What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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JBS


Hollywood Beach Broadwalk

vers la flamme



Franz Schubert: Piano Sonata No.18 in G major, D 894. Marta Deyanova

At just shy of an hour this monstrous recording is my longest Schubert piano sonata recording by far, about 20 minutes longer than the runner-up in my collection. I personally think it is magnificent, though not something to listen to every day.

Keemun



This is a great recording so far. . . .
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

vandermolen

#81323
Quote from: Linz on November 14, 2022, 10:10:59 AM
Maximillian Steinberg Violin Concerto, Op.37 Symphony No. 4 "Turksib" Op. 24. Sergey Levtin violin, Martin Yates conductor
That's one of the most underrated symphonies that I know. I wrote into Gramophone after they published a snotty review of it and they featured my letter 'In defence of Maximilian Steinberg' in which I said that he deserves to be known as more than the son-in-law of Rimsky-Korsakov and the teacher of Shostakovich. I'm pleased to see someone else listening to it as well. I also like the 2nd Symphony on DGG with its moving, redemptive 'tolling bell' conclusion with the use of the orchestral piano, which I suspect influenced Shostakovich in his 1st Symphony. Gramophone published this photo with my letter (from left to right, Stravinsky, Rimsky-Korsakov, R-K's daughter/Mrs Steinberg, Maximilian Steinberg):


Some early morning music here - Rubbra Symphony No.3
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: VonStupp on November 14, 2022, 03:26:06 PM
I do have that one indeed (Vol. 5 was the only one I bought from the original Delos Hanson series when it came out), and we are on the exact same same wavelength regarding Dies Natalis' excellence. I plan to revisit it shortly. It is too bad not everything was ported over to Naxos when they reissued this series.

It took me forever to discover that the Lutheran hymn tune Hanson set the Dies Natalis variations to was Wie schön leuchtet der Morgenstern by Philipp Nicolai; it drove me nuts for such a long time since I strongly recognized it, but just couldn't place it.

A Master's Thesis on Hanson's Dies Natalis:
https://csuepress.columbusstate.edu/cgi/viewcontent.cgi?article=1013&context=theses_dissertations

VS
Excellent - that's most interesting (I also like the Dyson CD that you posted). By the way Dies Natalis was featured on the Naxos CD featuring Hanson's 4th and 5th symphonies with the 'Elegy to Koussevitsky' but it was not mentioned on the front cover of the CD.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

#81325
Johann Sebastian Bach.
Complete Cantatas.
Volume 42. Leipzig 1726.
Alles nur nach Gottes Willen.
Liebster Gott, mein Verlangen.
Meine Seufzer, meine Tranen.
Herr Gott, dich loben wir.
Rachel Nicholls, Soprano.
Blaze, Turk, Kooij.
Bach Collegium Japan, Masaaki Suzuki.


A small but significant issue is the fact that Rachel Nicholls German pronunciation is not good. I understand and speak German fluently, but I did not understand one word she uttered. I had to get the text from the booklet to see what was actually going on. Her voice is okay, but a little short in expression. Not a good choice Suzuki made. It may be that she was not well recorded but I doubt that.
There are some beautiful cantatas on volume 42, so this is extra sad.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Irons

Quote from: vandermolen on November 14, 2022, 10:24:42 PM
That's one of the most underrated symphonies that I know. I wrote into Gramophone after they published a snotty review of it and they featured my letter 'In defence of Maximilian Steinberg' in which I said that he deserves to be known as more than the son-in-law of Rimsky-Korsakov and the teacher of Shostakovich. I'm pleased to see someone else listening to it as well. I also like the 2nd Symphony on DGG with its moving, redemptive 'tolling bell' conclusion with the use of the orchestral piano, which I suspect influenced Shostakovich in his 1st Symphony. Gramophone published this photo with my letter (from left to right, Stravinsky, Rimsky-Korsakov, R-K's daughter/Mrs Steinberg, Maximilian Steinberg):


Some early morning music here - Rubbra Symphony No.3


Great photo, Jeffrey. Thanks for posting.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

#81328
New arrival.
Pierre de la Rue.
Masses.
CD I.
Missa Almana.
Missa de Sancto Antonio.
Beauty Farm.


