What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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JBS (+ 1 Hidden) and 5 Guests are viewing this topic.

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

André



Some excellent playing (horns esp.) and a superb elucidation of the superposed strands of musical lines in the codas of I and IV. Overall though, I thought this performance somewhat unassertive and soft-edged. Russell Davies' hands-off approach pays big dividends in the last minutes of the Adagio, where he lets the orchestra's sections engage in intimate dialogue - meltingly beautiful. The rest though lacks purpose and direction IMO.

André



Panufnik's 3 quartets are pre and postfaced by other works (3 by his daughter Roxanna, and the last for string sextet an arrangement by the composer of an a capella work). There is variety between movements, sections and works, but continuous listening makes it hard to figure what's being played. The program is probably intended to be played in a single sitting, but I think these works should be heard in isolation.

Karl Henning

Quote from: k a rl h e nn i ng on June 17, 2021, 12:09:17 PM
Skalkottas
Sinfonietta in Bb, AK 10
Athens Phil
Byron Fidetzis


I've listened twice, actually.  While not at all as striking a piece as my favorite Skalkottas scores, I do find it ingratiating. The outer movements oare of a character somewhat more like band music than orchestral, which is no obstacle for me, and indeed reasonably fitting for a Sinfonietta.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vers la flamme



Max Reger: Variations & Fugue on a Theme of Beethoven, op.86. Leif Segerstam, Norrköping Symphony Orchestra

Brilliant music from Max Reger. Great performance from Segerstam and co.

vers la flamme



Allan Pettersson: 6 Songs. Monica Groop, Cord Garben.

I got this disc from my dad's record store over the holidays but I'm only just now listening. Beautiful music, very simple, very sad. This is the first and only Pettersson in my library, but I'd love to hear more.

André

Quote from: vers la flamme on June 17, 2021, 03:24:18 PM


Allan Pettersson: 6 Songs. Monica Groop, Cord Garben.

I got this disc from my dad's record store over the holidays but I'm only just now listening. Beautiful music, very simple, very sad. This is the first and only Pettersson in my library, but I'd love to hear more.

One of the Barefoot Songs is the basis for the last part of his bewitching violin concerto no 2. But that is NOT beautiful and simple music. Its beauty emerges toward the end after an arduous process of musical hatching.

springrite

Quote from: vers la flamme on June 17, 2021, 03:24:18 PM


Allan Pettersson: 6 Songs. Monica Groop, Cord Garben.

I got this disc from my dad's record store over the holidays but I'm only just now listening. Beautiful music, very simple, very sad. This is the first and only Pettersson in my library, but I'd love to hear more.
I love Peterson's music.

I think his music is most appealing to people who not just know pain, but actually know to appreciate pain.

This reminds me to listen to Pettersson for the next two weeks as we welcome the 100th anniversary of the Chinese Communist Party... (listening to Pettersson is so much better than being bombasted by propaganda... )
Do what I must do, and let what must happen happen.

Symphonic Addict

#42408
Quote from: vers la flamme on June 17, 2021, 02:44:04 AM


Ralph Vaughan Williams: Symphony No.5 in D major. André Previn, London Symphony Orchestra

I think I'm enjoying this symphony more than usual. With the London and Sea symphonies, this was always one of my least favorite RVW symphonies—to say the following will endear me to no one here, but I've always found the slow movement of the 5th somewhat cloying. Today I am finding it less so and getting somewhat more out of it. Maybe the work is growing on me with time and space; it's been well over a year since I've listened to it last. Great performance from Previn and the Londoners.

I love VW's both, let's say, pastoral/nostalgic and violent/dissonant facets, and I fell in love with this wondrous work at first hearing. It could be too sentimental for many, but I love it unrestrictedly.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: k a rl h e nn i ng on June 17, 2021, 01:31:27 PM
I've listened twice, actually.  While not at all as striking a piece as my favorite Skalkottas scores, I do find it ingratiating. The outer movements oare of a character somewhat more like band music than orchestral, which is no obstacle for me, and indeed reasonably fitting for a Sinfonietta.

In spite of it's not a work that carries his more personal and advanced style, I confess I prefer this work and the ones that sound more, say, "amiable". The Classical Symphony also gave me a good impression.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

#42410
Quote from: springrite on June 17, 2021, 05:54:46 PM
I love Peterson's music.

I think his music is most appealing to people who not just know pain, but actually know to appreciate pain.

This makes a lot of sense to me.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

JBS

CD 2
Symphony no 1
Sinfonietta
Three Ballet Pieces from Triumph der Zeit

Hollywood Beach Broadwalk

Mirror Image

NP:

Glazunov
The Seasons, Op.  67
Philharmonia
Svetlanov




A lovely ballet of course and it's quite interesting to hear Svetlanov conduct a British orchestra.

springrite

Quote from: Mirror Image on June 17, 2021, 06:35:34 PM

it's quite interesting to hear Svetlanov conduct a British orchestra.
I can imagine Svetlanov saying to himself: These players need some vodka!!!
Do what I must do, and let what must happen happen.

Mirror Image

Quote from: springrite on June 17, 2021, 06:42:31 PM
I can imagine Svetlanov saying to himself: These players need some vodka!!!

:P Yes or "How about I drop them all off in Siberia? Will this make them play better?" :D

Karl Henning

Quote from: springrite on June 17, 2021, 05:54:46 PM
I love Peterson's music.

I think his music is most appealing to people who not just know pain, but actually know to appreciate pain.

This reminds me to listen to Pettersson for the next two weeks as we welcome the 100th anniversary of the Chinese Communist Party... (listening to Pettersson is so much better than being bombasted by propaganda... )

I feel for you, dear friend!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dry Brett Kavanaugh

Quote from: Mirror Image on June 17, 2021, 06:35:34 PM
NP:

Glazunov
The Seasons, Op.  67
Philharmonia
Svetlanov




A lovely ballet of course and it's quite interesting to hear Svetlanov conduct a British orchestra.

There is another recording of The Seasons by him with a Soviet orchestra. I haven't seriously compared the two recordings though.

Dry Brett Kavanaugh

Quote from: kyjo on June 17, 2021, 08:13:21 AM
I have fond memories of this work. His 1st Symphony (on YT only) is excellent as well. I love the "exotic" flavor that Erkin brings to his music.

Yes, his S1 is very good as well. Hope Naxos will issue a recording of the work someday.  :)

Karl Henning

Quote from: Symphonic Addict on June 17, 2021, 06:24:38 PM
In spite of it's not a work that carries his more personal and advanced style, I confess I prefer this work and the ones that sound more, say, "amiable". The Classical Symphony also gave me a good impression.

Interesting, Cesar.  I expect the Largo sinfonico is also in your wheelhouse, as it were:

https://www.youtube.com/v/dwRGldcYHFY
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Mirror Image on June 17, 2021, 06:44:54 PM
:P Yes or "How about I drop them all off in Siberia? Will this make them play better?" :D

Just 'coz they're British doesn't mean we shouldn't be compassionate!  8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot