What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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AnotherSpin

Quote from: Mandryka on September 18, 2025, 06:53:09 AMThe recordings to find are from Schola Gregoriana Cambridge -- but there's nothing streaming unfortunately.  Neither is the excellent Missa in Gallicantu from PThe Tallis Scholars.  Fortunately Ensemble Venance Fortunat/ Anne Marie Deschamps has some things on Spotify -- very rewarding IMO.

Thank you! Both Missa in Gallicantu, The Tallis Scholars and several albums of Ensemble Venance Fortunat, Anne Marie Deschamps are on Qobuz, will listen.

Karl Henning

Quote from: Madiel on September 18, 2025, 06:37:00 AMEarlier today, Beethoven op.1/1 (Stern, Rose and Istomin)


Classic!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Spotted Horses

I'm not usually attracted to "anthology" releases, with selections from different composers, but this one has proven to be a valuable resource. French Music for Winds from Les Vents Francais



I came to it for the Hindemith Kleine Kammermusik (how is that French?). But have found other diminutive gems. Today La chemise du roi Rene, by Milhaud. A charming suite of brief movements, gentle with some meltingly poignant dissonances sprinkled in. Lovely playing.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

San Antone

Machaut: Messe de Nostre Dame
Mary Berry: Schola Gregoriana Of Cambridge




Among my favorite recordings of this work.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Lisztianwagner

Maurice Ravel
L'enfant et les sortilèges

Sophie Koch (soprano), Jean Paul Fouchecourt (tenor), Magdalena Kožená (mezzo-soprano), Sophie Koch (mezzo-soprano), Annick Massis (soprano)
Simon Rattle & Berliner Philharmoniker


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Linz

Carl Nielsen Symphony No. 3, Op. 27 "Sinfonia Espansiva"
Symphony No 4, Op. 19 "The Inextingguishable"
Royal Danish Orchestra,  Paavo Berglund

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Franz Liszt Khatia Buniatishvili

ritter

#135729
First listen to Sylvano Bussotti's Nuovo scenario a Lorenzaccio (a recent purchase - used via Discogs, as the CD is long OOP).

Quote from: ritter on August 20, 2025, 02:22:28 AM...




A hitherto unknown to me iteration of Bussotti's Loenzaccio (based on Alfred de Musset). Initially there was the "danced opera" from 1972 (extracts from the world première are available on a CD included in Daniela Lotti's book L'aura ritrovata, published by LIM in 2014), The Lorenzaccio-Symphonie was recorded by Giuseppe Sinopoli for DG), and now I find this 40" work for "soprano, tenor, actor with solo guitar, and large symphony orchestra, recited in French, sung in Italian and German". The enterprising Arturo Tamayo conducts this Austrian Radio production. ...
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Anton Bruckner Symphony No. 1 in C Minor,  1891 Vienna Revision by Bruckner himself. Ed. Guenter Brosche
Wiener Philharmoniker, Christian Thielemann

Mister Sharpe

Quote from: Spotted Horses on September 18, 2025, 07:37:21 AMI'm not usually attracted to "anthology" releases, with selections from different composers, but this one has proven to be a valuable resource. French Music for Winds from Les Vents Francais



I came to it for the Hindemith Kleine Kammermusik (how is that French?). But have found other diminutive gems. Today La chemise du roi Rene, by Milhaud. A charming suite of brief movements, gentle with some meltingly poignant dissonances sprinkled in. Lovely playing.


I wonder how Milhaud would have musically described King René's shirt, Spotted Horses, but surely you mean cheminée. Still, I love this work (glad you do, too!) so much that if you do find one so-titled, please let me know immediately because I MUST hear it!  BTW, BBC loves it so much they use a few bars of it as an interlude.
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Linz

Anton Bruckner Symphony No. 9 in d Minor, 1894 Original Version. Ed. Leopold Nowak
Chicago Symphony Orchestra,  Carlo Maria Giulini

Florestan

Quote from: Mister Sharpe on September 18, 2025, 01:52:43 PMI wonder how Milhaud would have musically described King René's shirt, Spotted Horses, but surely you mean cheminée.

Is it easier to describe musically a cheminée than a chemise? Richard Strauss would have strongly disagreed.  ;D
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Mister Sharpe

From 1981, on mint LP, globetrotting, Austrian-born guitarist Terrence Farrell's second album featuring works of one of his teachers, Guy Horn:  Prelude, Vaux Le Vicomte, Vals De Luz, Prelude no. 8, Prelude No. 1, Estampas Del Sur:        Zamba, Tonada, Pasillo, Gavotte En Rondeau, Sarabande, Allemande, Mazurka, Romanza, Seranata Espagnola; Bach: Gavotte en rondeau, Sarabande, Allemande; Llobet: Mazurka, Estila Popular, Romanza; Malats: Seranata Espagnola. On the cover of my copy is a sticker that fascinates: "Fabricated on German Vinyl."  I didn't know it was to be preferred! 

"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Mister Sharpe

Quote from: Florestan on September 18, 2025, 02:11:38 PMIs it easier to describe musically a cheminée than a chemise? Richard Strauss would have strongly disagreed.  ;D


Ha-ha  :laugh:, perhaps, but don't forget Strauss's interlude, "Dreaming by the Fireside," from Intermezzo.
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Madiel

Vivaldi: La Senna Festeggiante



Perfectly good music, and no complaints at all about the performance - Alessandrini and Concerto Italiano are amongst the most dependable performers in this series. But the text of La Senna Festeggiante is extremely old-fashioned. Two characters called "The Golden Age" and "Virtue" have a love-in with the River Seine, in a sycophantic celebration of King Louis XV of France.

It's definitely what you would call an occasional piece, and the relevant occasion has long since passed!
Nobody has to apologise for using their brain.

Florestan

Quote from: Mister Sharpe on September 18, 2025, 02:36:03 PMHa-ha  :laugh:, perhaps, but don't forget Strauss's interlude, "Dreaming by the Fireside," from Intermezzo.

I was thinking rather about his statement that he could compose a tea-spoon.  ;D
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Linz

b]Anton Bruckner[/b] Overture in G Minor
Symphony No. 1 in C Minor, 1893 edition [Doblinger] of 1891 version. Supervised by Cyrill Hynais
Wiener Symphoniker, Charles Adler

Karl Henning

Quote from: Mister Sharpe on September 18, 2025, 01:52:43 PMI wonder how Milhaud would have musically described King René's shirt, Spotted Horses, but surely you mean cheminée. Still, I love this work (glad you do, too!) so much that if you do find one so-titled, please let me know immediately because I MUST hear it!  BTW, BBC loves it so much they use a few bars of it as an interlude.
"Autocorrect" ... it's a thing of bowtie.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot