What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 73 Guests are viewing this topic.

Ratliff

Quote from: ritter on January 21, 2020, 05:18:39 AM
Listening to Enesco's Symphony No. 2 in A major, op. 17, form this CD that arrived today:


IIRTC, I hadn't listened to this work for many years, and it's not difficult to realise why I've avoided it. There are some gorgeous sonorities (particularly in the slow middle movement, andante giusto), but this is Enesco at his wildest and most wayward as far as thematic treatment is concerned, with no real sense of form or development shining through. I'm actually dreading the third movement (which is just starting as I write): is this going to be another case in which the composer can't get a work's finale under control, and lets it drag on and on even when the musical ideas have been fully exhausted?  ::)

My impression of the Enescu symphonies is similar. Blindingly beautiful sonorities, but I have trouble following the musical argument.

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Tsaraslondon





This is such a great disc, showing the lighter side of Shostakovich. Splendid performances from all concerned.

\"A beautiful voice is not enough.\" Maria Callas

HIPster

Now playing:

[asin]B0046CUK4E[/asin]

Among my favorite Monteverdi Vespero recordings.  :)

Beautiful singing throughout.
Wise words from Que:

Never waste a good reason for a purchase....  ;)

San Antone

Quote from: vandermolen on January 21, 2020, 08:35:38 AM
I find the 'Alain' tribute rather moving.

I agree.  Durufle did not leave many works, he was incredibly self-critical, but each one is a gem.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: aligreto on January 21, 2020, 07:41:18 AM
Schubert: Wandererfantasie [Ashkenazy]





I find this is an exciting and engaging performance.

Magnificent!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: HIPster on January 21, 2020, 08:52:57 AM
Now playing:

[asin]B0046CUK4E[/asin]

Among my favorite Monteverdi Vespero recordings.  :)

Beautiful singing throughout.

Gorgeous.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: San Antone on January 16, 2020, 05:17:42 AM


I like everything about this recording, from the cover art to the performance.  Excellent addition to the Bernstein catalog.

If pressed to say which work Symphony No. 2 resembles, I'd say the Gershwin Piano Concerto in F.  I wonder why Bernstein chose "symphony" instead of "concerto"?

I'm in! This is a magnificent account!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Maestro267

Quote from: Ratliff on January 21, 2020, 08:26:00 AM
My impression of the Enescu symphonies is similar. Blindingly beautiful sonorities, but I have trouble following the musical argument.

My two cents: The sonorities are so blindingly beautiful, I'm willing to just let them wash over me. I listened to No. 3 earlier, and I'd forgotten how wonderful it is. I love these opulently-scored works! Quadruple woodwinds, six horns, six trumpets, a rich percussion section, and then the wordless choir in the finale, followed by that quietly ecstatic conclusion with the Sanctus bells and organ.

TD:

Tchaikovsky: Francesca da Rimini
Russian National Orchestra/Pletnev

Foulds: Dynamic Triptych
Shelley (piano)/Royal PO/Handley

Korngold: Symphony in F sharp major
BBC PO/Downes

Ratliff

Quote from: Maestro267 on January 21, 2020, 10:05:47 AM
My two cents: The sonorities are so blindingly beautiful, I'm willing to just let them wash over me. I listened to No. 3 earlier, and I'd forgotten how wonderful it is. I love these opulently-scored works! Quadruple woodwinds, six horns, six trumpets, a rich percussion section, and then the wordless choir in the finale, followed by that quietly ecstatic conclusion with the Sanctus bells and organ.

I do listen to then occasionally for that very reason.

For me the essential Enescu is the nonet, decet and chamber symphony.

Traverso

Quote from: aligreto on January 21, 2020, 07:41:18 AM
Schubert: Wandererfantasie [Ashkenazy]





I find this is an exciting and engaging performance.

Vladimir the Magnificent  ;)

Ratliff

Continued to the Bloch Scherzo Fantasique from the Jenny Lin recording



A spectacular work and performance.

On to the Minkowski recording of Handel Op 3.



Splendid!

Daverz

Quote from: Ratliff on January 21, 2020, 08:26:00 AM
My impression of the Enescu symphonies is similar. Blindingly beautiful sonorities, but I have trouble following the musical argument.

I have a soft spot for Symphony No. 1, which is easier to follow.

[asin]B00RDKD9XU[/asin]

(The Symphonie Concertante, unfortunately, is not one of his more interesting works.)

steve ridgway

Had a first listen to more of the Ligeti Masterworks box. Abandoned Le Grand Macabre, Nonsense Madrigals, Mysteries of the Macabre, Aventures and Nouvelles Aventures but liked the remaining Hungarian vocal works and the mechanical barrel organ pieces the sounds of which reminded me a bit of Emerson, Lake and Palmer (only better composed). The 100 metronomes was a good experiment that threw out some interesting rhythms in places, like the 1970s Krautrock group Cluster who used to simultaneously jam down several of the preset waltz/tango/polka presets on a primitive Italian drum machine 8).

Ratliff

Quote from: Daverz on January 21, 2020, 11:12:16 AM
I have a soft spot for Symphony No. 1, which is easier to follow.

[asin]B00RDKD9XU[/asin]

(The Symphonie Concertante, unfortunately, is not one of his more interesting works.)

I actually have that recording, although the only one I have listened to is the Downes, which sounds splendid.




Ratliff

Quote from: aligreto on January 21, 2020, 07:41:18 AM
Schubert: Wandererfantasie [Ashkenazy]





I find this is an exciting and engaging performance.

I've never heard any of his Schubert. I should rectify that.

Traverso

Quote from: Ratliff on January 21, 2020, 11:56:01 AM
I've never heard any of his Schubert. I should rectify that.

This one is very fine too


Daverz

#8518
Quote from: Traverso on January 21, 2020, 12:29:40 PM
This one is very fine too



I remember liking his Sonata in A major, D664 on Lp.



I'll have to look for it in digital format.

...I think the below is from the Decca Ashkenazy box:


https://open.qobuz.com/album/0002894832877

ritter

#8519
Moving on to Enesco's Symphony No. 2 in C major, op. 21 (a work I remember liking much more than its predecessor). Lawrence Foster leads the Orchestre National de Lyon.

[asin]B0007Z47J8[/asin]