What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Der lächelnde Schatten

Quote from: Madiel on May 11, 2025, 05:15:25 AMVilla-Lobos: Choros No.10, 'Rasga o Coração', for orchestra and choir



"Cinematic" is about the best adjective I can come up with for this. Honestly, I wasn't really feeling it in the first half, and while it's very atmospheric I found myself wondering where the music was going (it's some years since I listened to the recording). Is it really a choros? WELL. It turns out it's a preparation for the amazing second half. When the choir comes in, the music takes off. Amazing stuff that feels like you should be standing in front of a waterfall in the jungle.

Yes, this is a work that kind of took me by surprise when I first heard it. I thought the first half of the work was meandering, rambling and then as you mentioned, things all of sudden take off. First starting with that kind of tribal, ritualistic percussion part and then the chorus comes in and it does feel like I'm deep in the jungle with Tarzan or Mowgli. :D

Spotted Horses

#129261
I noticed DavidW listening to Weinberg string quartets and was reminded that I never made it through them. Maybe a revisit is in order. I listened to the forth quartet, the first work in volume I of the series.



Now I remember why I never made it through. Horrid!

But then I noticed that there is a new cycle from the Arcadia quartet on Chandos. Listened to the first movement of the fourth quartet.



What a difference! I may like Weinberg string quartets after all. (I think my issue with the cpo set is the audio, which to my ears is congested and opaque, compared to the audio in the Chandos recording.) Alas, the cycle is not complete yet. One installment to go.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Traverso


André

Quote from: AnotherSpin on May 10, 2025, 08:17:39 PMMichael Gielen did a recording of the Missa Solemnis with Orgonášová too. Have you ever compared Gielen's versions?

I didn't listen to his other version, just this Zurich one.

AnotherSpin

Quote from: André on May 11, 2025, 09:24:32 AMI didn't listen to his other version, just this Zurich one.

I see four versions of Missa Solemnis conducted by Michael Gielen on Qobuz, each with different orchestras and soloists. I don't think I've heard any of them, but I usually find Gielen's recordings interesting, so I'll definitely try some.

Madiel

Shostakovich insomnia edition: Violin Concerto no.1 (Lydia Mordkovitch)
Nobody has to apologise for using their brain.

Symphonic Addict

Sauguet: Tableaux de Paris
Korngold: Between Two Worlds - Judgement Day

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Dry Brett Kavanaugh

Wagner: Orchestral Music. Ormandy/Philadelphia. 1954.







ritter

Jumping on the Scènes de ballet bandwagon, with this performance by the London Symphony Orchestra conducted by Michael Tilson Thomas.



Also listening, on the same CD,  to Stravinsky's Ode, Scherzo à la russe, Concertino, Canon, and Variations: Aldous Huxley in memoriam.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

#129269
Wolfgang Amadeus Mozart Trio for Clarinet, Viola and Piano in E-Flat Major, K. 498 "Kegelstatt"
Louis Spohr Adagio-Allegro from Octet, Op.32
Arthur Bliss Conversations, Oboe Quintet, Clarinet Quintet:
Cecil Aronowitz, Gervase de Peyer, Melos Ensemble

brewski

This afternoon, a last-minute ticket to the concert below, with pianist Emanuel Ax, conductor Dalia Stasevska and The Philadelphia Orchestra. At the opening, Stasevska entered with her 2-year-old daughter, and asked all "mothers, grandmothers, and mothers in spirit" to stand, a nice gesture.

The whole program was superb, especially the Lutosławski, which I'd never heard.

Ravel: Pavane for a Dead Princess
Mozart: Piano Concerto No. 17
Ax encore: Liszt: Valse oubliée No. 1

Lutosławski: Symphony No. 4
Ravel: La Valse
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Karl Henning

Quote from: ritter on May 11, 2025, 12:27:26 PMJumping on the Scènes de ballet bandwagon, with this performance by the London Symphony Orchestra conducted by Michael Tilson Thomas.



Also listening, on the same CD,  to Stravinsky's Ode, Scherzo à la russe, Concertino, Canon, and Variations: Aldous Huxley in memoriam.
Superb disc!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: brewski on May 11, 2025, 02:31:15 PMThis afternoon, a last-minute ticket to the concert below, with pianist Emanuel Ax, conductor Dalia Stasevska and The Philadelphia Orchestra. At the opening, Stasevska entered with her 2-year-old daughter, and asked all "mothers, grandmothers, and mothers in spirit" to stand, a nice gesture.

The whole program was superb, especially the Lutosławski, which I'd never heard.

Ravel: Pavane for a Dead Princess
Mozart: Piano Concerto No. 17
Ax encore: Liszt: Valse oubliée No. 1

Lutosławski: Symphony No. 4
Ravel: La Valse
The Ravel is a little creepy on Mothers Day. Just saying. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

DavidW

#129273
Quote from: Spotted Horses on May 11, 2025, 08:34:06 AMWhat a difference! I may like Weinberg string quartets after all. (I think my issue with the cpo set is the audio, which to my ears is congested and opaque, compared to the audio in the Chandos recording.) Alas, the cycle is not complete yet. One installment to go.

You may also want to try this ensemble:

And while you're at it, Silesian is also great in Bacewicz:



Symphonic Addict

Roussel: Le Festin de l'araignée

Much as I love Roussel's music, I have to say that this is one of my least favorite works by him. Probably this performance has to do with my impression.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

brewski

Quote from: Karl Henning on May 11, 2025, 02:33:15 PMThe Ravel is a little creepy on Mothers Day. Just saying.

OK, that made me chuckle.  ;D  ;D Maybe an Addams Family occasion?
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

foxandpeng

Ruth Gipps
Symphony 4
Rumon Gamba
BBC NOoW
Chandos


Gipps is back on the horse with this, after #3. I still don't know why #3 doesn't resonate with me, but #4 brings her back in the game.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Symphonic Addict

Schulhoff: Variations on an original Dorian theme and Fugato, op. 10

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

#129278
Sciarrino: Il suono e il tacere

My first encounter with this composer. What a strange work. It seems repetitive (there's a motive that runs throughout with little changes), but somehow it manages to catch the attention if you have the patience for it, of course.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

VonStupp

Benjamin Britten
Phaedra, op. 93
A Charm of Lullabies, op. 41
Lachrymae, op. 48a
Two Portraits
Sinfonietta, op. 1

Sarah Connolly, mezzo
Maxim Rysanov, viola
BBC SO - Edward Gardner

A mix of vocal and orchestral music from Britten. Britten's purely instrumental music often takes a while for me to grasp, but his vocal music is always an immediate pleasure.

I really need to revisit Dame Janet's Phaedra.
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings