What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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VonStupp

Heitor Villa-Lobos
Symphony 10 'Ameríndia'

Leonardo Neiva, baritone
Saulo Javan, bass
São Paulo SO & Choir - Isaac Karabtchevsky

This one is very different than his other symphonies, and I like it. Of course, it helps I am not averse to voices. Reminds me some of his Discovery of Brazil film score which I also enjoyed.
VS



All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Harry

J.S. Bach.
Lute Music.
Volume I.
Eduardo Eguez, Lute.
Recorded: 1999 at the Convento dell"Annunziata, Rovato, Brescia.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Irons

Simpson: Symphony No.3



A cliché but this symphony a 'journey'. From the opening bars there is a sense of urgency and struggle in finding peace and fulfilment which is to be achieved at the coda.

The influence of Nielsen is strong but at no point even a hint of plagiarism. Timpani play a starring role which is not only heard but felt in an excellent recording. 
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Linz

Carl Philipp Emanuel Bach  The Solo Keyboard Music, Vol. 36, Miklos Spanyi

Traverso

Praetorius

The Parley of Instruments

Is it just me that in much cheerful Baroque music is a certain reserve that gives in the same time room  for an element of sadness...


DavidW

Quote from: André on November 21, 2024, 04:29:42 PM

Prefacing each concerto with one of the composer's transcriptions (1st movement of The Bells and Vocalise) was a smart idea. I very rarely listen to the 1st concerto (Rachmaninoff's own favourite), but the 3rd is another story. It's one of the most famous piano and orchestra works in the repertoire, and one of the most challenging for the pianist. Trifonov plays with flair, assurance and insight. There's nothing flashy about his pianism. The engineers place him at just the right distance. It's very well integrated with the orchestra, as it would be in the concert hall (this one's live). An unostentatious reference.

That is my favorite recording of those works.

DavidW


Brian



First listen to Roussel's violin sonatas. This disc is a 2024 release.

The First Sonata is a big, gorgeous, romantic/impressionistic piece in a similar style to his First Symphony. Or you could think of it the more relaxed cousin of the Franck sonata. At 32 minutes, it's huge, but fills all that space very amiably.

The Second Sonata is a 15-minute piece from the mid-20s and is in the more mature Roussel style, with a jazzy finale full of darting rhythms. The violin part is flashier, too, but in an appropriately salon-sized way.

The String Trio is Roussel's last completed work from the late 1930s. It's more austere and very compact (13:21); half the time is in its lament of a slow movement.

The performers are all teachers at Oberlin Conservatory and do predictably professional work. It's interesting to hear three very different parts of the composer's career together.

Brian

Only have time for the sonata in C with piano for now, but sampling a Daverz pick from the 2024 Favorites thread.


Cato

I finally had time to give M. Steinberg and his Symphony #2 a chance, and am most pleased by everything!




And far too much time has passed since I have heard this masterpiece by the young Rachmaninoff:

Trio Elegiaque #2
, Opus 9:




And never to be forgotten, the wonderful Third Symphony of Sibelius, which work, like the First Symphony, does not get enough attention!

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Lisztianwagner

Gustav Holst
Sāvitri

Felicity Palmer (mezzo-soprano), Philip Langridge (tenor), Stephen Varcoe (baritone)
Richard Hickox & City of London Sinfonia


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Spotted Horses

#120151
Martinu solo piano music



This time 3 esquisses H160, then 5 esquisses H220 and the Foxtrot. This is what I consider typical spikey Martinu, with the possible exception of the foxtrot, which seems like an homage to Scott Joplin. No 4, Tempo di Valse, from H220 is particularly attractive.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Dry Brett Kavanaugh

Tveitt: Hardanger Fiddle Concerto No. 2.



Linz

Bruckner Symphony No. 9 in D Minor, 1894 Original Version. Ed. Leopold Nowak, Carlo Maria Giulini, Wiener Philharmoniker

DavidW

This recording keeps growing in my esteem with every listen:


JBS


Evocations Op 15 L 16

Le Festin d l'araignee Op 17 L 19

CD 4 from

Hollywood Beach Broadwalk

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mookalafalas

Prokofiev 5. Disk is padded out with a lot of other stuff.


  From this box
It's all good...

JBS

Quote from: Karl Henning on November 22, 2024, 03:52:13 PMUne fête de Roussel!

And continuing on with a la Francais


CD 3 of

Hollywood Beach Broadwalk

Karl Henning

Hindemith, The Long Christmas Dinner
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot