What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Duke Bluebeard

NP:

Bruckner
Symphony No. 8 in C minor
Oberösterreichisches Jugendsinfonieorchester
Rémy Ballot


From this set -



This entire box set is a monumental achievement for all-involved.

hopefullytrusting


Madiel

Nobody has to apologise for using their brain.

Madiel

#122143
Currently playing:



Of course, only the first couple of works on here were designed for orchestra, and some of the others Faure wasn't the arranger (though possibly he consented, I should check because there are definitely works where he basically left the job of orchestration to someone else**). But those couple of works are definitely pleasing - damn the prelude to Penelope sounds nice.

**EDIT: In fact the album liner notes are excellent at setting out this information. The flute piece was orchestrated after Faure's death, but the other orchestrations are almost certainly things he knew about.
Nobody has to apologise for using their brain.

Duke Bluebeard

Last work for the night:

Vaughan Williams
Symphony No. 5
Royal Liverpool PO
Handley



hopefullytrusting

Quote from: Madiel on January 11, 2025, 08:29:14 PMThanks. That looks appalling.

It's actually super sick, which I wasn't expecting. Some of the other stuff I found in the classical-edm crossover tray was pretty bad though - this disc has everyone taking their job seriously, and so the tracks are kicking. 8)

Christo

Quote from: Duke Bluebeard on January 11, 2025, 08:44:59 PMLast work for the night:

Vaughan Williams
Symphony No. 5
Royal Liverpool PO
Handley



Handley is widely regarded as Sir Adrian Boult's successor in this kind of music: solid, confident, trouble-free, just plain good. And: I know that the significance of conductors is exaggerated (much more than setting the beat and laying accents, they cannot bring in).

Still, there are a handful of conductors I would prefer in this Fifth. Among them Thomson and Previn -- not Hickox, that is slapdash IMHO (a side view of RVW that more conductors indulge in: that leaves only a softie, without the inner drive that characterises the 'pastoral' composer so much).
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Madiel

Quote from: hopefullytrusting on January 11, 2025, 10:13:03 PMIt's actually super sick, which I wasn't expecting. Some of the other stuff I found in the classical-edm crossover tray was pretty bad though - this disc has everyone taking their job seriously, and so the tracks are kicking. 8)

One of the things you will come to learn about me is that I'm rather skeptical about arrangements, even within the classical genre. And I dislike about 98% of remixes I hear in the pop/alternative world. So yeah... I said what I said.  :laugh:
Nobody has to apologise for using their brain.

Madiel

ADDENDUM: Okay I went and listened, I lasted no more than 45 seconds on the tracks I tried. I hate it. I mean, I even hate the bits that don't really have any Haydn in them.
Nobody has to apologise for using their brain.

hopefullytrusting

Quote from: Madiel on January 11, 2025, 10:38:26 PMADDENDUM: Okay I went and listened, I lasted no more than 45 seconds on the tracks I tried. I hate it. I mean, I even hate the bits that don't really have any Haydn in them.

You need to work on stretching your ears, my friend.

About to close the door on Dvorak. Next up is another compose who I have struggled with, Rachmaninoff:

Prelude in D Minor for Piano: https://www.youtube.com/watch?v=4CMiN2ktvPE
Piano Piece in A-Flat Major: https://www.youtube.com/watch?v=1qt-3APsVFk
Oriental Sketch: https://www.youtube.com/watch?v=p4znAqZnkMs
Fragments for Piano: https://www.youtube.com/watch?v=MNhGO1sjQGc

Piano Concerto No. 1: https://www.youtube.com/watch?v=y6EX3t2Mdnw

Symphony No. 1: https://www.youtube.com/watch?v=Zr-ifrS5Qq4

String Quartet No. 1: https://www.youtube.com/watch?v=eQvXH0554Uw
String Quartet No. 2: https://www.youtube.com/watch?v=SsbfUlf8HO0

Spring (Cantata): https://www.youtube.com/watch?v=2MdT4i3WD0U












vandermolen

Quote from: Maestro267 on January 10, 2025, 02:32:23 AMVaughan Williams: Job: A Masque for Dancing
LSO/Boult
A great performance! Boult, the dedicatee of 'Job' recorded it several times.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Madiel

Quote from: hopefullytrusting on January 12, 2025, 12:43:57 AMYou need to work on stretching your ears, my friend.

