What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Karl Henning

Quote from: ritter on March 04, 2023, 07:46:09 AMOf the operas by Malipiero I Know (he apparently composed 35 of them ....
Holy Toledo!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Lisztianwagner

Luigi Dallapiccola
Variazioni per Orchestra

Gianandrea Noseda & BBC Philharmonic


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

Such an excellent disc!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Bachtoven


Traverso


pjme

Quote from: Karl Tirebiter Henning on March 04, 2023, 09:03:45 AMHoly Toledo!

Operas by Malipiero:

L'Orfeide (1919–1922, Düsseldorf 1925), in tre parti:
I "La morte delle maschere",
II "Sette canzoni",
III "Orfeo"
Tre commedie goldoniane (1920–1922, Darmstadt 1926) :
I "La bottega da caffè",
II "Sior Todero Brontolon",
III "Le baruffe Chiozotte"
Filomela e l'infatuato (1925, Prague 1928)
Torneo notturno (1929)
La favola del figlio cambiato (libretto di Luigi Pirandello, 1933)
Giulio Cesare (da Shakespeare (1935, Genoa 1936)
Antonio e Cleopatra (da Shakespeare, 1937, Florence 1938)
I capricci di Callot (da E.T.A. Hoffmann, 1942, Rome 1942)
L'allegra brigata (1943, Milan 1950)
Mondi celesti ed infernali (1949, Venice 1961)
Il figliuol prodigo (1952, Florence 1957)
Donna Urraca, atto unico (1954)
Venere prigioniera (1955, Florence 1957)
Il marescalco (1960, Treviso 1969)
Don Giovanni (1963, Naples)
Rappresentazione e festa di Carnasciale e della Quaresima (Opera balletto, 1961, Venice 1970)
Le metamorfosi di Bonaventura (Venice 1966)
Don Tartufo bacchettone (1966, Venice 1970)
Iscariota (1971)

These are the (23) operas quoted by italian Wiki.  Could there be more?

VonStupp

#87346
Antonín Dvořák
Písen Cecha (Song of a Czech), B. 73
Choral Songs for Male Voices, B. 66
Three Male Choruses with Piano, Op. 43, B. 76
Five Male Choruses, Op. 27, B. 87

Leoš Janáček
Ave Maria, JW 4/16
Veni, Sancte Spiritus, JW 11/13
Four Male Partsongs, JW 4/17
Three Male Choruses, JW 4/19

Timothy Cheek & Sonja Kaye Thompson, 4-hand piano (op. 43)
Cantus (Minnesota, US)

I expected Dvořák to sound more traditional in comparison to Janáček, but that was not necessarily the case here. Some of these morality tales put to song are rather dark too.

The cover oil painting is Vesnice v podhůří (A Village in the Foothills) by Stanislav Lolek (1930)

VS

 

This whole recording is also found on Youtube: Song of a Czech

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Lisztianwagner

Wolfgang Amadeus Mozart
Horn Concerto No. 3 in E flat major, K447
Horn Concerto No. 2 in E flat major, K417

Dennis Brain (horn), Domenico Ceccarossi (horn)
Hans Rosbaud & Südwestfunk-Orchester Baden-Baden


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

CD 50

RVW
Symphony № 4 in f minor (1931–34)
Fantasia on a Theme of Thos Tallis (1910, rev. 1913 and 1919)
[ I had no idea he tinkered with it]
Philharmonic-Symphony Orchestra of New York (New York Philharmonic)
Dmitri Mitropoulos

Recorded 9 Jan 1956 (Symphony) 3 Mar 1958 (Fantasia)
Quote from: vandermolen on March 04, 2023, 12:49:37 AMVaughan Williams: Symphony No.4 NYPO, Mitropolous
What a performance! VW liked it as well.

Superb! Nor do I find fault at all in the Tallis Fantasia
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


ritter

Bought (secondhand, dirt cheap) in downtown Madrid. All these songs with orchestra by Szymanowski are new to me...


aligreto

Delibes: Coppélia Act III [Bonynge]



Karl Henning

CD 52

Schuman
Credendum (1955)
Phila. Orchestra
Eugene Ormandy

Recorded 11 Mar 1956

Leon Kirchner
Cto for Pf and orchestra
The composer at the piano
Philharmonic-Symphony Orchestra of New York (New York Philharmonic)
Dmitri Mitropoulos
Recorded 24 Feb 1956
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Tirebiter Henning on March 04, 2023, 12:42:48 PMCD 52

Schuman
Credendum (1955)
Phila. Orchestra
Eugene Ormandy

Recorded 11 Mar 1956

Leon Kirchner
Cto for Pf and orchestra
The composer at the piano
Philharmonic-Symphony Orchestra of New York (New York Philharmonic)
Dmitri Mitropoulos
Recorded 24 Feb 1956
Enjoyed this entirely. I'm always ready for a "new" Schuman score, and the Kirchner is mighty fine, as well.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

aligreto

Marius Constant: Psyché [Constant]





Exciting, atmospheric, profound, intense, challenging, dramatic and compelling; I could go on trying to extol the virtues of this work which I have just heard for the first time. It is a captivating sound world.

A big hat tip to Jan [Traverso].

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Brian

I must be in a mood for enigmatic piano music this afternoon:

Beethoven - Bagatelles Op. 126
Sergio Fiorentino (live in Rhode Island from the 1990s)

Faure - Nocturnes 9 through 13 and Theme and Variations
Eric Heidsieck (from his big box)

Todd



The Clarinet and Bassoon concerti.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Dry Brett Kavanaugh

Prokofiev: Symphonies 1 & 5. Munich Philharmonic/Sergio Celibidache.





Bachtoven

Lauro's music is pleasant enough, but in small doses for me...not 2:15's worth! (I listened to about 25 minutes and took a break.)