What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

Giovanni Maria Casini.
12 Pensieri per l'Organo in Partitura-opera Terza.

Francesco Tasini plays on a organ constructed by Antonio Felice Parlicini-1719. (Chiesa di San Filippo Neri in Cortona, Arezzo-Italy)
Restored by Ricardo Lorenzini-2004.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Quote from: "Harry" on July 21, 2020, 02:59:01 AM
A fine disc, I hope they are going to record all the other orchestral works too, they fully deserve it.
Me too Harry, although I don't see much sign of it happening.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Traverso on July 21, 2020, 03:21:37 AM
Korngold


Arguably the best recorded performance although I thoroughly enjoyed the version by the Philharmonic Orchestra of Grand Canary.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Lodovico da Viadana.

Officium defunctorum-Missa pro Defunctis.

Cappella Musicale di Viadana, Vocale Consortium, Giovanni Battista Columbro.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

steve ridgway


Mirror Image

Quote from: vandermolen on July 20, 2020, 10:52:46 PM
I find No.6 very moving - especially in this performance.

Oh yes, one of Weinberg's finest symphonies for sure and Kondrashin knew this music incredibly well.


Mirror Image


vandermolen

Quote from: Florestan on July 21, 2020, 12:40:57 AM


Then started this set with Disc 1.


What's the Holbrooke symphony like Andrei?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Florestan

Quote from: vandermolen on July 21, 2020, 08:16:49 AM
What's the Holbrooke symphony like Andrei?

Well, Jeffrey, to my ears it sounded quite like cinematic music (not a bad thing in my book, mind you.) In the first movement I detected a quotation --- extensively used and transformed, actually ---  fromRimskly-Korsakov's Sheherazade, but it might be just me. It's tuneful but no memorably so, colorfully orchestrated and the descriptive titles of the movements can be safely ignored, I heard no real connection between them and the music (War Ships without the slightest hint of a sea battle --- really, Mr. Holbrooke?) All in all, a pleasant aural experience, more so than any of Cyrill Scott' symphonies, I'd say. The two tone poems are quite enjoyable, too. If you don't expect or prefer anything deep, profound and earth-shattering (I usually don't), then give it a try, you might end up liking it.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Mahlerian

Debussy: Images for Piano, 1 and 2
Arturo Benedetti Michelangeli
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

vandermolen

Aaron Copland
The craggy, monolithic 'Symphonic Ode' (on LP)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Symphonic Addict

Quote from: Florestan on July 21, 2020, 08:27:33 AM
Well, Jeffrey, to my ears it sounded quite like cinematic music (not a bad thing in my book, mind you.) In the first movement I detected a quotation --- extensively used and transformed, actually ---  fromRimskly-Korsakov's Sheherazade, but it might be just me. It's tuneful but no memorably so, colorfully orchestrated and the descriptive titles of the movements can be safely ignored, I heard no real connection between them and the music (War Ships without the slightest hint of a sea battle --- really, Mr. Holbrooke?) All in all, a pleasant aural experience, more so than any of Cyrill Scott' symphonies, I'd say. The two tone poems are quite enjoyable, too. If you don't expect or prefer anything deep, profound and earth-shattering (I usually don't), then give it a try, you might end up liking it.

I found The girl I left behind me Variations the most distinctive, sparkling and entertaining work on that CD.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Florestan

Quote from: Symphonic Addict on July 21, 2020, 09:42:12 AM
I found The girl I left behind me Variations the most distinctive, sparkling and entertaining work on that CD.

I can't disagree.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Mahlerian

Ives: Three Places in New England
Cleveland Orchestra, cond. Dohnányi
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

vandermolen

Quote from: Florestan on July 21, 2020, 08:27:33 AM
Well, Jeffrey, to my ears it sounded quite like cinematic music (not a bad thing in my book, mind you.) In the first movement I detected a quotation --- extensively used and transformed, actually ---  fromRimskly-Korsakov's Sheherazade, but it might be just me. It's tuneful but no memorably so, colorfully orchestrated and the descriptive titles of the movements can be safely ignored, I heard no real connection between them and the music (War Ships without the slightest hint of a sea battle --- really, Mr. Holbrooke?) All in all, a pleasant aural experience, more so than any of Cyrill Scott' symphonies, I'd say. The two tone poems are quite enjoyable, too. If you don't expect or prefer anything deep, profound and earth-shattering (I usually don't), then give it a try, you might end up liking it.
Thanks for the very helpful and detailed response Andrei. 'War Ships without the slightest hint of a sea battle' doesn't sound very encouraging. I've enjoyed works like Ulalume and some of his chamber music but am often left a bit disappointed by his music.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Symphonic Addict on July 21, 2020, 09:42:12 AM
I found The girl I left behind me Variations the most distinctive, sparkling and entertaining work on that CD.
Thanks Cesar and Andrei
:)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Mahlerian on July 21, 2020, 09:47:41 AM
Ives: Three Places in New England
Cleveland Orchestra, cond. Dohnányi

A great work!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Walton Symphony No.1 (Sargent)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).