What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Roasted Swan

Quote from: "Harry" on January 27, 2020, 07:23:55 AM
Well maybe I somehow missed the essence of those Mantras? But all the other works on this CD I found to be highly satisfying, so that was the best part of this recording. Crash Bank Wallop is actually a good definition for the three mantras, maybe my ears are not used to so much bangs :) I will buy more stuff from him, vocal pieces apart, some chamber music certainly, and maybe some of those Celtic compositions, I'll see.

Harry - much as I love light music and Foulds wrote some very fine music within the genre - most of the works with the "Keltic" tag by him are out and out light music - a world removed from the quarter tones and different use of modes of the Mantras or the Dynamic Triptych.  If you can find a reasonably priced copy - the String Quartets played by the Endellion quartet are superb.  He was a remarkably talented all-round musician.

Mirror Image

Britten
Six Hölderlin Fragments, Op. 61
Bostridge, Pappano




Simply exquisite.

Harry

Quote from: Roasted Swan on January 27, 2020, 07:36:05 AM
Harry - much as I love light music and Foulds wrote some very fine music within the genre - most of the works with the "Keltic" tag by him are out and out light music - a world removed from the quarter tones and different use of modes of the Mantras or the Dynamic Triptych.  If you can find a reasonably priced copy - the String Quartets played by the Endellion quartet are superb.  He was a remarkably talented all-round musician.

Right, I will be on the outlook for those SQ. Thanks for the tip :)
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Traverso


Florestan

Quote from: Traverso on January 27, 2020, 07:47:39 AM
I could have it for 20 and in very good condition ::)

What made you not to take the offer?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Traverso

Quote from: Florestan on January 27, 2020, 08:03:03 AM
What made you not to take the offer?

It must be stupidity or to put it more mildly,"my mind was engaged elsewhere" :D

Florestan

Quote from: Traverso on January 27, 2020, 08:29:27 AM
It must be stupidity or to put it more mildly,"my mind was engaged elsewhere" :D

;D
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Traverso

Mozart

Divertimento K131
Serenade K286
Ein Musikalischer Spass K522






Mirror Image

Britten
A Ceremony of Carols, Op. 28
Willcocks
Choir of King's College, Cambridge
Osian Ellis, harp



SonicMan46

Debussy - continuing the orchestral works w/ Jean Martinon - excellent; now, on a delightful disc of Orchestral Transcriptions of his piano works; next up two versions of the Debussy-Ravel-Faure Piano Trios, an oft combination - reviews attached of the first two recordings for those interested.  Dave :)

   

Symphonic Addict

Quote from: Mirror Image on January 26, 2020, 06:48:47 PM
You're welcome. I own a good bit of his music (all three symphony cycles). One area I'm not familiar with would be his chamber music. I read his string quartets are good --- any thoughts on these works? I might explore those whenever I get back into the composer.

I'm not familiar with his chamber works to be honest. Once I listened to one of his string quartets but I didn't feel it strong enough, at least I didn't on a first listen.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Quote from: vandermolen on January 26, 2020, 10:41:18 PM
I'm very fond of this stormy work as well Cesar, composed in hiding in occupied Belgium.

Now I recalled you had posted it before and I had followed that recommendation. Thank you!


Quote from: Roasted Swan on January 27, 2020, 03:02:11 AM
Prompted by your post I dug out my ENTIRE Sternefeld collection which amounts to this....!



Much to my shame I have NO memory at all of what I thought this was like but this morning I REALLY enjoyed this disc both in terms of the music and the performance.  I cannot make comparisons to the version above but on its own terms this Marco Polo/Naxos disc is very good.  Sometimes in this kind of repertoire I think the Moscow SO can sound raw and under-rehearsed.  Here they sound as though the music is fully engaging them - and why wouldn't it!  Your description above; "Spicy, violent, turbulent but tonal. Impressive work, the use of the orchestra is remarkable" is perfect and extends to the Mater Dolorosa Interludes too.  Thanks for the tip/reminder!

