What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que


Que

Quote from: SonicMan46 on February 24, 2025, 07:33:32 AMDanzi, Franz - Piano & Wind Quintets on period instruments with Christine Schornsheim and the Reicha Quintett - if modern instruments are preferred, I also own the 3-CD set (3rd pic), which includes all of the quintets on well-filled discs.  Dave

 

Love those!  :laugh:

(Modern instruments NOT preferred..  ;D )

Traverso


Traverso

Quote from: Que on February 24, 2025, 08:46:25 AMOoohh! New!!  :laugh:


yeah.....tasteless cover, except if you favor hotpants on the moon ....

Florestan

Quote from: Traverso on February 24, 2025, 08:54:35 AMyeah.....tasteless cover, except if you favor hotpants on the moon ....


I wonder why they didn't use their trademark naked torso in this case too...  ;D
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

nico1616

Quote from: Der lächelnde Schatten on February 24, 2025, 08:43:55 AMA quick follow-up to this message:

@nico1616 it turns out I own that recording of Nelson's Semele, which is in The Great Oratorios box set on Decca/DG I purchased and have been thoroughly enjoying this past week or so (you may have seen me post about it before on this very listening thread). I'm going to be starting McCreesh's Theodora tonight, but I'll get around to Semele at some point.

I wonder what you will think of McCreesh. He is one of the Händel conductors I never could appreciate, McGegan is the other one that comes to mind.
For Theodora, you have to hear Lorraine Hunt with William Christie, absolutely legendary.

The first half of life is spent in longing for the second, the second half in regretting the first.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Quote from: nico1616 on February 24, 2025, 09:19:52 AM...
For Theodora, you have to hear Lorraine Hunt with William Christie, absolutely legendary.


Lorraine Hunt and Dawn Upshaw:)
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Harry

"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Linz

Ottorino Respighi Linda Finnie, Ingrid Attrot, BBC Philharmonic Orchestra, Richard Hickox

LKB

Quote from: Que on February 24, 2025, 08:47:52 AMLove those!  :laugh:

(Modern instruments NOT preferred..  ;D )

I played one of the Quintets in college, but don't remember which anymore...  :-\
Mit Flügeln, die ich mir errungen...

Der lächelnde Schatten

Quote from: nico1616 on February 24, 2025, 09:19:52 AMI wonder what you will think of McCreesh. He is one of the Händel conductors I never could appreciate, McGegan is the other one that comes to mind.
For Theodora, you have to hear Lorraine Hunt with William Christie, absolutely legendary.



Being a Hunt fan in Handel, I most definitely will check out this recording, although I do have to ask what do you make of Christie's Theodora on Erato? Is this Hunt performance more preferable?

nico1616

#124652
Quote from: Der lächelnde Schatten on February 24, 2025, 11:09:43 AMBeing a Hunt fan in Handel, I most definitely will check out this recording, although I do have to ask what do you make of Christie's Theodora on Erato? Is this Hunt performance more preferable?

It certainly is, Christie had a weird preference for Sophie Daneman at that time, she is a quite placid as Theodora, Dawn Upshaw is so much better. Moreover, Erato has Daniel Taylor who is no match for the great David Daniels. And of course no Lorraine Hunt on Erato. Theodora is a very introspective work, it is not easy to bring off on disc. Nor McCreesh or Christie/Erato are very succesful in my opinion, the Glydebourne is a miracle.
I have not heard the recent DiDonato version, it got quite raving reviews but DiDonato is a bit hit and miss for me.
The first half of life is spent in longing for the second, the second half in regretting the first.

Que

Quote from: Harry on February 24, 2025, 12:48:56 AMCannot find this recording on Qobuz. Searched under composer name and performers. Horrible artwork though!

The artwork is as usual.  ;D

Anyway, try this link? 

https://www.qobuz.com/nl-nl/album/marbrianus-de-orto-the-sound-and-the-fury/wa95ykc13tj0a

Der lächelnde Schatten

Quote from: nico1616 on February 24, 2025, 11:18:45 AMIt certainly is, Christie had a weird preference for Sophie Daneman at that time, she is a quite placid as Theodora, Dawn Upshaw is so much better. Moreover, Erato has Daniel Taylor who is no match for the great David Daniels. And of course no Lorraine Hunt on Erato.

Thanks for the feedback. Okay, I was able to sample some of this recording and my problem was some of the stage noise was a bit too audible. Obviously, not a complete deal breaker, but a bit distracting. But I think I can tolerate it since it did sound so lovely.

vandermolen

#124655
Mahler: Symphony No.9
A great performance even if Klemperer remains my favourite. I also though that the Schubert 'Unfinished' is a very fine performance as well. This fine set was picked up very inexpensively S/H. The end of the first movement of the Schubert is my favourite Schubert moment.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Lisztianwagner

Mieczyslaw Karlowicz
Returning Waves
Episode at a Masquerade

Gianandrea Noseda & BBC Philharmonic


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

ritter

Pointed out by @Mandryka earlier today in the appropriate composer thread, Georges Auric's quite fantastic song cycle Quatre chants de la France malhrureuse. Martial Defontaine (tenor), Alain Jacquon (piano).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Bruckner Symphony No. 3 In D Minor, 1890 Thorough revision Bruckner with Joseph and Franz Schalk Ed. Theodor Raettig, Wiener Philharmoniker, Hans Knappertsbusch

nico1616

#124659
Where has this recording been all my life? Stunning!

The first half of life is spent in longing for the second, the second half in regretting the first.