What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka, Linz, (poco) Sforzando and 55 Guests are viewing this topic.

Symphonic Addict

Two very promising Naxos discs:


Álvaro Cassuto: Return to the Future

The rather famour Portuguese conductor is also a fine composer.

Joly Braga Santos meets Philip Glass? This work is quite fascinating, a curious hybrid between minimalism a la Glass and Portuguese roots. The result is a work of a quite uplifting nature, optimistic, visionary-like, not hard to assimilate at first. There is a little fragment where sounds like a section from the 1st movement of Beethoven's 9th. Surprisingly compelling and good music.




Balada: Guernica, for orchestra

Superb, fantastic sound world, something like a Spanish Lutoslawski? The textures, timbres, sonorities and atmosphere this work conveys are nothing short of spellbinding and effective.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: Daverz on October 03, 2021, 06:05:28 PM

https://www.amazon.com/Fiddlers-Jig-Scherzo-Henry-Cowell/dp/B000001SHY

This is Cowell in "Rubbra" mode.  Lovely disc.



And here he is in cheeky, "bad boy" mode.

Thanks, Daverz. Yet another promising and enticing composer to discover.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Mirror Image

NP:

Adams
Harmonielehre
San Francisco SO
De Waart




This is still a great performance even if it doesn't quite match MTT or Adams' own performance with the Berliners. Sonically, it's not too bad. I love the sound of these old Nonesuch recordings.

Mirror Image

NP:

Adams
Harmonielehre
Saint Louis SO
Robertson




Another excellent performance. This one I had to buy as download because it hasn't had a physical release unfortunately.

Symphonic Addict

Salvador Brotons: Symphony No. 5 'Mundus noster'

All these Iberian composers have ended up notable finds. This symphony goes from dark to light, crossing through turmoil and depression, to reach a sort of cathartic and forceful conclusion. His style is highly approachable, it can engage you very easily.




Joonas Kokkonen: String Quartet No. 2

Serious, dour, somewhat depressing, poetic and eloquent at once. Not necessarily friendly to the ear instantly, albeit I did enjoy hearing this. It invites to keep listening to it.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: Klavier on October 03, 2021, 07:16:39 AM
That made me throw up a little in my mouth, but this made me feel better:



Oh, take care. Good to know the CD helped you.  ;)
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: listener on October 03, 2021, 03:37:33 AM
TANEYEV: At the Reading of a Psalm (Cantata no.2) op. 36
Russian National Orchestra  SATB soloists  choirs

Love the Taneyev. The composer at his most lyric.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Que

#50767
Quote from: Mandryka on October 03, 2021, 07:03:07 AM
Listening to this, which I find the most satisfactory complete Ciconia, because I like the voices of the people singing



Listening to it now (on Spotify):


Tsaraslondon



This 1988 recording of Fauré's Requiem is a reconstruction of Fauré's original orchestration for performances at the Madeleine in 1893 - 1894  and predates the full orchestral version, the orchestration for which may or may not be by Fauré himself. As was the practice at the Madeleine, the upper voices are sung by boys, though the soprano solo is given to Agnès Mellon, who however has a suitably boyish timbre. This is a lovely performance and may well be my favourite of the work.

As a coupling we have the much smaller scaled Messe de pêcheurs de Villerville, which was penned by Fauré and his friend Messager in 1881, while they were staying with the Clerc family in Normandy as a contribution to a charitable institution of the fishermen of the town, a slight but charming work.
\"A beautiful voice is not enough.\" Maria Callas

Traverso


Papy Oli

Good morning all,

Bax - Spring Fire

Olivier

Traverso

Quote from: Dry Brett Kavanaugh on October 03, 2021, 05:16:44 PM

I like the discs by Haselbock!


Nice set of the Southern German organ music. The other set of Northern German Organ music is excellent as well.

Thank you,good to know that there is also this set but is has not the attractive price of the set I just purchased. ;)

Papy Oli

Webern
Im Sommerwind
Passacaglia Op.1
(Sinopoli)

Olivier

Traverso

Dufay

Music for St James the Creator


Papy Oli

Bax

Northern Ballad No.2
Northern Ballad No.3
Mediterranean
Symphonic Scherzo


Olivier

Biffo

Villa-Lobos: Symphony No 9 - Sao Paolo Symphony Orchestra conducted by Isaac Karabtchevsky

Traverso


Tsaraslondon

Cross posting from the opera forum:



Fauré's opera Pénélope was first staged in 1913 at the Salle Garnier in Monte Carlo, but failed to establish itself in the repertory and is now rarely heard. It is a beautful work, but the lack of dramatic event could perhaps be the reason for its neglect. Though not in the least bit Wagnerian, it follows Wagner's system of Leitmotiven, associating themes with the main characters and significant emotions.

Whatever the reasons for the lack of stage performances, it works well enough as an aural experience and this is a very fine recording of the work with a mostly French cast. Jessye Norman is splendid in the title role and there are certainly no problems with her top register here. Alain Vanzo has been criticised for sounding to young at the beginning when he is disguised as an old man, but perhaps the fault is Fauré's and the tenor register tends to sound youthful anyway. In any case I can't imagine the opera being better performed than it is here.

\"A beautiful voice is not enough.\" Maria Callas

vandermolen

#50778
Quote from: Symphonic Addict on October 03, 2021, 05:42:11 PM
Henry Cowell: Variations for Orchestra

The content of this disc continues impressing me. This is my first listen ever to anything by this American composer, and it turned out to be revelatory music. To me, his style sounds like Rubbra but with more rhythmic vitality. Solemnity and intensity live together in this astonishing work. Now, I want to hear more of this composer. Are there any recommendations?

This disc will become another remarkable find in this year.


I remember greatly enjoying this disc Cesar:

The Cassuto CD on Naxos looks interesting.
Now playing, Holst's First Choral Symphony - possibly my favourite work by Holst:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Papy Oli

Some first listens from the Fremaux Icon box:

Berlioz - Benvenuto Cellini Overture
Berlioz - Les Troyens Act 4: No. 29 Chasse royale et orage
Berlioz - Les Troyens Act 1: No. 11 Marche troyenne
Olivier