What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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steve ridgway (+ 1 Hidden) and 67 Guests are viewing this topic.

Traverso

Quote from: ritter on July 14, 2021, 12:35:33 PM
Indeed, John. I'm in the middle of the 2nd String Quartet, so the best is yet to come (but tonight, so far, these SQs are as good as I remember them).

Good evening to you!

I like the colorful cover too  :)

Karl Henning

Quote from: OrchestralNut on July 14, 2021, 12:29:09 PM
Karl, an inquiry awaits you in the Twirlbing Tones office.  8)

Very good, VP Ray 8)

TD:
Andriessen
Hoketus (which is also the first piece of his I heard, in Buffalo)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

And now, on to chamber music by Henri Dutilleux. CD 5 of this set:



The SQ  Ainsi la nuit, the Sonatina for flute and piano, the Sonata for oboe and piano, Sarabande et cortège for bassoon and piano, Chorale, cadence et Figaro (trombone and piano), and Les Citations (oboe, harpsichord, double bass and percussion).

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: ritter on July 14, 2021, 12:35:33 PM
Indeed, John. I'm in the middle of the 2nd String Quartet, so the best is yet to come (but tonight, so far, these SQs are as good as I remember them).

Good evening to you!

Great to read. And the same to you!

Thread duty -

Piston
Symphony No. 2
BSO
Tilson Thomas



Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: k a rl h e nn i ng on July 14, 2021, 01:37:15 PM
A beautiful BSO/MTT album!

Yes, indeed. I also loved the Schuman Violin Concerto (w/ Zukofsky) with these forces.

Symphonic Addict

Quote from: VonStupp on July 14, 2021, 10:16:02 AM
Sergei Prokofiev
Cantata for the 20th Anniversary of the October Revolution, op. 74
The Tale of the Stone Flower, op. 118 (excerpts)
Gennady Rozhdestvensky - speaker
Philharmonia - Neeme Järvi


The cantata is a bit of Soviet dreck, with the 6th movement full of yelling, klaxons, and an orchestra of accordions. The 2nd choral movement is memorable in a good way (I also remember it from Red Heat with Jim Belushi and Arnold Schwarzenegger).

Stone Flower is gorgeous. Per recommendations from Karl and Mandryka, I will be looking for the full work. Thanks all!



The Cantata is a stunning blast. One of those guilty pleasures I enjoy a lot.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mirror Image

Quote from: Traverso on July 14, 2021, 12:38:35 PM
I like the colorful cover too  :)

I asked Ginastera about the cover and here was his reaction:



Needless to say, I didn't get an answer. :P

Brahmsian

Quote from: k a rl h e nn i ng on July 14, 2021, 12:42:56 PM
Very good, VP Ray 8)

TD:
Andriessen
Hoketus (which is also the first piece of his I heard, in Buffalo)

But Karl, you did not answer yet? The VP is waiting.  :D

VonStupp

#44851
Quote from: Symphonic Addict on July 14, 2021, 01:43:56 PM
The Cantata is a stunning blast. One of those guilty pleasures I enjoy a lot.

Guilty pleasure would be a good term for this cantata. Lots of loud noises and full-on singing.
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Stürmisch Bewegt

Quote from: Pohjolas Daughter on July 14, 2021, 05:31:36 AM
Neat!  I haven't heard any of his Bartok recordings before now.  I do love the Geza Anda recordings that I have of Bartok's piano concertos.  For more contemporary recordings, I do also enjoy Bavouzet's (though the Anda are still my favorite).

Managed to find Kodaly's string quartets on youtube (on Hungaroton with the Kodaly Quartet).  So far, am quite enjoying his No. 1.  :)

PD

Yes, thanks, agree 101% - the Anda is super and I need to listen to his again; I like Fricsay's conducting in general.  Is it just me, or has Anda's rep declined in recent years?  Superlative, for me, in this are Ashkenazy and Solti.  Just saying so makes me want to listen to them again. 
Leben heißt nicht zu warten, bis der Sturm vorbeizieht, sondern lernen, im Regen zu tanzen.

Mirror Image

This entire recording:



Absolutely exquisite.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Stürmisch Bewegt

Finished-up some legal consulting, Phase One, at least, and now have plenty o' time to get back to some happy listening; this, on vinyl, from '68 (I think I have Boult in the Sancta as well on CD, have to check) :

 
Leben heißt nicht zu warten, bis der Sturm vorbeizieht, sondern lernen, im Regen zu tanzen.

Mirror Image

NP:

Sibelius
Symphony No. 7 in C major, Op. 105
Hallé
Barbirolli



Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mirror Image

NP:

Sibelius
Jokamies (Everyman), Op. 83
Lilli Paasikivi (mezzo-soprano), Pauli Pietilainen (organ), Sauli Tiilikainen (baritone), Petri Lehto (tenor), Leena Saarenpaa (piano)
Lahti Symphony Orchestra, Lahti Chamber Choir
Osmo Vänskä




Here's yet another example of a work from Sibelius that never gets discussed. I'd rank this at near top-drawer Sibelius. It's kind of an unusually structured work, but I think in its entirety, it adds up to a pleasing whole.