What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Wanderer



Tchaikovsky & Sibelius Violin Concertos (Leila Josefowicz/AoSMitF/Marriner).

Papy Oli

JS Bach - Motets
Ensemble Vocal de Lausanne, Michel Corboz



Olivier

brewski

#140962
Next week, hearing Missy Mazzoli's 2014 Sinfonia (for Orbiting Spheres) with conductor Yiran Zhao and the Curtis Symphony Orchestra, and wanted a little preview, so Daniel Bjarnason and the Frankfurt Radio Symphony came to the rescue. About ten minutes long, and well worth a listen.

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Papy Oli


Beethoven: Piano Concerto No. 1 in C major, Op. 15

Wilhelm Backhaus (piano)
Wiener Philharmoniker
Hans Schmidt-Isserstedt


Olivier

JBS

Quote from: Mandryka on January 14, 2026, 01:39:11 AMWhat happens at the end? Do they all gloat over his comeuppance like in the Mozart? Or does he proudly go to hell, a free man.

They gloat.

Hollywood Beach Broadwalk

Madiel

Mozart dances

6 Minuets, K.599
6 German Dances, K.600



Mozart's output in the first few months of 1791 is completely dominated by these sorts of dance collections, which feel like the something he was doing with an eye firmly on the paycheck. Not to say he didn't put his skills to use, but they're pretty minor items that are much more suited to the dance hall than the concert hall. A couple of sets at a time is as much as I'm willing to consume.

They don't seem to have been recorded that often either. The Phillips etc stable seems to still be relying on Boskovsky's recordings in the 1960s to use in each reiteration of the giant Mozart box sets.
Nobody has to apologise for using their brain.

Madiel

Quote from: JBS on January 14, 2026, 04:04:00 AMThey gloat.

Of course they do. An opera composed then is not going to do otherwise.
Nobody has to apologise for using their brain.

Linz

Anton Bruckner Symphony No. 6 in A Major
Royal Concertgebouw Orchestra, Eugen Jochum

Florestan

Quote from: Madiel on January 14, 2026, 04:05:19 AMMozart's output in the first few months of 1791 is completely dominated by these sorts of dance collections, which feel like the something he was doing with an eye firmly on the paycheck. Not to say he didn't put his skills to use, but they're pretty minor items that are much more suited to the dance hall than the concert hall

They were created for the dance hall.  ;)

Besides Boskowski, I also have this one:




"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

PaulR

Schumann: Symphony #3 'Rhenish'


Madiel

Haydn: Symphony no.75 in D major (composed c.1779)



Note to Mr Haydn: rather too many symphonies in this little period are in D major, it makes getting to know them properly that little bit harder.  ;)

I believe it's the most common key in general. Though Google's AI tried to tell me two different counts of how many D major symphonies there are, and they're both wrong. Ahem. Anyway, in this little period of a few years that I'm looking at, 4 out of 7 symphonies are in D major. That's a cluster.

This particular D major has a sizeable and vigorous opening movement, with a Grave introduction leading into a Presto body for maximum contrast. The 2nd movement is all restraint and decorum, a theme and variations. The menuet is slightly rustic. The rondo finale starts off sounding pretty simple and peaceable but there are minor key episodes to bring a little drama.

It's good. What did you expect? It's mature Haydn. The lack of interest in anything between the 'Sturm and Drang' symphonies and the 'Paris' ones is unfortunate.

Nobody has to apologise for using their brain.

Madiel

Quote from: Florestan on January 14, 2026, 04:28:09 AMThey were created for the dance hall.  ;)

Yes, I'm aware. But tonight I'm not trying to dance to them. Nor are most people who hear them on recordings!
Nobody has to apologise for using their brain.

Papy Oli

Quote from: Madiel on January 14, 2026, 04:49:02 AMYes, I'm aware. But tonight I'm not trying to dance to them. Nor are most people who hear them on recordings!


Come on, have a little wiggle?  ;D
Olivier

Linz

Ludwig van Beethoven Piano Concerto No. 3 in C Minor, Op. 37
Piano Concerto No. 4 in G Major, Op. 58
Emil Gilels
Cleveland Orchestra, George Szell

Harry

Nobil Donna.
Suzie LeBlanc, Soprano.
Alexander Weimann, Harpsichord.
Ensemble La Nef, Sylvain Bergeron
Recorded, 2010.
See back cover for details composers.


An absolute corker in perfect SOTA sound. If this will not convince you of the soprano, nothing will. A voice as clear as a bell, no undue vibrato, or legato for that matter, perfect on pitch, and a voice that goes high into the stratosphere without so much as a gentle sigh. Very interested array of compositions and composers, discogs has the details, if interested.

https://www.discogs.com/release/17775370-Suzie-LeBlanc-La-Nef-Alexander-Weimann-Nobil-Donna?

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

#140975
Dieterich Buxtehude (1637-1707) and Nicolaus Bruhns (1665-1697)
Opera Omnia X (Organ works 5)
Ton Koopman, Organ.  Bielfeldt-Orgel 1736.
Recorded 2008, St, Wilhadi, Stade.


Not bad at all, a bit fast, but in all other respects quite good. the Organ sounds fine to my ears.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

PaulR


Florestan

Quote from: Madiel on January 14, 2026, 04:49:02 AMYes, I'm aware. But tonight I'm not trying to dance to them. Nor are most people who hear them on recordings!


Most, if not all of them, have no idea how to dance a minuet or a contredanse anyway.  :laugh:
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

pi2000

Enescu-Mendelssohn Octets Ebene/Belcea Quatuors (Erato)
Just started Mendelssohn..

Traverso

More than one hour fine guitar music