What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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vandermolen

Quote from: absolutelybaching on July 14, 2022, 05:09:47 AM
Samuel Barber's Symphony No. 2 
    Marin Alsop, Royal Scottish National Orchestra
A great CD and a fine work.

NP
Time for some Sibelius - Symphony No.2
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Dry Brett Kavanaugh

Quote from: Spotted Horses on July 14, 2022, 02:40:26 AM
I hope you enjoy the recordings as much as I did. I confess I am a fan of Maazel and his idiosyncrasies.


I personally think that a movie of Maazel or Ormandy would be more interesting than that of Bernstein.



Quote from: Traverso on July 14, 2022, 02:41:07 AM
Bach

Canon Alla Ottava
Canon Alla Decima In Contrapunto Alla Terza
Canon Alla Duodecima In Contrapunto Alla Quinta
Canon Per Augmentationem In Contrariu Motu
Fuga A 3 Soggetti
Wenn Wir In Höchsten Nöthen Sein/Vor Deinen Thron Tret Ich Hiermit, Bwv 668
Passacaglia In C-Moll, BWV 582








Nice!

Traverso

Quote from: Dry Brett Kavanaugh on July 14, 2022, 05:56:43 AM
I personally think that a movie of Maazel or Ormandy would be more interesting than that of Bernstein.




Nice!

:)

pjme

https://www.youtube.com/v/kL9WRv75qpM

Philippe Hersant "Cantique des trois enfants dans la fournaise"

vers la flamme



Gustav Mahler: Des Knaben Wunderhorn. Riccardo Chailly, Royal Concertgebouw Orchestra, with singers Matthias Goerne, Barbara Bonney, Sara Fulgoni, and Gösta Winbergh

Bit of a Mahler kick since the maestro's birthday earlier in the month—but it's been mostly symphonies 7 and 8. It's good to return to some of the earlier music. When I first got into Mahler, I became quickly obsessed, as I reckon happened to a lot of us, but now I appreciate his music only sparingly. I still hold the conviction that he was without a doubt one of the greatest composers to ever live  8)

As for the recording, it's super killer, but I'm not sure about the Urlicht. (This is kind of a reconstructed, all-inclusive DKW with the symphonic fragments included; there is also Das himmlische Leben which became the finale of the 4th symphony.)

Mirror Image

Quote from: aligreto on July 14, 2022, 03:58:50 AM
You are becoming an unstoppable force, Jan, with your purchasing. You may become a real rival to John but perhaps you have some way to go there.  ;D
Quote from: Traverso on July 14, 2022, 04:05:44 AM

No no no and again no,John is another league,he is hors catégorie  :D
Quote from: aligreto on July 14, 2022, 04:46:41 AM
Yes, I suppose John "owns" the Purchasing Thread  :laugh:

I think you guys are greatly underestimating JBS (Jeffrey). He purchases a lot more CDs than I do and he definitely buys many box sets, too. My purchasing is actually slowing down as I'm not finding a lot of recordings I want to purchase. There are exceptions of course like the recent Antheil and Schoenberg purchases.

Karl Henning

Quote from: Traverso on July 14, 2022, 12:19:09 AM
Mahler


Symphony No.2


Christine Schäfer soprano

Michelle DeYong mezzo-soprano

Wiener Singverein


Wiener Philharmoniker





The beginning of this second symphony is immediately spot on, absent is the exaggerated sentimentality that many will judge as boring. The structure is present in all its splendor, no worn clichés but back to the source with an interpretation that at times sounds almost modest but not in its musical elaboration. Entertaining because you are taken along in a way that is more like reveling in whipped sentiments and therefore listening makes you more involved with what really matters, the music is not overly embellished but lets it speak for itself. No superfluous adjectives that can obscure the essential but make a greater appeal to a more active listening.
Because the music does not unfold like a daze, you actually hear more.


Nice.
TD: I  do not release Arnold just yet ...
Schoenberg
Wind Quintet, Op. 26
Irena Kavcic, Flute
Tommaso Lonquich, Clarinet
Jorge Monte de Fez, French Horn
Alexandre José Bocalari, Oboe
Amber Mallee, Bassoon


Recorded live in Auditorio Sony, Escuela Superior de Musica Reina Sofia (Madrid) in 2010
https://www.youtube.com/v/NrtmTu1PxY0
https://www.youtube.com/watch?v=NrtmTu1PxY0
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Operafreak




Mahler: Symphony No. 5- Berliner Philharmoniker, Claudio Abbado
The true adversary will inspire you with boundless courage.

