What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz

Leos Janácek Sinfonietta
Taras Bulba
Symphonieorchester Des Bayerischen Rundfunks; Rafael Kubelik

kyjo

Quote from: Brian on February 18, 2026, 08:22:21 AM

Wonderful neoclassical goodness. I don't know why I love Papandopulo so much, but he's becoming one of my biggest obscure composer crushes. Maybe the style just suits me - neoclassicism but with slow movements of great emotional depth. Sort of like a less manic Martinu.

Oh yes, a real gem of a disc, as are all the installments in CPO's series dedicated to this composer! Papandopulo is a great example of a composer who wrote in what I like to call a "meaty neoclassical" style, in other words, it's music full of vitality and clarity but also lyricism and emotional depth as you say. Other composers who would qualify as "meaty neoclassicists" for me would be Casella, Roussel, Wirén, Larsson, Lopes-Graça, and Piston (in his best works).
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Lisztianwagner

Johan Wagenaar
Sinfonietta

Antony Hermus & Nordwestdeutsche Philharmonie




Very enchanting work, colourful and melodically inventive.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Linz

Ludwig van Beethoven Sympphony No. 3 in E major, Op. 55
Kölner Rundfunk  Sinfonie  Orchester, Otto Klemperer
Igor Stravinsky[/b] Pulcinella - Suite (!947 Version0
Symphonieorchster des Bayerischen Rundfunks, Otto Klemperer

Symphonic Addict

Quote from: Lisztianwagner on February 21, 2026, 01:58:24 PMJohan Wagenaar
Sinfonietta

Antony Hermus & Nordwestdeutsche Philharmonie




Very enchanting work, colourful and melodically inventive.

Indeed, this work exudes vitality aplenty and it's perfect to lift the spirits.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Emmanuel: Symphony No. 1 in A major

Pure magic, including its wondertul opening. I really regret Timpani has disappeared as a record label. Their stuff was so variegated and they filled many important gaps in the repertoire.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Wanderer


Symphonic Addict

Berio: Sinfonia

Whenever I hear this unique and theatrical work, it always leaves an impression. I don't understand what the voices sing or recite, so I take them as other instruments. The effect they provide is striking for sure.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

JBS

#142568
CD 1 of this

In the form of CD 8 of this

Ukrainian Suite (1948)
Pictures by Russian Painters (1959)
Classical Suite (1958)

About the composer (Ihor is the preferred transliteration, per Wikipedia)
https://en.wikipedia.org/wiki/Ihor_Shamo


Hollywood Beach Broadwalk

Symphonic Addict

Zemlinsky: Symphony No. 2 in B-flat major

Written when Zemlinsky was 26, this symphony is resolutely formidable, bold, confident and very memorable, and not only for the main motive that goes through the work which is strikingly similar to the one heard on the Wedding March from Wagner's Lohengrin, but then again, the work carries the influence of him in other respects too. I had thought that the Decca recording of this work with Chailly and company was unbeatable, but this one is just as impressive and imposing. It's not the first time I am impressed by Martyn Brabbins conducting. He's one of the most interesting and consistent English conductors I'm aware of.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Madiel

#142570
Poulenc: Les Mamelles de Tirésias



I can't find a libretto to readily read as I listen, but I've seen enough of the text/synopsis to know that I'm not necessarily missing out on anything terribly sensible/logical.

In some ways the tone of the work feels like a throwback to an earlier phase of Poulenc's career. He wasn't doing madcap quite so often by 1945. EDIT: And a review suggests this was quite deliberate.

There are undoubtedly fine and beautiful things in the music.
Nobody has to apologise for using their brain.

Florestan

Quote from: JBS on February 21, 2026, 05:19:33 PMCD 1 of this

In the form of CD 8 of this

Ukrainian Suite (1948)
Pictures by Russian Painters (1959)
Classical Suite (1958)

About the composer (Ihor is the preferred transliteration, per Wikipedia)
https://en.wikipedia.org/wiki/Ihor_Shamo



What has Enescu got to do with the Slavs?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Que



Hat tip to Harry:)

Que



Music, mostly anonymous, from a lute book from 17th century Perugia.

Papy Oli

Morning all,

JS Bach
Cello suite No.4 BWV 1010

Pierre Fournier
Olivier

Papy Oli

Making a start on Mozart's Violin Sonatas by Ibragimova & Tiberghien (Vol.2).

Olivier

Madiel

Quote from: Florestan on February 21, 2026, 10:31:10 PMWhat has Enescu got to do with the Slavs?

I guess someone in that record company has a basic grasp of geography, but not ethnography. Gazarossian isn't Slavic either.
Nobody has to apologise for using their brain.

Papy Oli

#142577
JS Bach - Cantata BWV 55 (Koopman) 'Ich armer Mensch, ich Sündenknecht'

edit: and BWV 47.

edit: and BWV 157

Olivier

Que

#142578
Following Harry's lead:



Performances of these sonatas can be very different: varying from a referential to a virtuosic approach, or somewhere in between, with basic or elaborate accompaniment, the use of a single or multiple solo violins for the different sonatas, the amount of vibrato....

There are some things I like here: the sober accompaniment and the choice of instruments, the violin tone and the playing by Schayegh... The overall sound image is very attractive. But on an emotional level I found the performances less engaging. It oddly enough sounds almost like a middle of the road yet very accomplished run through.

https://www.biberfan.org/reviews/2026/2/14/biber-rosenkranzsonaten-leila-schayegh

Harry

#142579

Quote from: Que on February 21, 2026, 11:55:01 PM

Music, mostly anonymous, from a lute book from 17th century Perugia.

Is it worthwhile to try Que?
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"