Made a great impression, well balanced singing, pronunciations are perfect, and the dynamics between voices are well handled. The recording is top-notch. As till now I have little or no complaints. The only quibble I have is that "sometimes" the counter Bart Uvyn can be a bit overbearing. And that means in effect that others must sing louder too, and in my experience that is most of the time a dead end.
Still La Rue gets a royal treatment. As per usual the art work is royal grap, but as said the initiator of the recordings is a great fan of naked guys. Thats why I do not post the front of this CD, in order not to shake my equilibrium.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Eric Zeisl ('near the end of the alphabet..')
Hebrew Requiem.
Rather in the spirit of Bloch and Vaughan Williams's choral music.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

Quote from: Harry on November 15, 2022, 12:43:18 AM
New arrival.
Pierre de la Rue.
Masses.
CD I.
Missa Almana.
Missa de Sancto Antonio.
Beauty Farm.


Made a great impression, well balanced singing, pronunciations is perfect, and the dynamics between voices are well handled. The recording is top-notch. As till now I have little or no complaints. The only quibble I have is that sometimes the counter Bart Uvyn can be a bit overbearing. And that means in effect that others must sing louder too, and in my experience that is most of the time a dead end.
Still La Rue gets a royal treatment. As per usual the art work is royal grap, but as said the initiator of the recordings is a great fan of naked guys. Thats why I do not post the front of this CD, in order not to shake my equilibrium.

I think their La Rue album is very good.  :)

Harry

Quote from: Que on November 15, 2022, 01:26:11 AM
I think their La Rue album is very good.  :)

yes Que I agree wholeheartedly, it is, no doubt about that. What I said about the counter does not diminish that fact.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Operafreak







Canteloube: Songs of the Auvergne- Natania Davrath (soprano)-With orchesra  conducted by: Pierre de la Roche
The true adversary will inspire you with boundless courage.


Harry

Melchior Schildt and Delphin Strungk.
Complete Organ Music.
Leon Berben, plays on a Hans Scherer organ, 1624, St. Stephanuskirche, Tangermünde.

One of the best organ discs I bought this year. Not only do I get superb performances by Berben, but on top of it all this fantastic organ.
Both composers get a fabulous interpretation. The SACD recording is State of the Art.
Recommended!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Que

Quote from: Harry on November 15, 2022, 01:57:27 AM
Melchior Schildt and Delphin Strungk.
Complete Organ Music.
Leon Berben, plays on a Hans Scherer organ, 1624, St. Stephanuskirche, Tangermünde.

One of the best organ discs I bought this year. Not only do I get superb performances by Berben, but on top of it all this fantastic organ.
Both composers get a fabulous interpretation. The SACD recording is State of the Art.
Recommended!

I'm tempted!  :)

vandermolen

Quote from: absolutelybaching on November 15, 2022, 03:32:01 AM
Carl Nielsen's
Symphony No. 4

Alexander Gibson, Scottish National Orchestra

Possibly one of my favourite recordings of one of my favourite Nielsen symphonies. The timpani go utterly bonkers, as they should!
Mine too! I like the fill-ups as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Ruth Gipps.
Orchestral Works, volume II.
Chanticleer.
Concerto for Oboe and Orchestra.
Death on a Pale Horse, Tone Poem.
Symphony No. 3.
Juliana Koch, Oboe.
BBC Philharmonic, Rumon Gamba.


This is marvelous stuff were dreams are made of. Ruth Gipps has definitively a place in my heart. This is a musical feast for me, every single work. Very good sound too, and the performances, well equally marvelous.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

vandermolen

Quote from: Harry on November 15, 2022, 04:36:50 AM
Ruth Gipps.
Orchestral Works, volume II.
Chanticleer.
Concerto for Oboe and Orchestra.
Death on a Pale Horse, Tone Poem.
Symphony No. 3.
Juliana Koch, Oboe.
BBC Philharmonic, Rumon Gamba.


This is marvelous stuff were dreams are made of. Ruth Gipps has definitively a place in my heart. This is a musical feast for me, every single work. Very good sound too, and the performances, well equally marvelous.
She is one of my favourite recent discoveries as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).