Oh the joy of YouTube - now listening to Sternefeld's 2nd Symphony here;

https://www.youtube.com/watch?v=JS7i39JfePs

much later work - early 1980's but very similar musical vocabulary.  Sub-titled "Breughel" - here is the note usefully attached to the YouTube file..... "Symphony No. 2 "Brueghel" (1981-83)

I. Dance of the Peasants and Bride in the Open Air (Allegro) [0:00]
II. Winter Landscape: Skaters and a Bird-Trap (Scherzo: Perpetuo mobile) [7:26]
III. The Parable of the Blind (Andante: Passacaglia) [10:25]
IV. The Triumph of Death "My venial dear's a venereal deer" (Allegro feroce - Lento) [21:36]

The second symphony by Belgian composer and conductor Daniel Sternefeld (1905-1986). Each of the four movements takes as its subject a painting by the Flemish Renaissance artist Pieter Bruegel the Elder (c. 1525-1569). The first movement evokes the "Dance of the Peasants" (1566; Detroit Institute of Arts), the second movement scherzo treats "Winter Landscape: Skaters and a Bird-Trap" (1566; Royal Museum of Fine Arts of Belgium), the slow third movement depicts "The Parable of the Blind" (1568; Galleria Nazionale di Capodimonte, Napoli), and the finale deals with "The Triumph of Death" (1562-63; Museo del Prado, Madrid). In the third movement, Sternefeld borrows a cantus firmus from the "Pallestina Song" (1228) by the German Minnesinger Walther von der Vogelweide, and in the finale, the composer quotes from the bawdy song "Een Venus-dierken heb ic uitvercoren" ("My venial dear's a venereal deer") from the Antwerp Songbook (1544).

Conductor: Meir Minsky
BRTN-Philharmonic Orchestra, Brussels
(1985 recording)"

Check it out if you enjoyed Symphony 1

Good to know you also enjoyed it! It's a thoroughly compelling work. I did listen to his 2nd Symphony on YouTube yesterday, and it's quite satisfying, albeit with more modern ideas. His depiction in music of those Brueghel's paintings is intriguing, even in a surrealistic way. Really interesting.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Some Nordic symphonies today: Atterberg's 4th and Holmboe's 3rd



The Atterberg on this recording didn't convince me enough to change my mind about the cpo one. I prefer the latter.

Holmboe's 3rd Sinfonia rustica is always a pleasure to revisit. The rustic feel to it is vividly perceivable indeed. Works with that appeal are a guaranteed hit for me. The 2nd movement Skammelsen-Variationer is one of the finest movements by this man. From the very beginning I feel hooked by that old and solemn theme. One of my favorites.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

SimonNZ



on the radio: Neruda's trumpet concerto

vandermolen

Kabalevsky: String Quartet No.1 - reminded me a bit of a cross between Miaskovsky and Borodin.
He is a composer I increasingly admire:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Brian

Quote from: aukhawk on January 23, 2020, 04:34:44 AM
And Rachmaninov.  And Janacek.


Is this any good?? Gardiner's Planets are fun, but I had no idea that this recording existed and never would have expected it.

André


The Left Hand Concerto with Casadesus and Ormandy:


Midway through this:

vandermolen

Quote from: Symphonic Addict on January 27, 2020, 10:09:46 AM
Some Nordic symphonies today: Atterberg's 4th and Holmboe's 3rd



The Atterberg on this recording didn't convince me enough to change my mind about the cpo one. I prefer the latter.

Holmboe's 3rd Sinfonia rustica is always a pleasure to revisit. The rustic feel to it is vividly perceivable indeed. Works with that appeal are a guaranteed hit for me. The 2nd movement Skammelsen-Variationer is one of the finest movements by this man. From the very beginning I feel hooked by that old and solemn theme. One of my favorites.
The 10th Symphony of Vagn Holmboe is the highlight of those discs for me.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).