of "Les Adieux" is not completely bursting with exultation and the first movement of op.90 more melancholy than angry.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Cato

Quote from: Cato on September 14, 2024, 03:41:02 AMScelsi I have not visited for a while: it is high time to listen again!





And speaking of modern Italian composers:

Goffredo Petrassi: the 8 Concertos for Orchestra!!!





For all the concertos, see:


https://www.youtube.com/playlist?list=PL4D14bmfCxVXUKhauuegNEsB98vjWy4Db

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Daverz

Quote from: vandermolen on September 14, 2024, 04:13:34 AMVilla-Lobos
Uirapurú - a magical score (new Alto release)


Stokie seems to cut about half the music. 

Florestan

#116427
Quote from: Traverso on September 14, 2024, 08:53:08 AMMozart once said in one of his letters," ach....fröhliche Musik kenne ich nicht "

Ahem... that was Schubert.

QuoteI would gladly  swap his "Jupiter" for all Mahler, Bruckner or Shostakovich symphonies.

I too, without hesitation.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Traverso

Quote from: Florestan on September 14, 2024, 10:55:13 AMAhem... that was Schubert.

I too, without hesitation.

Ahem too  :) , my source is Karl Böhm, years ago I had a LP on wich Böhm talked about Mozart,if I'm wrong it is his fault,not mine. ;D

Florestan

Quote from: Traverso on September 14, 2024, 11:07:38 AMAhem too  :) , my source is Karl Böhm, years ago I had a LP on wich Böhm talked about Mozart,if I'm wrong it is his fault,not mine. ;D

I'm positively sure it's his fault.

Mozart could have never claimed he didn't know happy music. Schubert did claim that, but he already had one foot set on Romanticism, ie on conceit and oretentiousness.




"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

vandermolen

Quote from: Daverz on September 14, 2024, 10:22:12 AMStokie seems to cut about half the music. 
Didn't realise that and I should as I wrote the notes  :o
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Linz

Richard Strauss Also sprach Zarathustra, op.30, Don Juan, op.20 and Till Eulenspiegels lustige Streiche, op.28, The Royal Philharmonic Orcchestra, Sir Charles Mackerras

JBS


Hollywood Beach Broadwalk

ritter

Oliver Knussen conducts Elliott Carter: Dialogues (w. Nicholas Hodges, piano), Boston Concerto, Cello Concerto (w. Fred Sherry) and ASKO Concerto. Various orchestras.



All these works were written after the composer had turned 91!
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Daverz

#116434
Quote from: vandermolen on September 14, 2024, 11:34:56 AMDidn't realise that and I should as I wrote the notes  :o

Well, half the music would be an exaggeration.  Here are the timings of the recordings of Uirapurú I have:

Stokowski/Everest: 14:09
Carvalho/Delos: 20:54
Mata/Dorian: 18:56
Karabtchevsky/Naxos: 19:22

One I haven't heard: Wagner/Bridge: 18:18

Maybe Stokie just plays it much faster than everyone else?

EDIT: James Miller in Fanfare writes: "The versions by Eduardo Mata, Eleazar de Carvalho, and Wagner are complete; the ones by Ricardo Averbach, Efrem Kurtz, and Leopold Stokowski make a cut of about four-minutes' duration (it's approximately three-and-a-half minutes in)."

Linz

#116435
Bruckner Symphony No. 1 in C Minor, 1868 Linz version - Ed. Thomas Roeder
Symphony No.  2 in C Minor, 1872 First concept version. Ed. William Carragan, Gürzenich-Orchester Köln, François-Xavier Roth

DavidW


JBS

#116437

Horatio Parker
Organ Concerto in E Flat minor Opus 55 (1901-02)

Wayne Oquin
Resilience (2015)

Christopher Rouse
Organ Concerto (2014)

Charles Ives
Variations on "America" (1891/92, rev. & ed. E Power Biggs 1949)

Ives wrote the Variations, which are for organ alone without orchestra, when he was 14, 2 or 3 years before he went to Yale and became one of Parker's first students there. Parker's concerto was written for and premiered by the Boston Symphony Orchestra in 1902, with the composer as soloist.

Hollywood Beach Broadwalk

AnotherSpin


Symphonic Addict

Quote from: JBS on September 14, 2024, 01:29:23 PM
Horatio Parker
Organ Concerto in E Flat minor Opus 55 (1901-02)

Wayne Oquin
Resilience (2015)

Christopher Rouse
Organ Concerto (2014)

Charles Ives
Variations on "America" (1891/92, rev. & ed. E Power Biggs 1949)

Ives wrote the Variations, which are for organ alone without orchestra, when he was 14, 2 or 3 years before he went to Yale and became one of Parker's first students there. Parker's concerto was written for and premiered by the Boston Symphony Orchestra in 1902, with the composer as soloist.

And, what about the music itself?
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!