What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SonicMan46

Schumann, Robert - String Quartets w/ the Dover Quartet (outstanding reviews attached) and the Kuijken family (Veronica and Sara sisters) - Dave

 

Traverso

Johann Gottfried Walther

Ab Weegenaar, born in Groningen, obtained the diploma UM (Performing Musician) for bassoon and organ at the municipal conservatory there. Wim van Beek was his organ teacher.






NumberSix



Haydn: Symphony No. 88

Szell, Cleveland Orchestra

Okay, I have been listening to country and blues this morning, and I have had my fill.  I need some Strings. . .

NumberSix



Haydn: Symphony No. 45
Ton Koopman, Amsterdam Baroque Orchestra


NumberSix



Bruckner: Symphony No. 3 (1873 Version)
Tintner, Royal Scottish National Orchestra

Linz

Joseph Haydn Horn Concerto No. 1 in D, Symphony no. 31 in D 'Horn Signal'
Michael Haydn Horn Concerto in D, Anthony Halstead, natural horn, The Hanover Band , Roy Goodman

Dry Brett Kavanaugh

SZYMANOWSKI, K.: Violin Concertos Nos. 1 and 2. Polish State Philharmonic, Stryja.




brewski

#116728
Since the Bruckner 7th is making the rounds, I'm listening to Klemperer/Philharmonia, which I don't recall ever hearing. So far liking it a lot. (With some very slight surface noise, this version on YouTube sounds like it was uploaded from an LP.)

Pacing is unhurried, and the orchestra is showing great tonal beauty in all sections. The Adagio is particularly gentle — marvelous.


-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Roasted Swan

Quote from: Dry Brett Kavanaugh on September 19, 2024, 10:13:20 AMSZYMANOWSKI, K.: Violin Concertos Nos. 1 and 2. Polish State Philharmonic, Stryja.





Kulka is a great player.

Linz

Bruckner Symphony No. 4 in E Flat Major, 1888 Third Version - Ed. Benjamin Korstvedt,  Bamberger Symphoniker, Jakub Hrůša

DavidW

Quote from: brewski on September 19, 2024, 10:18:08 AMSince the Bruckner 7th is making the rounds, I'm listening to Klemperer/Philharmonia, which I don't recall ever hearing. So far liking it a lot. (With some very slight surface noise, this version on YouTube sounds like it was uploaded from an LP.)

Pacing is unhurried, and the orchestra is showing great tonal beauty in all sections. The Adagio is particularly gentle — marvelous.


-Bruce

I think the EMI GROC recordings come with extra couplings. Some Wagner springs to mind, but either one of the Bruckner or one of the Mahler recordings comes with a beautiful, melodic Metamorphosen. I just don't remember which one!

Lisztianwagner

Richard Wagner
Die Walküre, act 1^

Herbert von Karajan & Berliner Philharmoniker


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Linz

Nicolo Paganini Complete Chamber Music CD9

Mandryka

#116734
Quote from: DavidW on September 19, 2024, 11:17:02 AMI think the EMI GROC recordings come with extra couplings. Some Wagner springs to mind, but either one of the Bruckner or one of the Mahler recordings comes with a beautiful, melodic Metamorphosen. I just don't remember which one!

His Metamorphosen was a great favourite of mine. I'm listening now to his Philharmonia Bruckner 8. He's good at making structure clear, and in this music it's what I need. There's no sense of rambling. The sound of the Philharmonia 8 on Spotify is just amazing!

When I listened to Bruckner a lot - 40 years ago - it was the orchestral sound which really appealed, and now, older and less wise, I feel the same way!

Such a weird feeling listening to 8 - the scherzo - first time for many decades yet I really know the music as well as I know any music. Bruckner is somehow knowable - so it's like meeting an old friend. (Contrast late Beethoven - op 131 -  or Art of Fugue - or an Ockeghem mass - or The Ring - unknowable no matter how many times you hear them.)

Back in the day, I don't think I heard Klemperer's Bruckner - Karajan's certainly.
Wovon man nicht sprechen kann, darüber muss man schweigen

ritter

#116735
Made a one day business trip to Lisbon today, and in my car, driving home from the airport, caught the last movement of Mahler's Sixth recorded live at this year's Proms (September 6). Simon Rattle conducted the Bavarian Radio Symphony Orchestra.

I hadn't listened to the work in years, and tonight it unnerved me (in a negative way). I could mostly hear the excess, the schmalz and the kitsch (those violin solos!  ::) ), and only a few moments stood out as truly magnificent. I clearly have fallen out with Mahler's music over the past couple of years. Maybe it's a temporary thing, maybe not...

Seine Zeit ist vergangen?

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

DavidW

Quote from: ultralinear on September 19, 2024, 12:50:48 PMThis one?



Oh yeah, what a magnificent recording! That is it. I should give it a fresh listen!

DavidW

Quote from: Mandryka on September 19, 2024, 01:10:51 PMHis Metamorphosen was a great favourite of mine. I'm listening now to his Philharmonia Bruckner 8. He's good at making structure clear, and in this music it's what I need. There's no sense of rambling. The sound of the Philharmonia 8 on Spotify is just amazing!

When I listened to Bruckner a lot - 40 years ago - it was the orchestral sound which really appealed, and now, older and less wise, I feel the same way!

Such a weird feeling listening to 8 - the scherzo - first time for many decades yet I really know the music as well as I know any music. Bruckner is somehow knowable - so it's like meeting an old friend. (Contrast late Beethoven - op 131 -  unknowable no matter how many times you hear it.)

I've listened to his sixth and seventh frequently, but I don't think I've ever heard his 8th. I will have to remedy that.

Mandryka

Quote from: DavidW on September 19, 2024, 01:15:54 PMOh yeah, what a magnificent recording! That is it. I should give it a fresh listen!

Again it's decades since I heard his Mahler 9 but I can still remember the incisive way he takes the Rondo-Burleske.
Wovon man nicht sprechen kann, darüber muss man schweigen

Linz

Bruckner Symphony No. 8 in C Minor, 1887/90 Mixed Versions. Ed. Robert Haas, Berliner Philharmoniker, Daniel Barenboim