What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 8 Guests are viewing this topic.

Der lächelnde Schatten

NP:

Enescu
Violin Sonata No. 2 in F minor, Op. 6
Remus Azoitei & Eduard Stan


From this 2-CD set -


Der lächelnde Schatten

NP:

Falla
El sombrero de tres picos
Carmen Romeu
Mahler Chamber Orchestra
Pablo Heras-Casado



North Star

Chimère
Sandrine Piau & Susan Manoff

"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Der lächelnde Schatten

NP:

Handel
Salve Regina, HWV 241
Arleen Augér (soprano)
Orchestra of Westminster Abbey
Simon Preston



Karl Henning

Nikolai Rimsky-Korsakov
Symphony № 3 in C Op. 32
Bergen Phil
Dmitri Kitaenko
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Mozart, WA - Piano Music w/ Kristian Bezuidenhout on a fortepiano built by Paul McNulty in 2009 after an 1805 Anton Walter & Sohn; from McNulty's website the instrument below best matches the description (and may be the same one?) - reviews attached.  Dave :)

 

Der lächelnde Schatten

NP:

Berlioz
Harold en Italie, Op. 16
William Primrose, viola
BSO
Munch


From this set -


Brian

I went through the Supraphon sale items at Europadisc, opened everything that sounded cool in a new tab, and now I'm going through streaming them all online instead of buying them.


Karl Henning

Quote from: Brian on March 03, 2025, 10:06:45 AMI went through the Supraphon sale items at Europadisc, opened everything that sounded cool in a new tab, and now I'm going through streaming them all online instead of buying them.


Very smart!

TD:
Maiden-Listen Monday!

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Following in the footsteps of @Lisztianwagner  ;) , and plunging into this new arrival at the beginning (CD1).



W.A. Mozart: Serenade in B flat major, "Gran Partita", K. 361.

David Atherton conducts the London Sinfonietta.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Lisztianwagner

#125110
Quote from: ritter on March 03, 2025, 10:19:06 AMFollowing in the footsteps of @Lisztianwagner  ;) , and plunging into this new arrival at the beginning (CD1).



W.A. Mozart: Serenade in B flat major, "Gran Partita", K. 361.

David Atherton conducts the London Sinfonietta.
Pounds the table, Rafael;D
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Lisztianwagner

Wolfgang Amadeus Mozart
Piano Sonata No.13
Piano Sonata No.14

Pianist: Mitsuko Uchida


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

Alex is smiling
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Wolfgang Amadeus Mozart Mozart Szell Original Jacket Cleveland Orchestra CD6
Serenade in G major, K.525 "Eine kleine Nachtmusik
Serenade in D Major, KV. 320 "Posthorn"
The Cleveland Orchestra. George Szell

Der lächelnde Schatten

Now playing two oboe sonatas back-to-back:

Handel
Oboe Sonata In G Minor, Op. 1/6, HWV 364A
Frank de Brione, Richard Egarr


From this 2-CD set -



Poulenc
Oboe Sonata, Op. 185
Olivier Doise, Alexandre Tharaud


From this set -


ritter

#125115


Prompted by an essay by Louis-René des Forêts (included in the volume pictured above), published shortly thereafter in La Nouvelle Revue Française, I'm recreating the concert held by the Domaine Musical in Salle Gaveau in Paris on November 10, 1956, under the title « Conjonction Stravinsky - Webern ».

The programme was the following :

Stravinsky: Chorale Variations "Vom Himmel hoch da komm' ich her", Trois poèmes de la lyrique japonaise, Canticum Sacrum. Webern: Concerto for Nine Instruments, op. 24, Cantata No. 2, op. 31.

I'm using recordings made by the Domaine around the date of the concert, or some years later. Jésus Aguila's book Le Domaine Musical says that all works were conducted by Robert Craft on that occasion, but from Des Forêts' text one would think he only took care of the Stravinsky works.

- Chorale Variations: Chorale Élisabeth Brasseur, Orchestre du Domaine Musical, Robert Craft.
- Trois poèmes... : Christiane Eda-Pierre (sop.), Ensemble du Domaine Musical, Gilbert Amy.
- Canticum Sacrum: Jean Giraudeau (ten.), Xavier Depraz (bar.), Chorale Élisabeth Brasseur, Orchestre du Domaine Musical, Robert Craft.

All on this CD:



- Concerto, op. 24: Ensemble du Domaine Musical, Gilbert Amy.



- Cantata No. 2: Ilona Steingruber (sop.), Xavier Depraz (bar.), Chorale Élisabeth Brasseur, Orchestre du Domsine Musical, Pierre Boulez.

CD 7 of this set:


Less than 60' of music in total, but of overwhelming quality and intensity! A beautiful programme....  :)
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Karl Henning

A great piece I don't listen to very often.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Der lächelnde Schatten

Quote from: Karl Henning on March 03, 2025, 12:52:29 PMA great piece I don't listen to very often.

Lovely, Karl. The usual Fauré discmate, the Duruflé Requiem, is also a gorgeous piece.

ritter

Quote from: Karl Henning on March 03, 2025, 12:52:29 PMA great piece I don't listen to very often.
And Florent Schmitt's Scherzo in memoriam Fauré on that disc is a riot (and as un-Fauréan as you can imagine)...

Good evening, Karl.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Antonín Dvořák Symphony No. 9 in E minor, Op. 95, B. 178 "From the New World"
Leoš Janáček Sinfonietta, JW VI/18
Wiener Philharmoniker, Jascha Horenstein