What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

pierocioff, Redgravefenbirder and 16 Guests are viewing this topic.

Que

Quote from: AnotherSpin on June 20, 2025, 09:55:37 PMI'm listening not at all because I fear death — war cures that well enough. It's a calm, clear morning. Despite a heavy drone attack, no fires or damage reported; the defense was solid.

I read about the heavy attack on Odesa - glad to hear that you are OK.

This morning:


Harry

Quote from: AnotherSpin on June 20, 2025, 09:55:37 PM

I'm listening not at all because I fear death — war cures that well enough. It's a calm, clear morning. Despite a heavy drone attack, no fires or damage reported; the defense was solid.

We fear with you, and stand next to you and the Ukrainian people. An attack on them is an attack on us.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

AnotherSpin


Que

Revisiting:



Which reconfirms this being one of my top favourites.
To my surprise my 2nd Italian pick, next to Paolo Beschi (Winter & Winter).

Mandryka

#131624
Quote from: JBS on June 19, 2025, 06:04:15 PMThe final CD of this set


Opus 131 in c-sharp minor
Opus 135 in F major

The opening section of Opus 131 is one place where the use of PI makes a perceptible difference.

I thought their op 133 was particularly distinctive.
Wovon man nicht sprechen kann, darüber muss man schweigen

Que


Traverso

Romantic Guitar




 

part of this box




Iota



Schumann: Kinderszenen, Op. 15
Walter Klien (piano)


Unlike many other Schumann fans, I never really warmed to Kinderszenen. The 'excellent' bits of this curate's egg for me are Von fremden Ländern und Menschen, Kind im Einschlummern and Der Dichter spricht, which I love unequivocally. Klien plays it as well as anyone, but my perceptions on this one seem resistant to change.

Que


JBS

Quote from: Mandryka on June 21, 2025, 01:15:19 AMI thought their op 133 was particularly distinctive.

Yes, but at least on first listen it didn't appeal to me.
For discography purposes, I might mention that Narratio presents Op 133 as the finale of Op 130, and the second finale Beethoven composed as an alternate extra track.

It just struck me that the Amazon image is wrong. It says "3 CD set", but the physical set is 4 CDs, and the actual cover says "4 CD set".

Hollywood Beach Broadwalk

Mandryka

Quote from: JBS on June 21, 2025, 04:12:23 AMYes, but at least on first listen it didn't appeal to me.

It seemed poised, classical to me, rather than the chaotic aggression-fest we normally hear -- I just thought it had something to say somehow, and though I didn't much like it, that may be just the shock of the new. 
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

VonStupp

#131632
FJ Haydn
Symphony 64 in A Major 'Tempora Mutantur'
Symphony 65 in A Major
Symphony 66 in B-flat Major

VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Der lächelnde Schatten


Spotted Horses

Quote from: Mandryka on June 21, 2025, 04:29:37 AMIt seemed poised, classical to me, rather than the chaotic aggression-fest we normally hear -- I just thought it had something to say somehow, and though I didn't much like it, that may be just the shock of the new. 

I'm looking forward to hearing it.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Spotted Horses

#131635
Melartin, Symphonies 1 and 2, Grin/Tampere



I noticed Symphonic Addict mention the new cpo recording of the 5th and 6th symphonies and I was reminded of the Grin cycle which (consulting my listening journal) I had gotten part way through (1-4). It seemed the forth symphony put me off Melartin because of some sort of cadenza with soprano and glockenspiel(?).

Anyway, starting over. Not the edgy sort of music that I usually like, but opulent harmonies and orchestration. I'm enjoying it.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

brewski

#131636
Listening to this all-Richard Strauss program, live from the Ludwigsburg Palace Festival, with a conductor new to me:

Don Juan
Orchesterlieder
Vier sinfonische Zwischenspiele aus "Intermezzo"
Till Eulenspiegels lustige Streiche

Matthew Swensen, tenor
Deutsche Radio Philharmonie
Pietari Inkinen, conductor

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Iota



Schumann: Papillons, Op.2
Walter Klien (piano)


A highly lovable work, played exceedingly lovably.

Florestan

Quote from: Mandryka on June 21, 2025, 04:29:37 AMIt seemed poised, classical to me, rather than the chaotic aggression-fest we normally hear

Sounds like I could enjoy it. Will investigate.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

ritter

Quote from: brewski on June 21, 2025, 09:13:31 AMListening to this all-Richard Strauss program, live from the Ludwigsburg Palace Festival, with a conductor new to me:

Don Juan
Orchesterlieder
Vier sinfonische Zwischenspiele aus "Intermezzo"
Till Eulenspiegels lustige Streiche

Matthew Swensen, tenor
Deutsche Radio Philharmonie
Pietari Inkinen, conductor

Inkinen was to conduct the new production of the Ring in Bayreuth in 2020. The pandemic prevented that from happening. He conducted Die Walküre in isolation in 2021, and then the full Ring in 2023 (the production had premiered the previous year under the baton of Cornelius Meister. He didn't come back (or was not invited to do so) the following year... I've never heard him conduct.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. »