My ears stretch in a lot of directions. But I've no regrets that Deutsche Grammophon trying to appeal to the next generation of Hooked On Classics fans isn't one of them.
Nobody has to apologise for using their brain.

Madiel

Mozart: Sonata for 2 pianos



Argerich with Sergei Babayan. I'm not sure I've ever heard this work before, but it's a marvellous piece.
Nobody has to apologise for using their brain.

Madiel

Mozart: Rondo for piano and orchestra in D, K.382



Which, as Wikipedia has just pointed out to me, isn't even really a rondo!
Nobody has to apologise for using their brain.

AnotherSpin

#122154
Today, I've been listening to the various versions of Beethoven's 8th Symphony, full recordings. For some reason, I rarely revisit Beethoven's 8th; along with the 1st and 2nd, it's one of the least played. My first encounter with the 8th was in the early '70s, on a dreadful Soviet LP pressing of Furtwängler's wartime tape recording. It's hard to say exactly what, but something I heard back then turned me off for many years to come.

This morning I began with Forck's recording with the Akademie für Alte Musik Berlin, and it left such a fine impression that I went on to explore other versions one by one, mostly focusing on HIP recordings, however one might interpret that term. Here's what I listened to:





























The recordings by Forck, Brüggen, Järvi, de Vriend, and both versions by Gardiner resonated well with me. Immerseel, Norrington, and Hogwood were slightly less impressive. I'm somewhat unsure how to assess Harnoncourt, it's both intriguing and difficult to grasp. The least appealing was Savall, but, I rarely share the frequent praise he receives. The Hanover Band and Weil didn't particularly appeal to me. I didn't like Krivine's version at all.

Madiel

#122155
Pejacevic: Piano Quartet



The first of her mature large-scale chamber works. I suspect I'm about to listen to all of them.

(And maybe go back to the 1st piano trio which I believe has been recorded, CPO left it out.)
Nobody has to apologise for using their brain.

Traverso


ChamberNut

Quote from: Madiel on January 12, 2025, 01:38:39 AMMozart: Sonata for 2 pianos



Argerich with Sergei Babayan. I'm not sure I've ever heard this work before, but it's a marvellous piece.

This brings me back to about 18 years ago. In my early exploration days, I would grab CDs from the local library, of works I'd never heard of. One such disc included this work, along with Schubert's Fantasy in F minor. It was the very first time I'd heard piano music for 2 piano 4 hands.

This was the recording, and it made an incredible impression. Both works, but in particular the melancholic Schubert piece.

PS - Pretty horrible cover art, but that was the late '80s for you. Güher Pekinel and Süher Pekinel on the pianos. Turkish twin sisters duo.



Formerly Brahmsian, OrchestralNut and Franco_Manitobain

VonStupp

Samuel Barber
Three Essays for Orchestra
Vanessa: Intermezzo
Vanessa: Under the Willow Tree
Music for a Scene from Shelley
Medea's Meditation and Dance of Vengeance
Detroit SO - Neeme Järvi

VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Duke Bluebeard

Quote from: Christo on January 11, 2025, 10:15:56 PMHandley is widely regarded as Sir Adrian Boult's successor in this kind of music: solid, confident, trouble-free, just plain good. And: I know that the significance of conductors is exaggerated (much more than setting the beat and laying accents, they cannot bring in).

Still, there are a handful of conductors I would prefer in this Fifth. Among them Thomson and Previn -- not Hickox, that is slapdash IMHO (a side view of RVW that more conductors indulge in: that leaves only a softie, without the inner drive that characterises the 'pastoral' composer so much).

We share a similar view on Handley, but I don't really think any complete cycle of these symphonies are successful in every symphony. I think Handley is a fine conductor, but his cycle is plagued by subpar audio quality --- for example, the strings are so recessed and lack definition. The Classics for Pleasure box set I own is supposedly remastered, but I think this entire cycle needs a modern remix. My favorite performances of the 5th are Previn (RCA), Marriner and Thomson.