Karl Henning

Quote from: Traverso on July 14, 2022, 04:05:44 AM

No no no and again no,John is another league,he is hors catégorie  :D

Quite right!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Traverso on July 14, 2022, 01:00:33 AM
Hurwitz in a review of what he considered to be recommended sets was rather negative with regard to Boulez.
Boulez, according to Hurwitz, viciously noted that after his inspiration dried up, he became more involved in conducting, which was a practice he previously detested.
How condescending and prickly


What Hurwitz doesn't understand is, at the end of the day, his opinion is merely just that --- an opinion. He speaks like everything he says is gospel and he's dead wrong about Boulez. How in the hell does he know or understand the inner thoughts of Boulez? I have read that Boulez took up conducting because he wasn't making any money as a composer, but as he began to conduct more and more, he enjoyed the experience immensely even though he initially was lukewarm to the idea of having to do it. Hurwitz needs to stop talking about things he has no knowledge of and his own ignorance is on full display with these thoughts of his on Boulez. Inspiration drying up? No, this is just flat-out wrong. This is why it's best to ignore people like Hurwitz when they give these kinds of opinions, because they result in nothing more than empty tirades.

Traverso

Quote from: Mirror Image on July 14, 2022, 06:55:57 AM
What Hurwitz doesn't understand is, at the end of the day, his opinion is merely just that --- an opinion. He speaks like everything he says is gospel and he's dead wrong about Boulez. How in the hell does he know or understand the inner thoughts of Boulez? I have read that Boulez took up conducting because he wasn't making any money as a composer, but as he began to conduct more and more, he enjoyed the experience immensely even though he initially was lukewarm to the idea of having to do it. Hurwitz needs to stop talking about things he has no knowledge of and his own ignorance is on full display with these thoughts of his on Boulez. Inspiration drying up? No, this is just flat-out wrong. This is why it's best to ignore people like Hurwitz when they give these kinds of opinions, because they result in nothing more than empty tirades.

I was looking for some comments about the various box sets.I saw a YouTube video with Hurwitz were he gave his views on many  Mahler sets.

Mirror Image

#73552
Quote from: Traverso on July 14, 2022, 07:25:52 AM
I was looking for some comments about the various box sets.I saw a YouTube video with Hurwitz were he gave his views on many  Mahler sets.

We all have our own biases and this is fine, but when you begin to misconstrue the truth, this is where I begin to cast doubts on the overall opinion being given and this exactly what Hurwitz did with Boulez. It's like, just to give a made-up scenario, when a lawyer in a court case says the defendant walked right up to the plaintiff and pointed a gun at them when the video evidence showed just the opposite, then the following testimony is baseless.


Linz

Bruckner Symphony 4 Rudolf Barshai also Gluck "Iphigenia Aulis"  Overture

Roasted Swan

Quote from: absolutelybaching on July 14, 2022, 07:47:53 AM
Antonio Vivaldi's RV 589 Gloria 
    Diego Fasolis, I Barocchisti, Coro della Radiotelevione svizzera, Julia Lezhneva
    (soprano), Franco Fagioli (countertenor)

Posting in the hope that the thread can be about what music people are listening to, rather than their opinions about other people who have opinions.

I'd rather have an opinion especially on the "listening thread".  Without a comment/reaction to what the person has just listened to I find this particular thread incredibly dull.  I want to know how/why a person reacted to what they have just heard.   Perhaps I'll start a "what I had for breakfast" thread...  no comment or explanation.... just today it was toast and marmalade... fascinating I know........

Karl Henning

Henning:
Down Along the Canal to Minerva Road, Op.149

https://www.youtube.com/v/yCbOqaDNYWE
https://www.youtube.com/watch?v=yCbOqaDNYWE

Revisiting this 2018 composition, as I was asked for a couple of "approachable" demos for the ensemble.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso


Karl Henning

Quote from: Roasted Swan on July 14, 2022, 08:46:16 AM
I'd rather have an opinion especially on the "listening thread".  Without a comment/reaction to what the person has just listened to I find this particular thread incredibly dull.  I want to know how/why a person reacted to what they have just heard.

Not unreasonable, of course. (Speaking as one who frequently just posts the piece/disc sans commentaire.)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mapman

Just now,
Brahms: Academic Festival Overture
Stokowski: Philharmonia



Last night:
Brahms: Symphony #2
Skrowaczewski: Saarbrücken



Rubbra: Symphony #2
Hickox: BBC NOW

My 2nd listen to this work. The Scherzo is great, with multiple overlapping lines. The symphony can get a little repetitive, though. This disc remains one of my favorite discoveries this year.